Improvisational Piecing For Those Afraid of Improv

Yes, this still counts as Improv. It has precisely pieced curves, all made and squared up to the same size. It has a controlled grouping of fabric. It isn't at all what I thought I would make.

I define Improvisational Piecing as this:

Starting a quilt without knowing what it will look like when you finish.

This puts the emphasis on the process, on the path, on the exploration. It makes it about the act of sewing more than the fun of figuring out how to make something beautiful from that act. 

So when I started this quilt it was just to play with the fabric and the curves. Years later, when I returned to the fabric I kept the initial play and ran with it. I simply made the blocks. There was no finished quilt in mind. Obviously, my intent was to actually make a quilt at some point and not just a pile of blocks. But I had no idea what size that quilt would end up or what the actual design was going to be. I just made blocks until I ran out of the grey fabric. (To be perfectly honest, I'd wanted it bigger, but the fabric is years old and I was too lazy to try and hunt it down. So 54'' square is the size of the quilt.)

Then I had to figure out a layout. With quarter circles you have practically infinite design possibilities. I spent a morning sketching and colouring some options. I played on the design wall. I looked at the quilts of Jen Carlton Bailly, in particular. All cool and pretty, but not what felt right with these fabrics. In the end, I remembered the movement of a quilt I made with a stack of half square triangles. The design wall play worked!

No plan, no sketch, no pattern. Just a bunch of blocks turned into a quilt top. Complete improvisation.

If the thought of wonky or irregular cut fabric freaks you out - and I know it does for some people - but you are willing to embrace the challenge of an adventure then I suggest an exercise like this. Take precisely pieced building blocks, like a quarter circle, half square triangle, equilateral triangles, or even pieced coin strips and embrace some playtime. Make them without planning out a design, then try out a million and one different options for lay outs. This is indeed improvisational piecing. Don't let anyone tell you otherwise. 

Summer Play - Improvisational Piecing With Solids

A little bit of this, a little bit of that. We sew when we can.

The Improv triangle work started as a class sample. Then I liked it so much I kept playing. Still, I play. I set some parameters for the play. This is always a good thing to do, especially if you find Improv Piecing overwhelming. These are mine:

• Two colour blocks, high contrast in value.
• Only solids.
• Fundamental construction revolves around the techniques I share in my Improv Triangles class.

I've invested in some more solids because my stash is minimal in that department. These are all a combination of Cloud 9 organic Cirrus Solids (so seriously dreamy) and Kona cottons. I work only 2 colours/1 block at a time. No rhyme or reason to my choices other than I think those two fabrics look fun together. 

Kids started summer vacation over the weekend. And we were going hard with activities until that Friday night. We are all totally pooped. The sum total of the sewing I've done (minus the quarter circles that got me on a tangent) in the last month is right there on my design wall. Hand sewing my Euroa quilt while still on pool decks and soccer pitches, and little Morning Make triangle bits slowly, ever so slowly adding up. Whether it is after dinner frisbee tossing or sewing triangles together, I'm having fun with this summer playtime.

Oops

A certain Britney Spears song is running through my head right now.

I was on a finishing quick. Trying to turn blocks in to quilt tops, basting a few quilts, and making more blocks for others. No real reason other than a desire to have things move around on the list and maybe get a finish or two. Then this happened...

You see, I was prepping for a class. Wanting to augment my existing class samples I decided to try something else. I did that one thing, shared it on Instagram, someone commented on it, that led to another idea, and I went ahead and played. So bits of that piece on the bottom left became an attempt at shark fins on the top. But I couldn't quite get the shark fins to look right so I kept trying. Frankly, then, they started to resemble orcas more than sharks. It was at that point that I got the idea for a whole pod of orcas/sharks. 

That bit on the bottom left also greatly intrigued me. I decided to pick two other high contrast solids and play some more. The blocks are made up on different sorts of improv triangles (that's what my class was on that day). I am completely in love with the interesting shapes that come from sewing the different components together. Positive and negative space at work.

So I did what any respectable quilter would do when faced with two fun ideas would do - I went shopping. My solids stash is actually quite minimal. I picked up a whole bunch of blues to add to the pod and add variation to the ocean background. Then I snagged a bunch of random coloured solids. 

These are both excellent Morning Make projects so they will certainly be in the rotation. Let's see what I can finish before the fabric arrives.

All The Sundays

All The Sundays

70'' x 70''

An oh so special quilt is finally finished. I wasn't impatient or anything, but as soon as the last stitches went in the other day I realized how much I wanted this quilt to be done. Only so that it could be real, that it could be a thing I used and loved.

The first bits of piecing in this quilt started years ago. I was teaching a Slab class, the technique popularized in my book with Amanda Jean, Sunday Morning Quilts. In my prep for the class I grabbed a bunch of scraps from making the quilts in A Month of Sundays. They were handy, that's all. I had no specific plan. So I made my samples for the class and that was that. A bit later I was reading Denyse Schmidt's book, Modern Quilts, Traditional Inspirations. Her Shoeman's Puzzle quilt grabbed me immediately.

I'm not sure when the moment was that I decided to combine all these influences into one quilt, but it happened. And it was love at first sight.

It wasn't an easy quilt to make. I made freezer paper templates to keep me on track. Those didn't come into play until after I'd made slabs though. The templates were totally necessary to keep lines as they should be, especially important with all those angles and bias edges. Of course, then there is the removing of the paper. Thankfully there are only 3 seams in each block, about the easiest paper piecing you can do.

The quilt top sat for a year and a half in the closet, keeping a dozen other quilt tops company. I wasn't quite sure what I wanted to do to quilt it and was willing to wait until the right idea hit me. Or, the right person to do it for me. 

Last summer I met Dara from Stitched Quilting Co. Turns out her MIL lives a few blocks away from me. We had a few visits and chatted quilting, dogs, and mothering. Well a couple of months ago Dara messaged to say she had an opening in her long arm schedule and delivery ready, if I had a quilt to go. Seeing as my Quilts Under Construction list is quite long I wasn't about to turn down the opportunity! This quilt made the cut precisely because I didn't have a plan for it and I already had a wide back purchased and ready to go. After a frantic evening of pulling papers and a few repairs I got it to Dara.

With so much solid expanse in the whites/creams of the quilt top this needed a special touch. Dara gave it just that! Such custom, detailed work. So much attention to detail. There are secondary and tertiary patterns in this quilt top and her quilting highlighted them. I'm thrilled with the outcome.

For the backing and binding I chose to go back to my dear friend Amanda Jean's fabric, Good Neighbors. She had a wide back fabric in that collection. And the orange dot was absolutely perfect for the binding. Conveniently I'd just ordered a half yard of it, the perfect amount. And lucky for me, because neither are available anymore!

My husband will happily tell anyone that we have a ridiculous amount of quilts in our house. He is very obliging if we are asked for donations or gifts. Little does he know that this quilt will never leave my hands. It represents so much to me, not to mention that I think it is absolutely beautiful. I will always think of friendships, how my career has grown, and the history contained in some beautiful fabric.