Hazel - From the Archives to Cuddles

Hazel

56” x 72”

Like her namesake eyes, no one can ever quite get a perfect read on her. She’s a bit mischevious but still follows the rules most of the time. She’s shy, but a deep conversationalist. She loves the beach but hates the dirt. You can be two things at once.

My stash is deep, and that includes many unfinished projects, sets of blocks, teaching samples, and a bunch of random things. I’ve been carrying around this bin of started blocks and chosen fabric for over a decade now. I pulled it out as part of my series: Old Projects Cheryl Has Laying Around, What Should She Do With Them? These blocks come from on of the patterns in my book, A Month of Sundays. The original was calm and inspired by beach grass. This version? She’s a Hazel.

The pattern itself is super easy. I think I started with 10 blocks already made and some strips cut. I did the rest of the cutting, sewing, pressing, and even assembly in a few more hours. Not counting the futzing on the design wall to get the layout just right.

For quilting I went really easy on myself. End to end wavy lines in a light pink. It emphasizes the linear nature of the blocks but also softens them. I had a day rented on the local long arm and this was a very quick finish. And score! Found some Liberty cotton in the clearance bin to use on the back.

To bind the quilt I had just enough of this mint green and white stripe. A lot of the fabrics came from a collection that was released about 12-13 years ago from Cloud 9. I used the stripe in other colours in the quilt itself but saved this green for the binding. With my much improved machine binding skills it became a perfect frame for the finish.

Hazel, like a few others, made their way into new homes this summer. A warm treat for some special people. More on that in another post.

Yesenia - 'Modern' and Minimal Log Cabin Quilt

Yesenia

70” x 70”

This girl is a bundle of energy, when you get to know her. She is warm and welcoming to all, but saves the best of herself for her friends. But don’t worry, she is quick to make you her friend. With an infectious laugh she can make anyone smile. With a great hug she can make anyone feel loved. She gives so much there might not be enough left for herself, so this quilt is a way to give herself a hug.

A good family friend, my MIL’s best friend, is going through a challenging time and deserved to be hugged, to be reminded that she is loved by many. When I heard her news I immediately wanted to make her a quilt. There were some time constraints so it had to be a quick finish. In consultation with my MIL I went though the available quilt tops to see if any of them would work. Turns out the answer was no, our friend is more of an earth tone person than any of my quilts. Unphased, I went through sets of blocks and samples to see if any of them would work. This collection of log cabins was the winner!

The set of six blocks were made as a sample for my friend Janine at Uppercase Magazine when she was launching a fabric collection. I’ve made a few things for her over the years, but with this set she wanted in progress, not finished quilts. The blocks have sat for years since, with me only pulling them out as samples when I teach my Traditional Variations class.

The bonus challenge set by this project is the use of sage green. You see, sage green is probably my least favourite colour. And it is our dear friend’s favourite. Thankfully, these blocks played well with sage. There is a touch of a yellow green in a few of the fabrics so I added yellow and green into the mix. I did have to make more blocks so it was an easy add. This only would make the quilt 60” square, however. In my opinion that is on the small side for a snuggly quilt. Instead of making more blocks I opted for a border.

What? A border? You, Cheryl?

Sage green and a border, I don’t know who I am anymore.

Oh right, I’m someone who wanted to give out a hug that would be truly appreciated. I’m still me, though, so I had to do the border my way. That’s why it is only on the two sides, creating an off balance composition. It’s a bit of tension that seems to work.

The whole thing reminds me of the rise of modern quilts 20 years ago. For quite a few years a modern quilt was defined by a log cabin, wonky or not, with a lot of negative space. This quilt comes across as a little throwback to those times!

To quilt her I opted to contrast all those right angles with flowers and swirls. Most of the fabrics are tone on tone so the quilting is very visible. And to up that sage green I picked that exact colour in my thread for the stitches. The whole thing was done in a few hours on a rented long arm at one of my local quilt shops, My Sewing Room.

I had no good fabrics for binding either. I wanted a softer edge versus high contrast. Did I have that in my stash? Of course not, thankfully this beige was perfect and found at My Sewing Room as well.

From blocks on the design wall to a delivered quilt it was only 3 weeks. A record for me, especially in December! Totally worth it as it is coming in good use to give hugs through a trying time.

