Pat - Playing with Scraps and Slabs

Pat

44” x 44” (ish)

Great grandmother, grandma, mother, wife. From British stock to Canadian stalwart.

This quilt was very recently gifted for an upcoming baby in the family. 28 years ago I made my first ever quilt when I found out my (future) sister in law was expected her first child. That boy is now married and they are expecting their first child. This quilt is a gift for that upcoming baby. Isn’t that a full circle moment?!

As a quilt teacher who loves her scraps, one of my most often made samples are slabs. In the last year I had made a handful of them during classes and they were just hanging out. After one event this spring I decided to add to the pile with some alternate values in the same colours. In the end, I made the 12 slabs you see on the left. However, I felt like these blocks - if they were going to be a quilt top - needed something a bit more. Not a right or wrong situation, but a “why not” kind of thing.

It’s been a while since I made precise curves. I’m usually all about the improv, but precision felt right for these particular curves. Yes, I had to look up my own instructions because it’s been that long. Good thing I have them in this book!

Piecing out of the way, I turned to quilting. After an afternoon flipping through both free motion and straight-line quilting books, I returned to a doodle I’ve done a few times. I don’t even have a good name for it, maybe a connected triangle meander? See? Not a good name. You can see it better below.

The real stars here, let’s be honest, are the corners. Look at those curves. So freakin’ adorable!! You do have to make a bias binding to do this well. Not hard, but definitely uses more fabric. I made the entire quilt from scraps and stash - including the backing and the batting - but had to go buy fabric for the binding. I don’t generally buy big pieces of fabric so I did not have enough of anything in an appropriate colour. Absolutely worth it, though. The binding went so smoothly around the corners.

(Yes, I may add rounded to corners to every single quilt from now on. The bias binding will be worth it.)

Now the quilt lives with my nephew and his wife as they await the baby this fall. I am grateful to them for indulging my creativity and being able to share my love.

Almost There on this Epic Quilt

Years ago - I don’t even remember when - I started marking the places I’ve travelled to for quilting. They started as samples for my Improv Lettering class, and have continued to be so. Folks, I am so close to finishing the Canadian place names. Just one more left to do: Carseland. After that, it’s the challenge of puzzling them all together for a quilt top.

Not too long ago I put them all up on the design wall, just to see what they looked like. As a single quilt it would be massive. Bigger than king sized. And frankly, I don’t want a bed quilt of the places I’ve travelled to for quilting. Not the bedroom vibes I am going for. That being said, if I split up the Canadian places and the international places I will have a generous quilt top, and a smaller one that I can add to for a backing. A double sided quilt!

While I only need one more Canadian location, I need at least a half dozen on the international side. Just a little bit more sewing to do.

Log Cabin Play to Recover

In all my years of teaching I have never screwed up what class I was teaching. As in, taught the wrong class. Well, there is a first time for everything. Back in November, just a few days after I returned from my epic adventure to Buenos Aires, I was set to teach for a group in Vancouver. Indeed, a group that I’ve joined before. Well partway through our Zoom event I got asked a question which made me realize I’d been teaching the wrong class the whole time!

Yikes!

(To be honest, I was rather apoplectic, but I did a quick regroup for the rest of our time remaining and then recorded a session to share with the group to make up for what we should have been doing the whole time.)

What we were supposed to be doing is playing the One Colour Challenge, Improv style. Thankfully, right before my trip I had organized my scrap strips by colour so I grabbed them and we started playing.

These log cabins were that first bit of play. I wanted to show that within a single colour - blue - fabric gives us so many variations and by sorting our fabric accordingly when we use it, we can get some pretty great results.

Not every sample I use to teach becomes a quilt, nor every experiment. But this time? I couldn’t resist. I just had so much fun diving in to the scraps and making these improv log cabins. Do you see that single curved seam in each one?

Each block was squared up to 7”. An odd size, I know, but that’s what the first ones turned out to be and I stuck with it. You can’t always control the size when you are working with scraps.

At the end of each day after that, I would put on Stewart McLean’s Vinyl Cafe and make a handful of blocks. My goal was to use up the blue scraps. But some of the blues were a bit more teal, some turquoise. Which then led to green. I kept going. I dug in to my regular scrap bins when I ran out of strips. I may have cut a piece or two out of the stash but stopped myself from doing more. The quilt is this size because I wanted to stick to 99% scraps.

And any bits leftover? I’ve already pieced them to go on the back. Use it all up!