Jewel - And Why I Would Make a Bad Influencer

Jewel

53” x 75” (ish)

She lives her life a little haphazadly. She will come into a room and leave a flurry of herself behind. You are happy she was there, but a tiny bit frustrated by the mess she perpetually leaves behind (literally and figuratively). She sure is a joy! Funny and chatty and she gives the best hugs.

Long before there were influencers, many of us were just called bloggers. In fact, I can remember going to Quilt Market in the early 2010s and feeling the disdain from companies when you told them you were a Blogger. We had a reputation, for sure, that fed the negative stereotype of what we call an Influencer now. But I learned back then that I would suck at the job and this quilt proves it.

Shortly after my first book, Sunday Morning Quilts, came out, I learned that Jennifer Sampou was married to the CEO of CT Publishing, my publisher. After discovering this at Quilt Market I did not hesitate to fan girl with her because she was the first fabric designer that I remember noting. Before her fabric in the late 90s, early 2000s, I only noticed the fabric, not the designer. So there I am gushing about this little daisy print I used on my very first quilt (and many more subsequently) and she tells me she is relaunching as a fabric designer and would love to send me some fabric to play with. And she did!

This was back in 2013. 2013.

I did play with it a little and then put it all in the closet and forgot about it. I found it in the studio move and pulled it out 6 months ago again. So twelve years later I actually used it and finished a quilt with it. Twelve years. This is why I stopped calling myself a Blogger all those years ago and why I can’t accurately call myself an Influencer now.

My initial play paired some cuts from a jelly roll or two with a background fabric. I made some components and did not make more for over a decade. When I rediscovered all of it I found all the fabric too. It wasn’t hard at all to finish off the top. Just a few hours of sewing, really. Then I used a bunch of the fabric to piece a wild backing.

(Funnily enough, I clearly liked some of the fabrics because I have bigger pieces in my stash and know I’ve used some of these same prints multiple times, yet I never touched all of this fabric!)

An invitation came to donate another quilt to a tapahtêyimôkamik elder. After meeting her I knew this particular set would be a perfect fit for her. It also made the choice of the rainbow variegated thread for quilting so much better. I quilted her on a rented long arm.

The binding was made from some leftover pieces of the jellyroll. They are already 2.5” wide afterall! And then I didn’t need to pick anything specific for the frame of the quilt.

I still have a lot of the fat quarters from 2013 left. I don’t know if this will influence you or not to buy Jennifer’s fabric, but I know many of those prints are still available in some stores, not to mention her gorgeous ombres. but it’s safe to say it’s been this long since I got or shared any free fabric!

My Scrap Dreams Coming True

I’m not sure what is going on lately, but I have been having some very vivid dreams. It’s happened to me before, but medication was the cause. This time, I have no clue what is happening, but I’m leaning in to it. So when I had a dream about a quilt, I had to make the quilt.

Seriously, I had a dream about a very colourful quilt made from traditional blocks. The block itself wasn’t distinct, but the colour was. That day, when I arrived at the studio I immediately went searching for a potential block. I grabbed a favourite book - Barbara Brackman’s Encyclopedia of Pieced Quilt Patterns - to browse for ideas. Rather, to search for what I might have dreamt about. In the end, I settled on one specific block, which she calls the Crocket Cabin Quilt.

Sadly, my dream wasn’t super specific on the block in question. Or maybe that was a good thing? I mean, what if I didn’t like the block? Regardless, I chose block 1123a, the Crocket Cabin Quilt block. Why? Mostly because it was simple, graphic, and just felt right. The math was pretty easy to figure out as well, considering the block only has half square triangles and plain patchwork.

The first experiments were straight out of the scrap bin. That is, I dug in to the colourful bins on my cutting table and picked two contrasting fabrics. Block 1 was a success so I tried another one, and another. I played around with values, making the dark the bowtie, then making the light fabric the bowtie. I couldn’t decide which I liked better, so I went with both. After only a few blocks it was apparent that I was indeed starting a new quilt.

When I made that decision I also put some limits on my fabric selection. This is primarily to satisfy the vision I had in my dream.

• No low volume fabrics

• No black backgrounds either

• Value is only relative within the block (it doesn’t matter if what is light in one block would be a dark in another)

• No repeating fabrics, each one is only used once

There is no special reason for these limits, it’s only just what feels right for me, for this project, for right now. I am shopping for the fabrics from my scrap bins first. I’ve found some classic gems doing this! Of course I have loads of scraps, but they aren’t always big enough. Then I go to my stash and pull out fabrics that might need to be trimmed a little or not. It will not be hard to get enough fabrics without spending a penny.

How big will I make the quilt? My default size is usually 80” x 80”. I made the blocks to finish at 8” square, so that means I will need 100 blocks (and 200 unique fabrics). I’m currently sitting at 43 made, with a few more cut out and ready to sew. I’ve been making 1-4 each day that I am in the studio. No great rush, but it is a nice way to round out my days before returning home.

Dreams really can come true.

Zoe - Park Applique Quilt

Zoe

90” x 90”

Preferring the background to the spotlight, yet refusing to be outshone, Zoe is a strong woman. She will always work hard, with or with out credit, but never dismiss her. She was there at the beginning of the fight and is still there, supporting those with more energy for the battles. Quick to hug you, a twinkle in her eye, and just the right touch when you didn’t even know you needed it. She is the mom who knows you better than you know yourself, even though she never had kids of her own. Not really an option for her, truth be told. Now, though, she is mom to all her girls.

