August Morning Make 2022

Whenever people tell me that can’t sketch out quilts because they can’t draw I like to pull out my own sketchbook. Chicken scratch, random lines, and quite often things that only make sense in my head. You don’t NEED to draw to quilt. As long as you can think about where your seam lines go you are good. That being said, I always want to draw better.

I’ve done drawing for Morning Make before. Quick little still life sketches of things around me. It was a good exercise but building a skill isn’t a one and done thing. So in August I decided to set myself a drawing challenge again. This time, however, I explored a technique called contour drawing.

In contour drawing - at least the way I did it - your pen isn’t supposed to leave the paper. You are doing one continuous long line. Some people do it blind, as in they look at their subject and never the paper. I was not ready for that. But in slowing down to look at my starting image and translating it through a single line I was able to focus on shape and composition. You can’t draw everything in the picture. Well, you probably could, but I didn’t. Depending on the source image (pictures from my phone) I narrowed the focus to only certain elements. Sometimes background were completely eliminated, sometimes just enough to give context. It was an exercise in looking just as much as drawing.

I’ll be honest, I think some, if not all, are quite bad. That is, if you compare to people for whom drawing is a livelihood or serious endeavour. There was improvement, for sure. Some are even better than I would have expected. All were, at least, recognizable. Regardless of the results it was an enjoyable exercise.

April Morning Make 2022

April was an exploration of light, more than anything. Indeed, I’ve never paid this much attention to light, shadow, and sunshine before. It was an excellent practice in paying attention, in noticing.

Cyanotype is a form of light exposure, like photo developing. You use chemicals on paper, fabric, or anything that can be coated (I saw someone do rocks and I want to try that!) It requires the interaction of the two chemicals: potassium ferricyanide and ferric ammonium citrate. You only really need to know that you need equal parts of each and to mix them together right before using. I picked up the set from my local art supply store.

For the first half of the month I mixed the chemicals at night, painted the paper, and let them dry in a dark bathroom. Light exposure starts the process of creating the print, hence the windowless bathroom. For the second half of the month I played with wet exposure, meaning you paint the paper with the just mixed chemicals and go straight to the creation of the print. In the end, I couldn’t really tell the difference from the results.

To create the print you place an object on the treated paper and let light do its thing. Where the object is placed and in its shadow the outline remains while the rest of the paper gets exposed. Essentially, you are creating a negative image.

Where things get both exciting and frustrating is with the shadows. Not that sunny? An object with diffuse edges? You get a ‘blurrier’ print. Very sunny? You get shadows. Depending on the time of day and the level of sunniness, you can get very sharp images or long shadows. I found the exploration of these differences fascinating and learned to exploit them to create different things. Seeing as this is morning make and it was April in a northern location, I had a lot of shadows to play with and sometimes not a lot of light. It means I will probably play a bit more in the peak of a summer’s day.

The other act of noticing this month was in looking for things to use to create the print. You see a lot of cyanotype prints exploring shape through living objects like plants and flowers. It was April in Calgary, not a lot of greenery! But weeds, grasses, and last year’s living plants provided fascinating textures to use. Going for walks I found myself nothing plants and sticks in new ways, or even discovering new to me plants. I never picked anything living and cut dead things, leaving roots in tact in case it was a perennial. I also explored the house for objects, using kitchen tools, jewelry, games, even garbage. If it can create a shadow it can create an exposure.

Each day I made 2 prints, so ended up the month with a lot of prints, some definitely better than others. Here are four of my favourites. From top left, in clockwise order. A necklace from Elinor Stenroos on dry. Shadows from slurpee cup and jar lids on dry. Cheerios on wet. Thistle on wet.

Some days I got the real dark, indigo blue colour typically associated with cyanotype, others it was quite pale. To be honest, I never really figured out what created the difference. it always felt like I was putting the same amount of the chemicals on the sheet. I suspect my proportions of the two agents varied, but I don’t really know. Length of exposure varied too, depending on the light conditions that day. I don’t think that effects the colour though, as I exposed almost all to the same colour before washing. (The chemicals look pale green when they go on then change colour as the exposure happens, usually showing done when a bronze or dark green.)

Yes, you can do this on fabric and that probably made a lot of sense for me, a quilter. However, I wanted to try the paper and besides, it’s not like I needed more fabric! That being said, I also don’t need 60, mostly mediocre, cyanotype prints. So I got a notion for a secondary art project.

I need to test my assembly idea for these but if it works, I think it could be pretty cool. And it just might get by the ‘no quilts on the wall’ rule in the house!

At the end of the month I have to say this was a lovely exploration. I admit to being intimidated by the chemicals and the idea of it at the beginning. What foolishness! It is actually really easy, I felt totally safe mixing the agents together, and it was an adventure to see what could happen. Sure, things didn’t always work and I’m still on the low end of the learning curve but it was a low stress experiment. The anticipation each morning of what could happen was a great way to start the day. Pure creative optimism.

PS. I saved a highlight of the process - start to finish - on Instagram.

