When a Professional Hockey Player Makes a Quilt

It all started with a simple text. My nephew had asked for a quilt to gift to a teammate. We’d done this a few times before, so it wasn’t odd. Then, one day, I was playing with scraps in preparation for the Quilters’ Playcation Adventure Sewalong and sent him a pic of the slab in progress, with a little tease. Instead of just handing over a quilt he should come and help me sew it.

So one day, a few months back, he showed up at the studio and sat down to sew. His mom, my sister in law, is also a quilter. Along the way she’d already taught him how to use the sewing machine. Phew! I pulled out the scraps, did a quick reminder, and he went to town on his very first slab. We chatted and sewed. It was an absolutely wonderful break in the day for both of us.

To be perfectly honest, I thought that would be it. He made one slab, about 16” big or so. His job done I assumed I would make the rest of the quilt.

How wrong I was!

In between games and training and road trips and rest and visits with a new girlfriend he showed up to the studio and kept sewing. Very quickly he realized that the time with fabric and our time together was an excellent stress reliever. We were having fun, and as I’ve said to anyone who will listen (and many who won’t) learning a new hobby is a great way to have the rest of the world melt away.

In our second session together he added to the first slab and made an excellent design decision. I promise, it was all his own idea. He thought to break up the slab by adding in a band of a colour. We auditioned a few choices and he went with the orange. A perfect choice. After that we made more slabs and assembled the whole top. By that point he was keen to be involved in every step of the process.

Except the quilting. He said he wasn’t ready for that yet.

We were getting close to our deadline (baby being born and the end of the season) so he missed out on basting the quilt. Honestly? I think he was a little sad, but they were on a road trip and I needed to get going on the quilting. After I basted it I settled in for some time with my free motion. He went home one night with a collection of my machine quilting books and picked pebbles as the doodle of choice. It ended up being a nice contrast to the angular nature of all the piecing. For thread I used my go to colour choice on a multicoloured quilt - Aurifil 2882, Light Fern. Olive Green, Aurifil 5016 is pretty good too. Whichever one is handy, really.

It was down to the final minute when it came time to bind. He really liked the idea of using the same fabric as the orange band for the binding. Unfortunately, we used all I had for the band and no local stores had it in stock. It’s not actually a solid, but a textural print from Libs Elliott. Thankfully she confirmed the colour for us and I found it in a Canadian store. Did Canada Post cooperate though? Not so much. But Lucas showed up to the studio for a chat and the hope that it was here and boom! It arrived 15 minutes later. We got the binding cut, pressed and attached that day. Then it was time for a hand stitching lesson. He wanted to finish it with some big stitches, instead of invisible and I had the perfectly matching Valdani thread. I tried, folks, but he would not go for a contrasting thread. With a little sewing kit I put together he went home and finished it.

Don’t worry, it’s labelled too. He actually signed the back before I quilted it so the label was already on.

He finished and gifted it in the knick of time. All throughout the process he let me take pictures of him because he was sure his friend wouldn’t believe it - that he actually made it.

Folks, I was totally impressed by this kid. I can say kid because he is my nephew, but he is in twenties and towers over me. He dove in, taking a real interest in the design process, enjoying creating something from nothing. He now looks at my quilts and even colour a bit differently. Ho notices potential in the real world. Will he make another quilt? Who knows?! We don’t know where he is playing yet next year. If back in Calgary I am sure I will have him in the studio again, if he wants. And he’s told his mother he would like to quilt with her too.

Flying Geese Exploration

I was just doodling, I promise.

After doing some computer work that required notes my mind was wandering. I had the computer open and a pad of graph paper next to me. Ignoring technology I picked up a pencil and started doodling on the paper. That night I started sewing some quilt blocks.

There isn’t anything fancy or revolutionary about what I doodled or the play I started, but it was relaxing. Knowing my solids scrap bin was overflowing I started there with my fabric. My doodle required contrast so I chose to explore warm/cool contrasts rather than any specific colour. And it’s just play, not a quilt, so I could try different combos and see what happens, right?

The only really shocking thing about this is that I chose to play with precision piecing. Definitely shocking with me. I’m making 2.5” x 4.5” flying geese blocks. Accurate cutting and piecing required. Still mindless, but definitely not improvisational piecing. I’ve got improv in the colour play, so I am still left satisfied.

As is usually the case with play rooted in experimentation it may not always go how you thought. When pairing fabrics to make the flying geese blocks I paid more attention to warm/cool contrasts than value contrasts. It totally works. But then the overall effect isn’t the same as what I initially sketched. My original idea was to effectively have one giant medallion. Without value contrast, however, it was looking like a mess of triangles only, no design visible. So I started sorting the blocks by the cool values. This has potential.

Like most of my quilts this one started with a “let’s see what this does” kind of attitude. If you are a little kid with a stick and a light socket, that means danger. But an adult with some fabric, it only means fun.

