Mary - Uncovering an Old Block Design for a New Baby

Mary

48” x 48”

The matriarch of a close but spread out family. Cousins looking out for each other, uncles closer to brothers, babies of all ages. She did not live to see it all, but she knew what she set in motion. She created a life, a space, a family, that welcomed everyone. Her small frame held a big heart.

On of my husband’s cousins had her third baby last summer. I knew I would be gifting a quilt so was exploring my options of already made or at least pieced projects in the stash. But when the little guy arrived none of them felt quite right. With his name starting with the letter T, I decided to lean in to that and pulled a quilt block and book from the archives.

Back when Modern Quilting became something we capitalized, I contributed to a book called Modern Blocks: 99 Quilt Blocks from Your Favourite Designers. The block was called To a T, because it was essentially a giant capital T. But put together gave you some cool secondary designs. I made up a big quilt, that, after some snuggles at home, sent it off to a kid’s cancer camp. It was a lot of fun to play with it again.

I dug into my fabric - both scraps and stash - to make an eclectic but soft version of it. I’ve got some fabrics in there that must be at least 15 years old, and some much more recent. I love mixing it up and pairing things in unexpected ways. Like classic large florals with modern geometrics. Keeps it interesting and not flat.

I dug into my fabric - both scraps and stash - to make an eclectic but soft version of it. I’ve got some fabrics in there that must be at least 15 years old, and some much more recent. I love mixing it up and pairing things in unexpected ways. Like classic large florals with modern geometrics. Keeps it interesting and not flat. I finished it with a simple loopy quilting in cream. Nothing fancy, but enough to give it great texture for snuggling.

The binding? Well, she’s a bit extra. Mary did love some statement jewelry at times. Instead of just simple big stitch finishing I opted for Xs, but alternated colours. It’s a lot easier to do than you might think and really doesn’t take much longer than normal hand finishing. I used Valdani 8W for the stitching. The solid fabric for the binding it out of my norm, but it was what I had in the stash that worked well.

The baby in question - Taz - was born in July and it wasn’t until winter started that I got myself organized to make the quilt. Then I moved pretty quickly to finish it. After that I procrastinated for months on sending it to them. I just really hate going to the post office. These pictures were taken in January! Finally, Taz’s Mama sent me a kind text asking if I would make a quilt for Taz, as I had for their other two. Wasn’t she in luck? I washed the quilt, wrapped it safely, and sent it out a few days later. Who am I to turn down a sweet request for something I had already done?!?!

Oh, and the namesake for the quilt? Baby Taz’s great grandmother, Mary Ross.

Braided Rug Quilt Coming Along

There are a lot of different reasons folks make scrap quilts. And many for why they don’t! I go over a lot of them in my presentations and classes. I can say that one of the key reasons to make a scrap quilt is to clean up/use up scraps. There comes a point where the pile/bin/basket is too much and to avoid throwing them out you have to find a way to use them up while making yourself happy with the process.

That’s exactly what happened with these blocks. I have 3 more to make to get the quilt to where I want it to be. Have I used all the fabric yet? Nope. Am I sick of making these blocks? Yup.

Now I could just stop, set everything aside, and come back in a year or so. I do that a lot and have no problem doing so. But that itch to clean up/use up those scraps was strong. Very strong. So I did the math on what was required to get where I want to go. That is, after changing my mind. I’m so close now that I am excited by the finish.

Besides, my new studio is so very nearly ready and it will be great to go in there just a little bit lighter on the scraps.

Yes, You Can Change Your Mind While Making a Quilt

Did you know that you are absolutely allowed, even encouraged, to change your mind while making a quilt? Far too often folks think that because they started down a certain path in the quilt making process they are not allowed to veer from it. This isn’t school and standardized testing. Or, as my husband likes to say when the children complain about him changing his mind: I’m an adult and I can do whatever the eff I want!

Definitely applicable to quilting.

These blocks started as class samples. I use them in my Scraptastic class as one option for when you are playing with scrap strips. I make one in a class, put it with the others and move on with life. I had zero plans for the blocks, they served as a teaching tool.

