Firefly Quilt Top in Solids

All 15 fireflies taking flight!

After finishing up my epic scrap quilt last week I needed a break. Not from sewing, mind you. Only a break from little pieces and all those scraps. Like a sorbet course in a very fancy meal I thus turned to my palate cleanser - precision piecing.

Thanks to my handy dandy list of Quilts Under Construction it was easy to pick and locate a project to play with. And when I took out the blocks I had already made I realized I only needed 3 more to finish my top. A few Morning Make sessions and the blocks were all done. A quiet Sunday and the top was assembled!

There is a reason I only made 15 fireflies and left a block blank, I will share that later. If, and when, I get this quilted.

Each firefly is unique. I played around with my small stash of solids, going with colour combinations that felt right. There was no regard for colour theory or even a colour story, to be perfectly honest. I would pick three fabrics for the body, sometimes a gradient, sometimes not. Then I would pick a dark for the head and back and a light for the wings. The only really conscious decision was trying not to repeat combinations or colours in each part. For example, in the photo above the two top fireflies have a pale pink and a pale peach for their wings, they aren’t the same colour.

Do you want to hear something else? I’ve never actually seen a firefly before. They aren’t native to around here and I’ve never been somewhere else during firefly season.

That didn’t stop me from trying to have a little glow in each precious bug. The highlight around their bodies is actually Metallic Essex by Robert Kaufman. It almost blends into the regular Essex background, almost. Just enough of a sparkle to me. And I liked the idea of the metallic being woven in as I find most metallic prints fade quite a bit with regular washing.

A few things to note:

- The combination of solids and the Essex linens mean there are A LOT of loose threads on the back of the quilt. It will require a thorough going over but I will do this right before I baste it so no more appear in the night.

- It is extraordinarily hard to get a full shot of this quilt when you are taking selfies in the back alley. But hey, at least the lilacs smelled nice.

For those of you wondering, the pattern itself is by Pen and Paper Patterns. It is one of the most detailed patterns I’ve read, I don’t think she forgot a thing! As I am not generally a pattern follower I truly appreciate it when it is so clear, no questions for my improv brain! You can buy it from Pattern Drop, Lindsey Neill designed it exclusively for them. (I was a Pattern Drop designer myself last year.) Here I thought I would make one or two blocks to help promote the pattern and now I have a whole top!

Sewing Scraps with Chronic Pain

For months I could only sew standing up so I would be in the sewing room at 3 am, hoping for relief. Beats letting the insomnia and pain wreak havoc on my brain. Full confession, I generally sleep without pajamas. This means I might find myself in the nude sewing away. I know, I’m weird, I embrace it. So one night I am in there - pain high but feeling some mental relief as I make little log cabins. I did not hear anything but the snip of the scissors and whirr of the stitching. Which means I did not hear my husband come into the room. To be fair, he was checking on me after waking up and not finding me in bed. But at that moment I completely startled. He should be thankful I dropped the scissors out of my hand on the cutting table before I turned around. I may have screamed too.

And that is how quilts get made in my world.

Anyone who has worked on scrap quilts before knows how the scraps multiply in the night, like gremlins. You think you’ve made a dent in them but no.

It’s also how I’ve come to refer to my chronic pain: there are Gremlins living in my lower back. When they feel extra precocious they travel down my leg. And yes, some times they multiply at night.

This particular quilt is one I distinctly associate with my pain. I started it a year ago, which is also when my pain started. Not a coincidence. But it is also one that has given me tremendous relief, both physical and mental. Whether it is sewing naked in the middle of the night or my standard morning make, the relief has been palpable when working on this quilt.

I’m not sure people understand the toll on our mental health when chronic pain or illness are in the picture. While I have general anxiety and the odd panic attack, my mental health is generally okay. Nothing to really worry about on the whole. I do think that my Morning Make has a huge impact on that. A regular practice of self care does wonders, as does the benefit of being completely present in something. That is, it all worked well until I started living with the pain.

