Jewel - And Why I Would Make a Bad Influencer

Jewel

53” x 75” (ish)

She lives her life a little haphazadly. She will come into a room and leave a flurry of herself behind. You are happy she was there, but a tiny bit frustrated by the mess she perpetually leaves behind (literally and figuratively). She sure is a joy! Funny and chatty and she gives the best hugs.

Long before there were influencers, many of us were just called bloggers. In fact, I can remember going to Quilt Market in the early 2010s and feeling the disdain from companies when you told them you were a Blogger. We had a reputation, for sure, that fed the negative stereotype of what we call an Influencer now. But I learned back then that I would suck at the job and this quilt proves it.

Shortly after my first book, Sunday Morning Quilts, came out, I learned that Jennifer Sampou was married to the CEO of CT Publishing, my publisher. After discovering this at Quilt Market I did not hesitate to fan girl with her because she was the first fabric designer that I remember noting. Before her fabric in the late 90s, early 2000s, I only noticed the fabric, not the designer. So there I am gushing about this little daisy print I used on my very first quilt (and many more subsequently) and she tells me she is relaunching as a fabric designer and would love to send me some fabric to play with. And she did!

This was back in 2013. 2013.

I did play with it a little and then put it all in the closet and forgot about it. I found it in the studio move and pulled it out 6 months ago again. So twelve years later I actually used it and finished a quilt with it. Twelve years. This is why I stopped calling myself a Blogger all those years ago and why I can’t accurately call myself an Influencer now.

My initial play paired some cuts from a jelly roll or two with a background fabric. I made some components and did not make more for over a decade. When I rediscovered all of it I found all the fabric too. It wasn’t hard at all to finish off the top. Just a few hours of sewing, really. Then I used a bunch of the fabric to piece a wild backing.

(Funnily enough, I clearly liked some of the fabrics because I have bigger pieces in my stash and know I’ve used some of these same prints multiple times, yet I never touched all of this fabric!)

An invitation came to donate another quilt to a tapahtêyimôkamik elder. After meeting her I knew this particular set would be a perfect fit for her. It also made the choice of the rainbow variegated thread for quilting so much better. I quilted her on a rented long arm.

The binding was made from some leftover pieces of the jellyroll. They are already 2.5” wide afterall! And then I didn’t need to pick anything specific for the frame of the quilt.

I still have a lot of the fat quarters from 2013 left. I don’t know if this will influence you or not to buy Jennifer’s fabric, but I know many of those prints are still available in some stores, not to mention her gorgeous ombres. but it’s safe to say it’s been this long since I got or shared any free fabric!

Hazel - From the Archives to Cuddles

Hazel

56” x 72”

Like her namesake eyes, no one can ever quite get a perfect read on her. She’s a bit mischevious but still follows the rules most of the time. She’s shy, but a deep conversationalist. She loves the beach but hates the dirt. You can be two things at once.

My stash is deep, and that includes many unfinished projects, sets of blocks, teaching samples, and a bunch of random things. I’ve been carrying around this bin of started blocks and chosen fabric for over a decade now. I pulled it out as part of my series: Old Projects Cheryl Has Laying Around, What Should She Do With Them? These blocks come from on of the patterns in my book, A Month of Sundays. The original was calm and inspired by beach grass. This version? She’s a Hazel.

The pattern itself is super easy. I think I started with 10 blocks already made and some strips cut. I did the rest of the cutting, sewing, pressing, and even assembly in a few more hours. Not counting the futzing on the design wall to get the layout just right.

For quilting I went really easy on myself. End to end wavy lines in a light pink. It emphasizes the linear nature of the blocks but also softens them. I had a day rented on the local long arm and this was a very quick finish. And score! Found some Liberty cotton in the clearance bin to use on the back.

To bind the quilt I had just enough of this mint green and white stripe. A lot of the fabrics came from a collection that was released about 12-13 years ago from Cloud 9. I used the stripe in other colours in the quilt itself but saved this green for the binding. With my much improved machine binding skills it became a perfect frame for the finish.

Hazel, like a few others, made their way into new homes this summer. A warm treat for some special people. More on that in another post.

