Hot, Awesome Mess

Look at that quilt top, floating in a snow globe. Oh wait, that's only half the quilt. Do you know how hard it is to photograph a king size quilt top?

Yes, I made another king size quilt. I couldn't help myself. Last week I needed to flex my improv muscles. Not that I needed practice at improv. No, I needed the therapy of just sewing for the sake of sewing. Mindless, no planning play. It did wonders for my mood (and my cold). And before I knew it I had enough blocks to more than fill my design wall.

Once the blocks were up on the wall I started the puzzle piecing to get it all together. I only went by size, filling in gaps and squaring up as I went. I paid no attention to colour or direction. In fact, the only design decision I made was to make sure the feature fabric was on each corner of the finished top.

Then I made it bigger. At first, it came out to about 83'' by 103''. It seemed like such a funny size, and a few more inches meant it would cover our king size bed nicely, with extra quilt for snuggling. So I added another 11'' on one short end. It seemed totally crazy to make it even bigger, but felt right. And seeing as making this was a form of therapy it only made sense to make it the way that felt right.

This quilt began at Quilt Con last year. I was lucky enough to get a spot in Denyse Schmidt's Improv class. See more about that experience here.

About 6 months ago I made some more blocks with the scraps I had from the class and new fabrics I added at home. Then I packed them all up and they joined my WIPs. My thirty something WIPs. It was such a thrill to pull them out and put them upon the design wall. More of a thrill to get to playing again. Every night last week, after the kidlets were in bed, I entered my studio and exhaled.

Play, play, and more play. Then I totally took advantage of my time with a part time babysitter. Deadlines met for the week, I took a whole day to get the top together. Another couple of hours at night and it was done. Then another hour to add that final strip. 

Sometimes I look at the top and think it is a hot mess. And other times I get giddy with all the little bits that pop out at me. It may be a king size quilt, but there are so many tiny scraps in there. Big and small, they all play together. I do love the way it looks, but I think this quilt's value to me is definitely in the process.

Now, hopefully I can find that value when it comes to basting it.

Quilting With a Modern Slant (Weekend Reads)

When you say the words Modern Quilting I find there are three basic responses:

Yay!
Huh?
Ugh.

Hard to put an exact definition on it and full of its own contradictions, not to mention definitions applied and reapplied and adapted. It can be difficult for the curious (quilter or not) to really figure out what modern quilting is to the community.

Quilting With a Modern Slant doesn't necessarily define it either. But what it does is share a group of quilters who lead and inspire quilters. It profiles 70 quilters and their patterns/techniques that inspire modern quilters. Some may be modern quilters themselves, some may identify differently. It frankly doesn't matter really. The book is chock full of inspiration for nearly any quilter. Interspersed within the profiles are a handful of patterns as well as some basic quilting info.

If you are the Yay! kind of quilter then this book will be an excellent introduction to quilters you may not know, not to mention the eye candy.

If you asked Huh? when modern quilting is mentioned this book will serve as a great peek into the community. Of course there are a million more quilters doing a lot more things, but you can't get them all in a book. And while it won't define modern quilting for you, it will help with the 'knowing it when you see it' response.

For the non quilters who come across this book I think it serves an excellent introduction to the craft and the community. In fact, if this had been offered as more of a coffee table book and the profiles expanded a little bit more then the audience would have been wider. But with the emphasis on the profiles and quilts, and quilting info running like a television ticker on the bottom of the page, it would have been great as a solid resource as opposed to a soft cover.

If you answered Ugh. when asked about modern quilting then I wouldn't dismiss this book either. It would do well as way in to the community or at least trying to understand the aesthetic. I have books on Baltimore Album quilts and art quilting because I believe in learning about the tradition and craft, regardless of my personal tastes in making. If you feel this way too, or are open to exploration, then this book would be a good start.

Rachel May is based in Boston and is one of the founders of the Modern Quilt Guild there. She clearly knows a lot of people in the community and worked to follow and discover more. She's compiled a pretty extensive list of artists. Most were familiar to me, but there were certainly some new artists that got me pretty excited.

My one complaint about the book is that the profiles are pretty lean in most cases. Now I can appreciate that the choice was likely made to have more quilters over more detailed profiles, but I would have liked to learn a bit more about people. If you follow some via their blogs then this book doesn't really provide anything you don't already know. Then again, not everyone reads blogs.

I do have one mention in the book (I am not profiled). Rossie Hutchinson included a pattern for her Fraction Quilt, which was, in turn, inspired by a quilt I made called Your Parents Are Cool. Her profile in fact focuses on the importance of identifying and sharing your inspiration. With so much eye candy in the book, there may be people sourcing the book a lot in the future.

Full Disclosure: Storey Publishing provided a copy of the book for review. And Rossie was kind enough to share a copy as well. And I, in turn, shared one with a friend.

Modern Paris

Modern Paris

72'' x 72''

Do you remember this stack of fabric? And all these scraps? Well, here is the finished quilt. A pattern published in Quilter's Connection too!

This is one of those quilts that isn't difficult, but it does take a bit of time. Loads of half square triangles and circles. I never get bored of those, even with the trimming. And all with some of my favourite low volume love. It started with the Vanity Fair fabric from Dear Stella and an orphan block from my Craftsy class. Then it all came together as a wedding present for friends of ours.

The name came courtesy of our friends, actually. They honeymooned in Paris. And they let me take these shots at their house.

This is one of those quilts that definitely whispers. The value differences in the half square triangles are quite subtle most of the time. Texture matters more than value in this case. It finishes with a very soft and scrappy look. That being said, I think this design would be incredible in high contrast. So bold, especially with the positive/negative part in the circle blocks.

To accentuate the circles I quilted it with swirls all over. And used my favourite Aurifil 2600. That grey goes with nearly everything, I use it all the time.

Thank-you to Dear Stella for providing the initial inspiration with their fabric bundle of Vanity Fair. It is quite the pretty line and it was wonderful to work with.

And congratulations to our friends, may this quilt keep you even warmer as our winter keeps on.

The Baker Street Translation (Weekend Reads)

There are a lot of people with stipulations about beach reads. While I'm not generally looking for something heady or overly challenging, I'm not about to pick up a romance novel. it just isn't me. My last beach read was perfect. Same bookstore, different aisle. Very different results.

The Baker Street Translation is the third in a series of modern-day Sherlock mysteries. The books revolve around the mysteries that seem to appear in front of the characters working at 221B Baker Street. Lawyers, of course, with a penchant for getting involved. Seeing as I am a big fan of the original Sherlock Holmes mysteries and the BBC series I had high hopes for some fun reading. And the book was just, okay.

The pace was a little too fast for me. It felt like it was racing to get to the point as opposed to letting the story unfold a little. I'm sure I would have appreciated the characters more had I read the previous two novels in the series as well. There were appropriate twists and turns and a couple of creepy characters to keep it engaging.

Was it fun? Yes. Was it entertaining? Sort of. Did it suit the beach read genre? Of course, it was a no brainer. I'm not a huge mystery reader so I can't say where it compares with others. And I didn't like it enough to want to read the other two in the series. But since I was reading it while I was sunning my toes on a Caribbean beach I really can't complain.