Theodora - A Modern Tree of Life Quilt

Theodora

50” x 50”

It wasn’t her greatest desire, moving West. She had a comfortable life in a respectable home. Growing up in town, in a house her father purchased, not built, meant that Theordora had no notion of what it might really be like to move to the Wild West. But she was in love and her husband wanted to go. At least she wouldn’t have to be a farmer. That’s what she told herself, at least. Her husband was a gentleman and would be working for the government. In the city, not the farm. That notion was small comfort when she arrived in Calgary. It was still rather wild for her tastes. They found a small house, she joined the church, and soon made friends with the other women brought by their husbands. It was one of these friends that introduced her to quilting. Needlework, she knew, but quilting was a new skill and a handy one when the long winter nights settled in. She could piece her little triangles while her husband read and it almost made it worthwhile, the homesickness.

Theodora is a modern interpretation of a Tree of Life quilt I found in the Heritage Park quilt collection. I’m making up the story here, but the original quilt inspired both it and the quilt here. A few years ago I was asked to teach at Heritage Park’s Festival of Quilts. My idea was to look at quilts in their own collection and create a modern version of it for student’s to play with.

I took the original quilt, wrote a modern pattern that uses only half square triangles and squares for simple patchwork construction, then had some fun playing. This is one version I made, drawing from the original colours but scaling up the size of the block.

Theodora takes blocks I made as samples for that class 3 years ago - made into a finished quilt top earlier this year - and finishes it up. My daughter’s pentathlon coach and his wife are expecting their first baby. With a woodland themed nursery and a love of Heritage Park this seemed like the perfect gift for them.

To tone down the greens of the front I added a contrasting backing with fabrics hiding in my stash. They provide a bright contrast in colour, making this truly a double sided quilt. I love doing that, especially for baby quilts, so there are more options for use. Continuing the woodland theme I quilted it with a woodgrain free motion pattern on a rented long arm machine. While I often recommend olive green as a magical blending colour for quilting, this time it was perfectly on the nose.

To make the binding I hunted through my stash for the perfect green. Normally I like a contrasting binding but that didn’t seem like the right move here. With so many greens - shades, tints, low volumes, perfect hues, limes, emeralds - in the quilt itself, any green can indeed be perfect. The perfect green ended up being the only green I had enough of in my stash. So I am calling it perfect. I did a common 2.5” inch double fold binding, hand stitched on the back.

And I can’t let you go without a bonus treat from the photo shoot. To capture this quilt I stole away to the area just outside Heritage Park. There is a little wooded area next to a wetland. It’s at a confluence of a parking lot and a couple of busy roads, next to the main reservoir for the city. It may look like I am in the middle of the forest, but I am actually in the middle of the city. And just as I was hanging up the quilt on a line strung between two trees a friendly visitor joined me. She was calm with me being in her space so I thanked her, took my pictures quickly and left in the opposite direction to avoid bothering her further.

Tree of Life Modern Quilt Interpretation

If you’ve been with me for a while you know about my wonderful list of Quilts Under Construction. I keep all projects that have progressed from an idea to a potential quilt to a nearly done project on that list. I update the list a few times a year, crossing off and moving things from different parts of the list. It isn’t fancy, just handwritten on a sheet of paper on a clipboard I keep in a drawer. It covers finished Quilt Tops, Quilts Being Quilted, and Blocks. It only enters the list when I’ve decided that some play or an experiment are actually going to be made into a quilt.

The reason I love my list so much is twofold. One, it gives me a direct appreciation for the time I’ve spent creating. It serves as a living memory of all the things I’ve done and can do. History and potential in one. Two, whenever I am blessed with some time, inclination, and less than normal motivation I can consult the list and get inspired. One day I might be in the mood for some easy piecing so I can consult the list and grab one of those projects. Maybe I actually, freakishly, have the desire to baste a quilt so I can see what is ready and has a backing made. Having it on paper means I am not storing it in already busy brain. In other words, I don’t have to open the already packed closet to see what might fall out!

So a few weeks ago I pulled out my list because I had an afternoon and felt like piecing. My tree of life blocks captured my attention. I had 4 blocks and vaguely remembered thinking 5 would be enough for a quilt. No problem! I could make one more block. So I did. This size (18”) is fiddly as you have to make a lot of 2.5” half square triangles but it’s not rocket science. One more block done with ease.

These blocks came in to being, firstly, as a sample for a class I did in conjunction with the Heritage Park Festival of Quilts. I took a quilt from their antique collection and created a modern version. This was one sample, then I made a few more, and now I’ve made 5.

At this point, I could have set the blocks aside but I loved where things were going so I went to the stash (and then the store) for some greens to border the blocks when set on point. My math was off so it is a bit wonky but it works well enough and will be fine with quilting.

Now I can move this set of blocks to the other side of the list for quilt tops. All the satisfaction.