Improv Square in a Square Exploring Prints

You’ve probably heard me say to my students before that nothing you make in class has to be anything. You can just play for the sake of playing! Honestly, that was my intent for these blocks. Make a few to test then demo the technique and that’s it. But I’m in love, I’m in love and I don’t care who hears it!

After 5 blocks I was making eyes at them. After 10 blocks I believed that I was in like like with them. After 15 I was flirting. And by 20 I was ready to have their baby. Well, at least commit to making 80 more blocks to make a decent sized quilt.

These are the improv square in a square blocks I made during the last Quilters Playcation Playdate. Sure, I’ve already made a big quilt top with the same technique. This time I was exploring a different scale. And next time (there will probably be a next time) I will explore an even different scale.

The whole thing is a colour story I’ve not really played with before: Yellow/orange/coral with blue/turquoise. I really love the interplay of warm/cool as I make the blocks. Exploring value is also quite interesting in these blocks. I want to do that a little more as I make the last half of the blocks. It will make the final layout of the quilt top very dynamic.

My initial thought was to only use each fabric in one set of blocks but even my stash is not that deep. We’ll see how that plays out.

There is no rush with this quilt. I make a set of blocks in about an hour, puttering around my sewing room in the evenings. Eventually I will have 100 blocks. No matter what, it will be time well played.

Rediscovery Brings Joy: An Old Quilt Block Becomes a New Quilt

Periodically I will clean out the stash, the started projects, even the scraps. Like Marie Kondo, sometimes you have to let go of the things that are no longer bringing you joy. But then you have to actually move them out of the house, not just the laundry room. The laundry room where they sit, untouched, only to fall off the shelf when the Covid chaos spills into the space. Then, when you bend down to clean up the mess you realize that this block looks quite cool and very cheery and it might be exactly what you need to work on RIGHT NOW. So you pick through the scraps bins and hunt through the stash, you play around with sketches and do some math, you hunt down the right kind of freezer paper, and then boom! A new full size quilt starts taking shape.

Generally when I make a quilt I get an idea and start sewing. I make a pile of blocks or components, play around with options, then decide what else I might need to make or start layout at the design wall. This project is a bit different. To match the seeming randomness and play with contrast of the original block I felt the need to lay it out, to design it in advance. It doesn’t mean it won’t change, but I felt I needed the guide. The circles aren’t on each half square triangle so sketching it out to get the right balance in layout gave me the math for cutting and piecing.

This cutting everything at once is a very different way to work than my norm. I can see why people do it though, because then you get to just sew, sew, sew! In my improv work I often tell students to front load as much of the decision making as possible so they can embrace the process of sewing, this is the same idea.

So here I am: everything got cut, all my half square triangles are sewn, and I am about half way though the circle prep and appliqué. My sewing opportunities come in fits and starts over the week, usually in the evenings when everyone has retreated to their corners of the house. I have a few projects I am actively working on at the moment, this is one of them. The colour combination is full of energy and that springtime glow. The sewing is not hard but it has great impact. This project is giving me such joy.

A student recently described her own Quilts Under Construction as Somedays and I just loved that sentiment. I’m glad that this particular Someday returned to me, just when I needed her.

Improv Square in a Square with Hand Dyed Fabrics

Hand dyed fabric plus an improv experiment equals a vibrant and unexpected quilt top.

The hand dyes were the rejects from my perimenopause project. Just not right for that project but still a stack of gorgeous fabric. to be honest, I simply expected them to be set aside to be used years from now - like most of my experiments. But then I had an idea, a wonderful, let’s see if this works at all idea.

Even though I’ve been quilting for a few decades and I can design patterns, with the math, without too much trouble, sometimes you just need to cut up the fabric and sew to see if the idea works. So I had an idea and needed to cut and sew to see if it was plausible. The stack of the hand dyes was there, just looking pretty. In my quilting journey I was taught that hand dyes were precious and to be savoured. Well, life these days begs for joy wherever we can get it so I dove into the pile. Also, now that I’ve been playing with the hand dyes I am comfortable making more if I want/need them. So I grabbed the stack, picked a few and got to playing.

And play I did! My experiment worked and I fell in love with the results. So I kept playing and playing and in a few hours I had the makings of a quilt top! The pretty stack of hand dyes is now a messy pile of scraps and I couldn’t be happier.

It all worked so well that I’ve decide to offer up this Improv Square in a Square as the next Quilters’ Playcation Playdate. We will hang out and I will demo a stress free way to make this Square in a Square block in any size. Sign up for the Friday or Saturday session, or both.

June 4 - 5 PM MST or June 5 - 10 AM MST

Remember, if you sign up for the Quilters’ Playcation Get The Scoop newsletter you get a discount code for your first event.

Social Justice Sewing Academy Anti-Racist Guidebook

Last fall, after a summer of Black Lives Matter protests, the Social Justice Sewing Academy set out to do some different kind of work. This, on top of the amazing lessons, memorials, and community work they already do. They’ve just published a guidebook for the sewers of the world, An Anti-Racist Guidebook.

What is Anti-Racism?

I came to the term through Ibram X. Kendi and his book How to Be an Anti Racist. Essentially, it is about doing more than saying you believe all races are equal. Saying you don’t see colour isn’t the answer. It is about examining the systemic racism that we all participate in one way or another, then actively working to dismantle it.

When the call for volunteers came out I signed up immediately. As a quilter who works almost exclusively in cotton, as a white woman who only learned more than pop culture civil rights history in the last 10 years, as a human, I wanted to do some of the anti-racism work for myself and our community. Ever since my trip to Alabama and seeing cotton fields for the first time I’ve wanted to dive deeper into its production. Hand in hand with that is the deep dive into the role cotton has played in systemic racism.

My essay in the Anti-Racist Guidebook is the result. I looked into the ties between slavery and cotton production, which most of us know about. But it also examines the growth of the Industrial Revolution and capitalism as tied to cotton production, and therefore slavery. It also examines current cotton production, including how those links aren’t really gone.

The process was eye-opening for sure. I hope it is for you. It has me hanging on to every scrap of my cotton, not wanting to waste a bit of effort that went into making it. I won’t lie, it also gives me mixed feelings about using cotton at all. This discomfort is good, its going to force me to dig deeper. The next step is to talk to the fabric companies that make our medium of choice and ask them about their current supply chain. The more we all know, the better.

I highly recommend checking out the entire Anti-Racist Guidebook. There are some incredible pieces on everything from code-meshing to political quilts, from housing to resiliency. Each essay is written by a volunteer. They place themselves in the work, to show the work rather than centre their story. Each essay also includes recommendations for self reflection by the reader, to do their own work on the topic.

For my part one of my resources was this book: Empire of Cotton by Sven Beckert. I pulled from multiple sections but now I am sitting down for a good read. It is fascinating and disheartening at the same time, illuminating and depressing. But we can’t walk away from the thick, the ugly, the hard just because they are so. People live this still and it is up to all of us to move forward for all.

And for those of you who might want to tell me to keep politics out of quilting, I hope you read this guidebook. If anything, to know that cotton, our material of choice is inherently political.