Last month I was teaching a virtual workshop with the Thompkins County Quilters’ Guild out of New York. I had a pile of these blocks on my cutting table and starting arranging them to show possibilities. Quite quickly I was struck by a certain layout of 8 blocks. I don’t think I even had 8 blocks at the time, but I could see potential.

After the class, I finished up those 8 blocks and quickly sewed them together. Smitten, I decided to make more blocks. A lot more blocks. My initial plan was that top picture there. Every 8 blocks sewn together with them all assembled in an alternating layout. In my mind it was perfect.

Not so much on the design wall. My seemingly brilliant idea looked a hot mess.

When I am lecturing and teaching about using scraps one of my big messages is about finding order. When people complain that scrap quilts look messy it is often because they do, because they are lacking order. You can find that order with colour selection, playing with value, or through shape. My blocks are multicoloured, improvised, and made without regard to the value placement of the fabrics. That meant that shape matters the most.

Now my initial blocks - an improv variation on the Prairie Braid - are all trimmed to the same size. That helps. I thought the block layout made with 8 blocks would be totally fine in repeat. As you can see in that top photo, I was wrong. Even with the repetition of the original block shape/size and the repetition of making the larger square block, it still looks messy.

Here’s the thing, nothing was sewn together or set in stone. Even if it was, I would have taken it apart. If it’s not working, it’s not working. If you subbed salt for sugar in your cake would you still eat it? If you installed a bathtub too small for the space you framed, would you just live with it? No matter what, you aren’t tied to finish something that isn’t working.

So I tried something different. I played around and realized the second layout was much stronger, way less messy. Better yet, it used the exact same amount of blocks that I had planned to make!

That is, until I changed my mind again.

Elodie - A Bold Quilt of Half Square Triangles and Circles

Elodie

84” x 84”

Elodie is a lady of optimism. Sure, she’s a realist, knowing that work is always required in life and love, but she chooses to seek the sunshine in every moment. It isn’t easy and, frankly, it doesn’t always work. Elodie wasn’t always this way. Not so long ago she stayed under the covers, under the quilts, as much as possible. The world felt like a lot too much. It all changed the day the sunbeam hit her. It had been gloomy outside and in. Like most gloomy people Elodie lay napping fitfully. Then the sun broke through the clouds and hit her square in the face. Without thinking about it she breathed, nestled, and relaxed like a cat curling up in the sunbeam. Her nap became restful and when she woke the clouds had broken. Elodie could see the sun again. She vowed then and there to seek it out. Tropical vacations or moving to the South of France not being an option, she looked for ways to bring the sunshine to where she was as much of the time. Being optimistic doesn’t automatically make the sadness go away, but stepping into the light is the right step for Elodie.

This particular quilt nearly did not make it. It started from a random block, a sample made for a class. That block ended up in the donate pile that never got donated. A random rediscovery and the right timing turned that one block into a quilt top.

To make the blocks I shopped first in my scraps, using any piece in the colour story that was big enough. After that I went shopping in my stash. That makes this quilt both scraps and scrappy. (Ask me the difference in my trunk show Scraps Vs. Scrappy.)

It took me quite a bit to take the blocks - some plain half square triangles and some of those turned into circles - and find a layout that felt cohesive. I made the blocks in a colour story or orange, yellow, green and blue in 3 different sizes": 6” 12: and 18”. Some have high contrast, some have low contrast. When it came time to get them all on the design wall the challenge was evident. I tried laying it out my value, by colour, by size, and many options in between. In the end I played with colour more than value (against my usual advice) and keeping a strong diagonal component in the design. I’m pretty happy with how it ended up. And the original block found a home in it.

The quilted was completed by Phillipa Gelinas. I chose this great circle panto to compliment the design of the quilt top. Elodie deserved a fast finish. Rather, she deserved to be welcomed and used quickly. Deserved/needed.

My original plan was hot pink binding and that was before I picked out the backing fabric! When it came down to it though it didn’t look right. We know I like a contrasting binding but it just wasn’t the right thing to do here. I found this fun strip in my stash that ended up being just perfect. Like it was meant to be. Perhaps like that sunbeam?