Agathe - October Morning Make Finished

Agathe

66” x 74”

Agathe is a German women. She grew up running the fields of her family farm, hands trailing in the grasses as she eyed the woods ahead. She wasn’t allowed in the woods, bad people could be there. The same bad people that loaded the trains they sometimes saw. The same people who knocked on their door at night demanding food. Agathe was still allowed in the fields though, even if her parents insisted she be in their sight at all times. Not until she’d moved to Canada did she really understand their fear. By then she also understood that they gave her freedom from fear by still letting her run the fields on sunny days. All her life she knew to take pleasures in the feel of flowing grass under her hand, of good pastry, of daily sunshine. Even if life isn’t good around you, to look for the simple pleasures.

October 2020 Morning Make is finished. I named her Agathe.

One improv block a day for the month of October. Composing as I went, playing the entire time. Some days the block related to the day before, some days the connections were harder. Each day was about finding a bit of joy, a respite from the daily slog of life in 2020. And at the end of the month I had a finished quilt top!

Fast forward a few months, one afternoon with my girls helping me baste and 8 spools of thread later and I have a finished quilt.

To quilt her I used my walking foot and creating a map of parallel lines. In spots I followed the lines of piecing, in others I went against the flow. There was a lot of starting and stopping, a lot of threads to bury. (This time I was smarter and buried them in spurts as I went while we watched Brooklyn 99.)

It is no secret that I love a contrasting binding, but this time it didn’t feel right. She got the same black binding used in piecing. It’s actually a tone on tone from my Tag Fabric collection. The other two fabrics are a cream solid that I think came from my Baba’s stash because it smelled like her when I pressed it, and a random white solid I found in the closet. The cream is actually more like a pale yellow, which I didn’t realize until the whole top was done. That’s what happens when you do all the sewing in the dark of morning.

Making this quilt really was an escape. From the piecing to the quilting to the binding. It was a respite from daily life, a moment to give myself where the rest of the world melts away. The grass isn’t green here yet, but the hares are giving us smiles. I even had one check things out as I was snapping pics. Life goes on. Life is beautiful. Finding the simple pleasures.

Angular Momentum

Angular Momentum

73” by 68”

My daughter, The Monster, named this quilt. She also helped baste it and held it for the photo shoot. Let me tell you, having teens has its advantages! Another one of those being the ability to sit and sew for extended periods of time without having to wipe a bum, get snacks, or fix the TV. Things sure have changed!

What hasn’t changed, however, is my love for all things Improv. It never will, it is totally my Love Language.

This particular quilt began life as a bit of play in 2017, the summer of 2017. One of the blocks in here actually inspired my Shiver quilt! I finished the quilt top itself in the summer of 2019. And I put the last stitches of the binding in just before the end of 2020. All in all, that’s pretty quick for me!

The entire quilt was an exploration of just a few improv techniques, led by a study in triangles. I made each block of the quilt with only two contrasting solids. I really did not think about how they might all look together, only how the two colours looked side by side. Selections came from my small stash of solids. This meant I was limited to what was on hand. Sometimes blocks are as big as they are because that’s all the fabric I had, sometimes I felt the composition of the block was good so I stopped.

The whole thing ends up being an exploration of positive and negative in colours as well as value. This makes you see different shapes or lines. (Is that a dragon’s tail or a zipper?) Playing with scale within blocks and among the blocks keeps it from feeling same same across the quilt. As does changing up the technique all over. There is so much to see, so much to study as you look at this quilt.

When it came time to quilt this I had a very specific free motion technique in mind. I spent a while doodling it on paper to make sure my brain understood how to make it work. It’s one thing to have the look in mind, quite another to translate it through the needle. Although it was terribly time-consuming, every minute was worth it. I LOVE the way it turned out. You could absolutely scale up this pattern so it isn’t quite so dense.

My go to thread on a quilt like this - multiple colours without a singular story - would be an olive green, but I had none. We’re still staying home so I picked something from my thread stash instead of shopping. Pink it was! I was pleasantly surprised at how well it performs in this quilt, never really being bossy, allowing the texture to be front and centre. The pink I used was Aurifil 2479, really nice medium pink.

For binding, that pink thread definitely influenced the fabric choice. I know a lot of people might have picked a single solid here. Or maybe a black and white stripe. Both would have worked. I also did not have enough of either. Besides, I wasn’t feeling those options anyway. That pink thread inspired me to look in my pink stash and as soon as I rediscovered this stripe I knew it was perfect. Unexpected and bold, but it doesn’t steal all the attention. You know me, I like the contrast on a binding.

The back came together with some panels purchased at a store close-out a handful of years ago and some of my own Tag Fabric. The pink kind of glows here, doesn’t it?

My plan is for this quilt to be a teaching sample, stay tuned for those details. In the meantime, it is already in heavy rotation in the house. My son grabs it when he wakes up in the morning for snuggles with me or the dog. It’s also keeping me warm now that winter truly arrived as I read on the sofa. The whole thing is such a shot of necessary colour right now.

That’s 3 quilts finished in a month! Who am I?

PS

Lest you think I am some kind of a machine, check out the full glamour of quilting literally in the middle of a blanket fort over the Christmas break.