"colour"

Kayleigh - My Version of a Fall Quilt

Kayleigh

70” x 70”

Along with her friends Ashley, Ashleigh, Brittany, and Angelica, Kayleigh loves her pumpkin spice, wide brim hats, and the stackers that the cooler weather brings. Or even just the hint of cooler weather. Time to put away the spaghetti straps and flip flops, bring on the boots and oversized turtleneck sweaters. She’s sweet but not all that smart. She’s kind but not all that generous. But she will always open the wine. And she always finishes the book for book club. Who wouldn’t when wool socks and warm quilts keep you company while you read? Kayleigh is fall.

Okay, so my version of a fall quilt is a little less stereotypical than your basic girl hunting for pumpkins. It’s a function of where I am. Here in Calgary we don’t get a lot of the rich reds and oranges of your New England fall. We get gold, so much gold. We get blue skies in late September heat. My fall quilt reflects that.

I didn’t actually set out to make a fall quilt. The whole thing started with an experiment with a square in a square technique. You know, I had to see if it could be done improvisationally. Of course it can! I loved it so much I taught it as an online class - a Quilters’ Playcation Playdate last year. Then the colour combo of blue, yellow, and coral made me so happy I decided to just keep going! On a walk last fall I realized that these indeed were the colours of our fall.

I can hardly believe I actually finished the quilt already. My quilt tops tend to sit for years. Fall is here though. While pumpkin spice is not my thing - unless actually IN a pie - I do enjoy exploring nature as the season changes. So when I had a long arm appointment booked a few weeks ago I made sure to bring this quilt top and give her her due in the right season.

She is quilted with Wonderfil Tutti in a variegated yellow (TU01) with deco bob in the bobbin. I rented time at My Sewing Room on their Bernina long arm. In a little over 2 hours she was quilted! Nothing fancy, just an all over loop de loop design. There is no point going too fancy because you won’t see the stitching on such a busy quilt.

This is a great example of using prints and not being afraid of it! Most people call this look scrappy. It works because I paid attention to both colour and value as I made each set of squares. There are actually 5 of each fabric combination. I made five at a time simply so I could chain piece without getting confused. I would pick the four fabrics I wanted in the blocks, start with a centre square and build out. Each block wanted to finish around 7.5” so I decided to make 100 blocks in total. That meant I need 20 sets of blocks. To keep order with all these fabrics that meant I did 10 sets that went warm-cool-warm-cool, and 10 that went cool-warm-cool-warm. That way, when it came time to laying out the quilt top I could alternate the groupings for an effective layout. I think it worked well!

I also paid attention to value, although not as fastidiously. Some blocks have high value contrasts between each round, some are lower contrast. I like that mix of bold and soft. I did, however, pay more attention to value when laying out the blocks to make the quilt top. The really bold blocks and the really soft spots are spread throughout the quilt, so no one area commands all the attention. This is what I call managing the bossy blocks.

The back is pieced from things in my stash. Nothing fancy.

She is bound with a Heather Ross reprint. I tried a number of different colours and fabric and felt the white was a nice tough. As you probably know, I usually like a high contrast binding but it wasn’t right here. There is just a touch of pink in the print, though, that makes me smile.

Our days haven’t actually cooled off that much, even though the colours are changing. Which means there isn’t a huge need for a fall quilt just yet. She came in handy at a cross country race as a soft place to sit. And the evenings are getting longer and a bit colder. If I sit by the window I definitely need a quilt. Besides, pumpkin spice is already at the coffee shop so it definitely means fall.

May Morning Make 2022

Seven mediocre watercolour paintings of traditional quilts

While May was a busy month for a family it was a relaxing month for Morning Make. Indeed, starting my day with Morning Make meant that I was in a good frame of mind for the rest of a chaos.

These watercolour sketches of quilts are not a new to me effort. I’ve made a few in the past. For me, it’s a great, relaxing activity. Plus, I get to explore traditional quilts without having to sew them. All that precision piecing!

The Encyclopedia of Pieced Quilt Patterns by Barbara Brackman

While there are a million resources for quilt blocks in both print and online I turned to this beauty of a book for picking out my patterns: The Encyclopedia of Pieced Quilt Patterns by Barbara Brackman. It’s an absolute classic and was recently reprinted. It pairs, if you like, with the Electric Quilt products, but you can buy the stand alone book. I picked mine up through Quilt Folk, but check your local quilt stores (or ask them to order it for you) or through the big A. Note, the book only contains drawings of the patterns, there are no measurements, piecing instructions, or templates. You need the Block Base software for that.

It was an absolute treat to flip through the book. As you can imagine, it was hard to narrow down a block choice each time! I ended up picking blocks I either always wanted to try or love but will likely never piece myself.

Pencil sketch of a quilt, ready for painting.

Each painting started with a pencil sketch. Using a good old ruler, a sharp pencil, and with an eraser nearby I translated the single block drawing into a quilt sketch. Sometimes I played with layout, sometimes it was straight grid.

Green paint, looking like palm fronds, at the beginning of a watercolour quilt painting.