Rest

Truth be told, I’m not very good at rest. I want to be, I try to be, but it’s hard. I’ve come to realize that this is because I would generally consider rest as sitting on my butt and doing nothing. Stop me if this sounds familiar though, you can’t sit and do nothing until everything is done. Everything is never done, right? Which means you never rest.

We thus need a new definition of rest.

At one time in life (when I was younger) I was a competitive athlete. Back then rest meant two things. One, just like above, rest was simply not doing the training. Two, within a workout there was active rest. So not the hard training pieces, but the easy strokes in between the hard sets. As a professional quilter I see the benefit of the latter. As a parent I realize the former is impossible. So that has led to me understanding that I need two unique forms of rest.

Active Rest

When you are working on deadlines and contracts quilting can feel like a chore, let alone actual work for some. Quite often the quilting becomes hard and full of drudgery. What once gave us joy and energy drags us down. It’s one thing to be pushing to meet a deadline like a wedding or show entry. This is why I am a big fan of Active Rest.

This is about, in many respects, mindless sewing and play. It’s the sewing that doesn’t challenge you or push your creativity. It might be creative action though. So maybe sewing snippets of fabrics in pairs, making HSTs, aligning strips, binding a quilt, stippling a quilt. The kind of sewing that allows you to catch your breath after a hard run. That’s why it is called Active Rest. You are still doing something but giving yourself the opportunity to slow down, gather thoughts, and be mindless for a little while. Because creativity begets creativity your juices will eventually start flowing again and you will be ready for the next challenge.

Escape to Rest

While running away to the beach or the mountains is many, many people’s idea of escape (myself included) we can’t do it that often. That’s why we need to find daily or weekly moments of escape. For me, this often includes long walks in the forests not far from home, a ski trip for the day, or maybe camping in the summer. It might be a hot bath, curling up with a great book, or binging a new show. My best advice when on a physical escape like this is to lean in to it. So no stitching while watching TV, no podcasts on your walk, leaving the sewing at home on a trip out of town. Let escape truly be a mental break.

Don’t want to give up your creative pursuits, even for a moment? Then switch it up! Escape to Rest also means exploring other creative interests. Trying crochet, taking a watercolour class, learning embroidery, even reading a fashion magazine. Your muscles and brain are still working, but in a different way. This alternate firing of brain cells gives your quilting brain a rest, your conscious mind an escape, but you are still pursuing creativity. It can be both relaxing and liberating.

In truth, this is what Morning Make has been for me over the last two years, on the months I am not sewing, that is. Trying weaving and embroidery and painting and poetry is an Escape to Rest for my creative brain.

The last few years have been rough for everyone. Indeed, rough is an understatement. While there were long periods of time where we were home, languishing, we weren’t still resting. Doomscrolling, cleaning, stressing, eating, teaching our kids, working on the dining room table - all of it added up to HARD WORK. Watching Tiger King at the end of the day just didn’t quite give us our energy back.

Resting is not easy.. I don’t want to be roped in to the mess of toxic positivity either when I say rest is important. Rest is a choice. It’s taken me a long, long time to see that and thus make it priority. I thought not having to drive my kids all evening was going to be the rest I needed. Nope, not even close. I puttered and wandered and zoned out but I did not rest. Since choosing to make rest an important part of my life I can feel myself catch my breath a little quicker, like I am getting in shape. The more I rest the better I feel when I am doing the hard stuff.

Full confession: I just spent the weekend in the mountains with my husband, just my husband. I brought crafty things to do and read but, in the end, read a thriller, took 5 baths in 48 hours, ate room service, and walked in a snowy forest. Now that’s an Escape to Rest! Then I came home ready to sew!

October Morning Make 2021

Went back to my childhood here. There were many an evening I spent in my room with a stack of Seventeen magazines and a glue stick making collages. Generally, I was cutting out things I liked and filling the page. Maybe it was a mood board before I knew what a mood board was? In October I made a collage each day for Morning Make.

I still like my magazines and the stack from this year was falling over. Rather than ripping out the recipes or rooms I liked and recycling the rest I decided to bring the glue stick out of retirement. Each morning I did a colour wash with some watercolours then while it dried I found my images.

Some days I had a clear idea and set out to find images that worked. Other days I waited for an image to strike me. Everything was made up each day, no preplanning. Frankly, some days worked better than others. I don’t define success as a beautiful image, rather, it is about the time spent. That being said, I wasn’t always happy with what I produced.

I was game for trying new things within the month, playing with text and images, just text, just images, and always with composition. Indeed, this was an excellent month for exploring composition. As a quilter that is always a useful exercise. It also forced me to reckon with negative space. So while I didn’t love all the literal results, it was a good skill building month.

You’ve heard me say it before: Creativity Begets Creativity. Playing in a different medium with translatable skills can only ever be a good thing. At the end of this month I have a few new ideas I want to explore in fabric, my comfortable medium. I’m not sure they would have emerged without this exploration into collage.