A long time ago Carolyn Friedlander convinced me to try applique. She promised me that I would like it with the right tools, patterns, and techniques. She was not wrong. I know the basics, even took a class or two as a beginner quilter, but it never stuck. What I didn’t like about it was that it was so much prep before I could even get to sewing. At least, the way that I was taught required a lot of prep. But Carolyn’s way is straight from cutting to basting (which is sewing) to stitching. Plus, her patterns are modern and gorgeous. I started with her Alturus pattern and learned a lot.

Over 10 years ago I started using her Park pattern to teach applique here in town. Park is a great pattern for beginners because it has inside and outside corners, curves and straight lines, and looks cool. To make my initial samples and the blocks I used in classes I chose from a stack of fabric I’d sent to Lisa Flower, which she painted. Quite quickly, I decided to keep making blocks. Inspired by my initial pull sent to Lisa I added fabrics as I went.

Somewhere along the way, one of my husband’s cousins moved to the Province. We would visit in Edmonton and they would visit here. Quite quickly, it was clear that her girlfriend was definitely going to be her wife one day. I don’t remember exactly when, but I decided that these Park blocks would be a wedding quilt for them when they did get married.

The top was finished in 2017, more or less. It took me another year or two to trim the fabric from behind the applique so there was no shadowing. It’s always a nervewracking process. Then the quilt sat and sat. I came across the Suzy Quilts wide back at a local sale and matched it to the quilt. All of this before the wedding happened. That came in 2020, a small pandemic wedding.

Yes, I did just finish the quilt.

The fabrics include so many favourites and such a yummy colour combination. I enjoyed pairing fabrics and then figuring out a layout that works. It’s bold, with the odd quiet moment. Some blocks are very high contrast and some are a bit confusing. In pairs, though, the combinations are always interesting.

It’s always a little tough to quilt an applique quilt. Or, at least, to decide how to quilt an applique quilt. Or is that just me? Rather than outline the shapes I went for straight lines in a grid, each line 2” apart. It’s easy and will be more than good for holding everything together and still be cuddly.

I went with a great contrasting binding. The ladies’ house has a lot of green accents so I decided to add that colour to the quilt. Thankfully, it works well with the existing fabrics.

In all honesty, I don’t know why I procrastinated so much with this quilt. It took less time to make the 25 applique blocks than it did to turn the top into a finished quilt! (Aside from the two months I lost quilting when my machine broke and went in for service.) Oh well, it is done now and I am already getting photos of the family (yes, they have a kid now too) snuggled. That’s all that really matters.

And now, I’m already making more blocks! When moving the studio I discovered a couple more blocks. Leftover class samples? Regardless, I realized that with these blocks and a few more additions I could make a small version of the quilt. The little guy of the family only wanted a baby doll for Christmas so I am making him a quilt just like his Mamas’ for his baby.

Wren - A Scrap Quilt of Happiness

Wren

78” x 80”

She’s the joyous girl of sunshine. She grew up in a hippie community on an island. It’s easy to be easy going when you grow up surrounded by peace and love. Sure, there is always an underbelly to that and life is always far from perfect. She chooses to move forward with love, however, no matter what happens. As a result, she spreads that calm and joyous nature to the people around her. At night, she retreats and regroups, a little bit alone in her personal sorrow. But without pain you can’t feel joy, right?

This quilt was a wonderful bit of therapy. I mean that both in the making and the end result. She started from a literal pile of scraps that my son threw on the floor as a toddler. Rather than put them away I started sewing them together right from the floor! Fast forward a decade and I pulled it out to make it bigger through some play.

You see, a few eyers ago I faced a rather deep hole of depression. No specific trigger or anything, but life was hard and I turtled. It happens and I am grateful for the support of family and friends and therapy and medication that helped me through. But there I was laying in bed one day, the quilt over me reflected in the light fixture above. The pinks in the chrome with the spots of crystal struck something in me. At that moment I decided to pull out some pink fabrics and play. Why pink? It’s simply a happy colour to me. I made one quilt top, then I decided to play with another. The first one I am in the midst of hand quilting, the second took a trip to the long arm rental with me. She’s done now.

That light fixture has seen some things! It was such a splurge for a light that we don’t actually turn on much (I am one of those people who doesn’t like to be in a room with overhead lights on.) Despite that, she brings me joy every day, reflecting the room around her and the light itself.

After making the initial quilt top a functional size, I set out to make a back that gave me as much joy as the front. I used some precious, favourite fabric from Denise Schmidt I’d been holding on to plus a few others from the stash. Life’s too short for an ugly quilt back!

This was not the quilt for fancy quilting. It is essentially one giant slab quilt with a riotous mix of fabrics. Quilting is for texture here more than anything. That being said, I ended up getting a bit fancy! I started with wavy lines across the quilt in pink, peach, and yellow. Sometimes they overlap, mostly they don’t. It wasn’t until I was off the long arm that I decided on some additions. My first thought was the odd line of hand quilting in waves, just for fun. Then I decided on some words. If this was the quilt that helped me through my depression, then I wanted some reminders to keep my mental health in a good state. So I started stitching words right in to the quilt. Both embroidery and quilting in one.

Connect

Relax

Laugh

Walk

Make Love

These are the actions I need to remember moving forward. As I healed, I learned that I need these things (plus creating, but that is a given) to help me on a regular basis. If I do these things, I can make it through anything. Stitching them through the quilt was a good moment of reflection, and their subtlety in the quilt is like a little message for me - or anyone else - using the quilt.

Of course I wasn’t quite done with the hand stitching. After finding the perfect pink binding (an old favourite from Emma Jean Jansen) in my stash, I went with the big stitch for closing the binding. Yes, this works well and holds up to washing, in case you were wondering. It’s a rather nice way to put a finishing touch on a quilt full of love and joy.