Elodie - A Bold Quilt of Half Square Triangles and Circles

Elodie

84” x 84”

Elodie is a lady of optimism. Sure, she’s a realist, knowing that work is always required in life and love, but she chooses to seek the sunshine in every moment. It isn’t easy and, frankly, it doesn’t always work. Elodie wasn’t always this way. Not so long ago she stayed under the covers, under the quilts, as much as possible. The world felt like a lot too much. It all changed the day the sunbeam hit her. It had been gloomy outside and in. Like most gloomy people Elodie lay napping fitfully. Then the sun broke through the clouds and hit her square in the face. Without thinking about it she breathed, nestled, and relaxed like a cat curling up in the sunbeam. Her nap became restful and when she woke the clouds had broken. Elodie could see the sun again. She vowed then and there to seek it out. Tropical vacations or moving to the South of France not being an option, she looked for ways to bring the sunshine to where she was as much of the time. Being optimistic doesn’t automatically make the sadness go away, but stepping into the light is the right step for Elodie.

This particular quilt nearly did not make it. It started from a random block, a sample made for a class. That block ended up in the donate pile that never got donated. A random rediscovery and the right timing turned that one block into a quilt top.

To make the blocks I shopped first in my scraps, using any piece in the colour story that was big enough. After that I went shopping in my stash. That makes this quilt both scraps and scrappy. (Ask me the difference in my trunk show Scraps Vs. Scrappy.)

It took me quite a bit to take the blocks - some plain half square triangles and some of those turned into circles - and find a layout that felt cohesive. I made the blocks in a colour story or orange, yellow, green and blue in 3 different sizes": 6” 12: and 18”. Some have high contrast, some have low contrast. When it came time to get them all on the design wall the challenge was evident. I tried laying it out my value, by colour, by size, and many options in between. In the end I played with colour more than value (against my usual advice) and keeping a strong diagonal component in the design. I’m pretty happy with how it ended up. And the original block found a home in it.

The quilted was completed by Phillipa Gelinas. I chose this great circle panto to compliment the design of the quilt top. Elodie deserved a fast finish. Rather, she deserved to be welcomed and used quickly. Deserved/needed.

My original plan was hot pink binding and that was before I picked out the backing fabric! When it came down to it though it didn’t look right. We know I like a contrasting binding but it just wasn’t the right thing to do here. I found this fun strip in my stash that ended up being just perfect. Like it was meant to be. Perhaps like that sunbeam?

Rediscovery Brings Joy: An Old Quilt Block Becomes a New Quilt

Periodically I will clean out the stash, the started projects, even the scraps. Like Marie Kondo, sometimes you have to let go of the things that are no longer bringing you joy. But then you have to actually move them out of the house, not just the laundry room. The laundry room where they sit, untouched, only to fall off the shelf when the Covid chaos spills into the space. Then, when you bend down to clean up the mess you realize that this block looks quite cool and very cheery and it might be exactly what you need to work on RIGHT NOW. So you pick through the scraps bins and hunt through the stash, you play around with sketches and do some math, you hunt down the right kind of freezer paper, and then boom! A new full size quilt starts taking shape.

Generally when I make a quilt I get an idea and start sewing. I make a pile of blocks or components, play around with options, then decide what else I might need to make or start layout at the design wall. This project is a bit different. To match the seeming randomness and play with contrast of the original block I felt the need to lay it out, to design it in advance. It doesn’t mean it won’t change, but I felt I needed the guide. The circles aren’t on each half square triangle so sketching it out to get the right balance in layout gave me the math for cutting and piecing.

This cutting everything at once is a very different way to work than my norm. I can see why people do it though, because then you get to just sew, sew, sew! In my improv work I often tell students to front load as much of the decision making as possible so they can embrace the process of sewing, this is the same idea.

So here I am: everything got cut, all my half square triangles are sewn, and I am about half way though the circle prep and appliqué. My sewing opportunities come in fits and starts over the week, usually in the evenings when everyone has retreated to their corners of the house. I have a few projects I am actively working on at the moment, this is one of them. The colour combination is full of energy and that springtime glow. The sewing is not hard but it has great impact. This project is giving me such joy.

A student recently described her own Quilts Under Construction as Somedays and I just loved that sentiment. I’m glad that this particular Someday returned to me, just when I needed her.

Morning Make - April 2020

Did you know that if you make one 12.5” square quilt block each day that you will have a quilt top at the end of the month? A lovely, cuddly size, perfect for couch snuggles. Also, perfect for mental health in the making of and finished product!

For Morning Make in the month of April I made one X Plus block each morning. It was actually quite nice to not have to think about anything but fabric selection. That’s one of the best parts, anyway! From start to finish - from picking fabrics to a sewn block - it took me about 30 minutes.