Those same gremlins often feel like added weight when I am just trying to hold on to a cliff’s edge, making it harder to hang on or even preventing me from pulling myself up. I’ve cried and yelled more this past year, I’m definitely angrier. I won’t lie, some days are truly awful. If it didn’t hurt to lay down I wouldn’t get out of bed those days. Maybe, in that way, the way the pain is ends up being a blessing? I’m not going to walk around the neighbourhood in the middle of the night, but I can sew. So physical and mental health topped up at 3 am. That’s the way, at this point, I choose to look at it.

Depression is very real and quite debilitating for many, many people. I’m extremely thankful that I’ve had bad days and even weeks on end where it feels like that Bill Murray movie, Goundhog Day. Over and over again the same crap. That being said, I manage to keep myself going. Walking the dog and sewing. Getting outside and creating. Deep breath, we can do this. At least this week I can.

At the end of the day, too, you have to laugh. When my husband scared me that night he walked into a strange scene for sure. He alerted me to his presence with a “what the hell are you doing?” which was a valid question as I sewed naked at 3 am. And then we laughed. Belly laughs with all their jiggles in this situation. And for that brief moment the gremlins fell off my back.

54 -10 = 44

Today is my birthday. 44 trips around the sun.

Because I have a love of alliteration I have a special affinity for this particular year. I suppose that means I like all years that are multiples of 11. Perhaps there is a meaning to that in numerology?

Regardless of both my birthday and whatever that numerology may mean, I’ve been thinking about my Quilts Under Construction list this week. So far in 2019 I’ve finished two quilts, a handful of quilt tops, and just have the binding to do on another. Miraculously, I’ve only actually started one quilt and it is already a finished top. Every day I sew, it’s just that it takes awhile to see progress the way I do it - 30 minutes a day, if I’m lucky and small piecing of late.

Morning tea in hand, I double checked my master list of Quilts Under Construction. It stands at 54, as of today. Even with those finishes I mentioned above. It isn’t that the number upsets me, it’s that I actually do want to finish some quilts. I want the excitement that comes with burying the last threads from quilting or the peace of hand stitching the binding. I want to live with these quilts, not just the creative outlet.

So, as of today - my birthday - I am stating the goal that I want to make this list down to 44 by next year. It seems doable. There are a lot of projects on there that I am still so excited to work on! A few small ones to round out some epic projects, some ones that have been around forever and deserve their day in the sun. And, my Bernina just came back from a trip to the spa so some quilting is in order.

But first, cake. Then assembling those blocks behind me into a quilt top. And washing the floors so I can baste a quilt or two. I did want to research lights for filming video this week. Oh wait, I have to take my son to ballet today too.

10 finished quilts this year. Hold me to it, alright?

Make Waves Quilt Top and Vacation Dreams

My obsession with this quilt is strong. From a random suggestion in a phone call to a live online quilting class to this. If I had a long arm or a clean floor this one would already be in the quilting phase.

It started with the planning for The Thursday Club with Marisa Anne Cummings. I’ve known Marisa for years and we were chatting about the class I would teach with her. She said something about the water and I quickly sketched a block. When I went to test the design it worked exactly as I sketched. Well, after we filmed the class - which you can still catch - I became obsessed with making more an more blocks. For me, this is normal.

It made a dent in both my scraps and stash as I searched for all the colours of all the prints. I didn’t want too much repetition so it was a deep dive in to the fabric closet.

On a related note, I am thinking of a new class on using prints in your quilts. Thoughts?

It took me a bit to come to the final layout. You can read more about that design wall play. Some days I only moved two blocks. It had to be just right. And now it is. It makes me think of sunsets at the beach. Or sunrises. Take your pick. But it has me all dreamy for sand and the crash of the waves and a Tequila Sunrise. So basically, it is a vacation in a quilt.

Alas, it is heavy competition season for my girls and we are at the pool, not the beach. And I make them help me take quilt photos after practice.

And you can still catch the class if you want to make your own sunset or just like the block. It comes together quickly and by the end of one block you will be the master of improv curves! Catch it here.