Once the pencil sketch was done I started painting. These are the basic watercolour sets I bought just before the pandemic started. I tried to stick with the colours of the palette itself, so that I wasn’t trying to match colours day over day. I also stuck with 2-3 colours only. This was to force myself to concentrate on the design of the block, not try to create a watercolour quilt like I would sew one. Simplicity is sometimes a challenge for me so this was good practice.

Orange and blue watercolour painting of a traditional quilt made from squares and triangles.

On the first painting of the month I outlined the ‘seam lines’ of the quilt with a black pen. I really thought I would do this to all of them, but ended up not liking the look. I’d done it previously but something about it didn’t feel right this time. I suppose I just wanted a softer look.

Gold and grey watercolour painting of a quilt made from curves and triangles.

It might be a little less ‘finished’? I’m not sure, but I still prefer it with the outline.

My watercolour skills are still very basic - this is essentially just colouring. But there is something about the movement of watercolour that is different than anything else. I am still smitten after my first forays into it over 2 years ago now. Loads to explore!

One Colour Challenge Blocks

One Colour Challenge Class Cheryl Arkisonjpg

More often than not I teach a class and the samples used for demo purposes build up. I don’t count them on my Quilts Under Construction list either. That is, I don’t count them until I am sure they are going to actually be turned into a quilt top and not remain as samples. Most things eventually get on the list. Then there are the times I go from class sample to desired quilt top just one block in.

That’s what happened with these blocks.

One Colour Challenge has been one of the classes I taught this past year for the online environment. It is a lesson in colour and value, as well as half square triangle construction and, if time allows, block assembly. In the very first class I taught I fell in love with the block I made. Each time I taught the class I had fun playing along with the students making more blocks. When I started making blocks on my own time I knew it was destined to be a quilt top.

Now my plan is to make 25 blocks. This will give me an 80” x 80” quilt top. We all know how I love bigger quilts, even when playing. I’ve even made a list of colours to explore to get me up to 25 unique blocks. It’s going to be bold and awesome! I would love to use each fabric only once, but I’m not sure even my stash is deep enough!

One Colour Challenge Class Cheryl Arkison.jpg

In the class we make 16 HSTs. There are a lot of different blocks you can make with 16 HSTs. In prepping for the class I went through a number of quilt block books looking for options. That’s how I found the one I went with but this option above was very tempting too. Either way, you get amazing secondary patterns between the light and dark sections. So many possibilities!

This, indeed, is the best part about playing. A few basic rules to the game but then infinite possibilities!

The Perimenopause Chronicle Quilt Begins

Perimenopause Chronical Quilt

I come from a family with scary uterine history. My grandmother died of cervical cancer in her 30s. My mom had a hysterectomy shortly after giving birth to me. That history also means I have zero recollection of any conversations about menopause within my family. Really though, the world just doesn’t talk it; it isn’t just a thing with my family. More specifically, the world does not talk about perimenopause.

A few weeks ago I had a long conversation with one of my girlfriends about this. Is it squeamishness? Denial? the perpetual sweeping under the rug of anything to do with women’s health? Now that we are in the thick of perimenopause it reminds of when I was pregnant and I kept asking: why didn’t anyone tell me about this? In both cases it might be that people did tell me but I wasn’t looking for/listening to the information before I needed it. Or, it is the reasons listed above? Regardless, I am interested in it a lot now, for obvious reasons - being a 45 year old woman, namely.

So, on our last Virtual Trunk Show (Instagram Live, the second Thursday of each month) we had the theme of Change of Seasons and it gave me a wonderful idea: make a quilt to mark the perimenopause experience! I got the idea from the concept of temperature quilts/blankets. You pick a colour to correspond with the temperature of the day and make a block or knit/crochet a row to mark it. Only I would be marking my flow, moods, pain, and other stuff of my perimenopausal menstrual cycle.

Aided by a few conversations with friends and online about what exactly I should track and in consultation with the Monster and The Evil Genius I planned out the quilt. Fabric selection was a bit tough. I went back and forth between solids and prints until I concluded that neither felt right. A quiet Sunday at home led me to experiment with hand-dyed fabric (with Procion MX dyes). It took a few tries but I am happy with the palette for this quilt.

Cheryl Arkison Perimenopause Chronicle Quilt

Each block will include a representation of my flow, or not flow, as well as my mood. I am also including a marker for pain and for what my teen referred to as Random Ass Shit like night sweats, bowel issues, breast tenderness, and bloating.

Here is the legend I am working with:

LEFT PILE
Orange = Random Ass Shit
Yellow = Pain (cramps and mittleschmerz mostly)
Pink/Peach = no flow
Pink Red = light flow
Red = medium flow
Purple Red = heavy flow

RIGHT PILE is for moods
Green = Happy
Turquoise = Content
Blue = Sad/Listless
Purple = Grumpy/Irritable/Annoyed
Black = Angry

My plan is to track things for 12 cycles. That adds up to more or less a year. Nothing is perfectly regular anymore so that is only a guess.

I know that this makes some feel uncomfortable. Oh well. We need more conversations on this topic and I am happy to open the door and make space for that. Yes, the quilt is a selfish reflection but it will serve as a larger conversation starter.

Expect the periodic post here and follow along on instagram with #perimenopausechroniclequilt.