Let me tell you, I absolutely loved having a complete block at the end of each session. To have something tangible, something that marked the passage of the days, and something that gave me nothing but joy was EXACTLY what I needed this month. It’s probably what all of us needed this month! Covid Isolation is HARD, but we are doing all we can to keep our community safe and that means staying home. And for me, having this 30 minutes to sew before dealing with schooling and meltdowns (all of us) and keeping our business going was lifesaving.

Now when you make these blocks you cut off some decent sized triangles to be thrown in the scrap pile. Rather than be indiscriminate with these scraps I sewed the offcuts together as they came from the block. I was left with a pile of half square triangles. After doing some math and some sketching I decided to turn these HSTs into Sawtooth Stars. From 30 X Plus blocks I could make 30 Stars.

Two quilts for the price of one!

All the fabrics for these quilts came from my stash. Yes, I have a very, very deep stash. Quarantine is a great time to be able to shop from your stash, let me tell you. About halfway through I was worried I wouldn’t have enough light and low volume fabrics to get through but I dug through all the bins and was able to come up with some really great fabric combinations. Some fabrics are brighter than others, some even get a little bossy. I only chose fabric one block at a time and didn’t think about whether they would go together at all. Because my overall feel was low volume it comes together. Besides, the most successful of these X Plus quilts are scrappy and full of unexpected fabric delights!

Now if I did this for Morning Make every month I would have a great collection of quilt tops. Just the tops though because nothing would get quilted! Of course, that kind of thing has never stopped me before! And right now I am totally wishing I had access to a long arm because I would love to get these quilted right now. As it stands, I have 2 basted tops waited for their turn under the needle. I also think part of that may just be me wanting the change after nearly 8 weeks of social distancing. Let me go play in the quilt store! So I wish, but I am still happy to do my part and stay home (and shop online for curbside pick up).

My plan for May was to embrace Me Made May and tackle some clothing projects I’ve had on the list. But this happened toward the and of April. It seems 2/3 children are suddenly wanting to sew with the machine. While I am lucky enough to have a dedicated sewing room, it is not big enough to be set up for that many people with different sewing needs.

For those wondering, the X Plus blocks can be found as a free pattern all over the place. I believe the original block comes from the 1930s but it really peaked in popularity a few years back when we were all on Flickr. I used the 12.5” measurements in my Creative Live class on working with low volume fabrics. Indeed, I had 10 blocks leftover from samples from filming that I intended to use in this quilt, then decided to let April 2019 stand on its own. If anything needs to be defined it is these times.

Modern Mills and Stars from Perfectly Pretty Patchwork

Back when we could hang out with other people I had a lovely breakfast with Kristyne Czepuryk. We are lucky enough to live in the same city and get to hang out when our schedules allow. She shared a copy of her latest book with me. It is pretty and perfect and so bang on for her style, I love it. And right now, a lovely distraction from the real world. She asked me to make something from the book and share it as part of her book tour.

I chose the Mills and Stars pattern, one that has always appealed to me yet I’ve never made a single block. Because it is me, I changed up the colours quite a bit from Kristyne’s typical pastel palette. It works with the patterns in the book because they are classic, traditional patterns that be played with.

Mills and Stars can also be known by Hummingbird as well as Periwinkle. In fact, I remember Kristyne telling me the story of the block at that breakfast but it has slipped away from my brain.

I won’t lie, this quilt was a lot of work, especially for me. I am decidedly not a template person. Yet there I was cutting out hundreds of pieces for 73 blocks, each with 12 pieces of fabric in them. (I watched/listened to Fleabag, Dr. Thorne, and Austenland while I worked on it. Whatever it takes!) In the end, however, it was welcome work. A respite from the world to just get lost in someone else’s decision making. Once all the cutting is done it just becomes assembly line production. I always forget how fast the sewing goes when you’ve cut everything in advance. I did eventually finish.

The final quilt is a slight adaptation from the original pattern. I made it one row of stars all the way around smaller. My intention is to gift this as a baby quilt so I didn’t need it to be 60” square. I also used a single piece of the background around the center section, rather than what the pattern called for. Just to show off that cool Carolyn Friedlander fabric.

So often we think things aren’t ‘for us’. I won’t lie, the book is delightful and pretty, but it isn’t something I am instinctively drawn to. More often than not, however, it is about seeing shapes or projects beyond the fabric. Kind of like viewing a house you want to buy and ignoring the colour on the walls. I’m not a basic beige person in my house, but someone else may love it. I’d rather have lime green and that can turn off a whole new crowd of people. I think we all need to look at shapes and patterns more than fabric and colour when we see a book or a new quilt. That’s why I was drawn to this pattern myself. It was the mix of block sizes and the graphic nature of the block itself that grabbed me. I just had to add my own spin on it.

The books is full of classic designs and some really cool projects. For each block design there is a quilt pattern as well as a small project. And who is to say you can’t mix and match one block with another project? The instructions are attentive to detail, templates are included in a tear out sheet, and the photography is well, pretty. Kristyne has made a lovely book.