Xenia - A Maple Leaf Quilt for a New Friend

Xenia

72” x 48”

For 3 weeks we had a German, teenage athlete staying with us. She originally contacted my daughter last winter, she was working to fulfill one of her dreams to come to Canada. In October she made the dream come true. Such a bright, committed, and curious girl. We loved having her with us. It was fun to show her some of our favourite things (but not many because these athletes have so much training!) And through her we learned about Germany, pumpernickel bread, and life in a village with no restaurants.

Each day she would come with my son and I to the new studio. The kids would do their school work while I plugged away on projects and accounting stuff. On breaks we would chat and play with the dog. While her and I would have many deep conversations over the weeks she was with us (more than my own teens are willing to have with me) she, sadly, showed no interest in quilting.

That didn’t stop me from wanting to gift her, and her parents who joined her in Canada after 3 weeks, a quilt to take home with them. I mean, of course I would give them a quilt! And once I decided that, it was clear which one I would give them.

Conveniently, I had the quilt top already made. It was a second version of the Maple Leaf quilt - a pattern I used sell, and then teach. I no longer do either with this pattern as I have complicated feelings about our national flag now. It seemed perfect to finish the quilt and give it to our new German friends though. A great momento of an epic trip for them.

The quilt top, itself, differs from the original pattern in that each block is made with a single red fabric. This is in contrast to the original made with scraps sewn into slabs to make the side blocks and leaves. It’s an excellent way to play with value and contrast via visual texture.

So, I whipped up a quilt back with what I had on hand - a great Aneela Hoey print from many, many moons ago and some other treats in the stash. Then I snagged a long arm appointment at my local shop. Phew. That left me two days to bind, label, and wash the quilt before they departed our snowy wonderland for home. It was a fast process, but worth it. And totally possible when you have a deep stash and can make time.

I totally forgot to take a picture of it, but I also signed the back, off label. Our German athlete attends a boarding school. I worry that someone might try to take her quilt. They would take off the label and argue that there was no way to prove the quilt was hers! I’ve heard stories of these happening in nursing homes and I don’t want it to happen to her. When I gift a quilt that may live in a public place I always sign the quilt itself, somewhere not so obvious, so it can always be proven if the worst happens.

The quilt, and our new German friends, are back home now. We will miss them.

Virginia - Maple Leaves for a Unexpected Fall Quilt

Virginia

60” x 60”

She is a crafty girl, taking her knitting with her everywhere. At this time of year she is buried in yarn and apple cider and cat cuddles. She wants to jump in a pile of leaves, take her girlfriend to a sunflower maze, and totally watch Gilmore Girls even though it is terribly problematic. She’s wearing layers at the first sign of a chill and refuses to take them off when the sun warms her on a walk. She may come across as basic, but she is anything but.

More than a year ago I made a single block. Just one maple leaf to show some folks in a Playdate that you can find use for the ugly fabric hiding around corners in your stash. Ugly, after all, is just like beauty - it’s all in the eye of the beholder.

Of course, of course, I put that first block dead centre in my finished quilt top. That so not me leaf fabric was paired, unexpectedly, with a ikat butterfly print from Tula Pink. From those two fabrics the rest of the quilt came to be. I shopped from my stash and had a blast putting together different combinations. The end result was a fall inspired quilt like no other.

The quilting is there merely to add texture. Each block was quilted with wavy lines crossing the block on the diagonal. Because the leaves themselves change direction across the quilt, I carried the direction of the waves with each leaf. For thread I chose a teal blue Superior at the long arm rental spot. (My preference is for 100% cotton, but this works well with their machines and there is absolutely nothing wrong with it.) I wanted the quilt to be extra squishy so an allover design versus outlining each leaf was preferred.

I broke my fabric shopping fast (I have sooooo much fabric) to pick up a binding choice from the clearance section at My Sewing Room. As I was taking the quilt off the long arm I realized that a rosy binding was going to be the perfect choice. Now, I know my stash, there is not a single rose coloured fabric in any value in there. I am a hot pink girl! Keeping with the theme of the quilt as a whole - starting with ugly fabric - I chose a print very much out of character for me. Turns out it was perfect. It binds the quilt so well and is a great complement to the colour scheme.

In the end, this quilt is another unconventional fall quilt. They don’t all have to be reds and oranges folks! And as I was stitching the binding I also realized that it goes perfectly in our living room with its chartreuse sofa on one side and the blue/brown one on the other. I guess it was just all meant to be!