Epic Battle With the Scraps

Victory is mine!

A month ago - after teaching multiple scrap and Values Plus workshops - I got it in my head to buckle down and hit the scraps. And I hit them hard. While I have my lovely little bins of colour sorted a blue IKEA bag kept getting filled with strips and random bits. I sorted out a bunch of little bits back in May, but otherwise the bag sat there taunting me.

Hey you! Hey! I’m talking to you. You know you won’t throw me out, you simply can’t do that. But did you know I grow when you aren’t looking. The rest of the fabric? It comes to me at night and fills me up. You will never take me down!

Oh yeah? Let the battle begin.

I spent an hour or so sorting that bag by colour. Easy enough. And usually sorting is enough for me. It gives me the calm I want and finding order makes me happy. But there were just so many scraps! So I went headlong into the fury and am happy to say I emerged victorious!

This morning I finished the last of the blocks for a queen size quilts based on my Values Plus class. As I sorted, sewed, and trimmed for those blocks little bits and little strings revealed themselves, like soldiers stalking me in the grass. Well, they’ve been tamed too. I have a pile of skinny strings ready to action on my side - in some little log cabins. And the little bits leftover from battle are contained in colour sorted bags, another project in mind.

All my Morning Makes and any other free time in the last month has been spent on this battlefield. I became solely focused on this. While I generally have no issue with scraps something just got in me that these needed to be dealt with. Like an itch I couldn’t scratch it became an obsession to empty, sort, and use everything in that blue bag. While not everything is used yet, it all is designated or tamed. I am winning!

Now I hope to spend some time actually finishing a quilt or two, that’s a whole other battle.

Firefly Quilt With a Fluttering Start (Via Pattern Drop)

Even though improv is my mother tongue, sometimes I crave a little precision piecing. It gets my brain working in a slightly different way. Yay for firing the neurons! (Does this mean I won't get dementia in later life?)

I made a single Firefly block to help my friend Katie launch a Quilt Along through her company, Pattern Drop. It was a pleasant way to spend an hour in the afternoon, digging through the scrap bin of solids. But hmm, that was a really nice way to spend the afternoon. Of course I started another block. Then I ran out of the backing fabric (before the block was finished).

Darn it, I wanted to finish that block and make more! And usually I would just dig through the stash and keep going but I really, really liked the look with the Essex Linen (in the sparkle variety and regular) and didn't want to change that. That meant convincing myself to order some because no local stores had the regular Essex in Indigo like I needed. Then waiting for the order. And now I just need the time!

The original pattern calls for 16 Firefly blocks. Lindsey Neill from Pen and Paper Patterns did a great job of drafting this block. There are some piecing options plus a bee version (I think mine lands somewhere in between bee and firefly). The pattern reads for the whole quilt, with options. I won't lie, read that way it scared me with the cutting instructions. That's because I never cut all at once. I can cut one block at a time and feel good. Less efficient, but suits my time allowed and available brain space. Plus, I have a think a bit more so more neurons fired!

From 0 to 125 - A Survey of Unfinished Quilts

Where do you fall when it comes to unfinished quilts? Earlier this year I conducted a survey of readers on the topic. Everything from true confessions on the number of quilts under construction to attitudes towards these projects.  Over 400 people answered the survey and I am finally able to share the results. My own current number sits at 47. It certainly creeped up this year!

What counts as a quilt under construction? I left the definition of unfinished open, by design. For some people a stack of fabric counts as an unfinished quilt, for others it is a quilt top. I let everyone define that personally. 

Just how many quilts under construction do you have? A few of you have 0, zero! unfinished quilts. A a few of you have over 100 quilts sitting unfinished. Most of you, however, are in the 10-15 unfinished quilts range. 

What I think is more telling is how people feel about their number. I asked people does this number stress you out?

Unfortunately, it didn't occur to me to have these questions link so I could figure out the statistical correlation (I am not a survey designer by trade). Same goes for the next question, where I asked people how many is too many?

In looking informally through all the responses though, it appears (but is not proven) that those that have a higher number don't seem all that stressed by the number. Nor do they think there is such a thing as too many. I have a theory about that. 

It comes down to perspective. If people view quiltmaking as a means to an end - a process by which we make a product - they get hung up on numbers and checking things off lists. Must finish becomes a mantra because their goal is a finished quilt. But if people view quilting making as an end in and of itself - a process that may or may not result in a product - then the number doesn't really matter.

Of course it should be said that at some point the majority of us do want to finish quilts. We are, ultimately, trying to make quilts here. If the emphasis, however, is on the finished product over the process we might as well go to the mall and buy a factory made piece. 

Back to the survery results.

Let's get practical. I asked where in the process do you generally stop working on a quilt? The question about process was left open ended, so the numbers don't add up to 100%. But the results are still telling. 

I know, for me, making a backing and basting are my blockades. Quilts pile up there. It seems I am not alone. Those are tedious tasks, no doubt. 

One question and the most popular answer probably tell the story here. The question was asked, what makes you stop working on a quilt?

Overwhelmingly, the answer was what one respondent referred to as Shiny Object Disorder. Something else becomes more inspiring in that moment. Or we get bored. It's pretty simple. Other answers included uncertainty about quilting plans or skill level. And that ever present need to wash the floors to baste a quilt!

I was able to present these results and my take on them in a lecture at QuiltCon in February. For the rest of you who weren't there I am happy to both share the results here and my full take on them in the latest issue of Modern Quilts Unlimited. In the article I defend all these unfinished quilts as markers of creativity. If we take on the Five Ps of quilt creativity we can all see it this way.

• Perception - how you view your quiltmaking in general makes a huge difference in how you view unfinished quilts, your skill level, and creativity
• Planning - approaching quiltmaking willy nilly is fine for some, but most of us require a more thoughtful approach to a project and practical considerations of space, time, and money
• Process - there should be as much joy for you in the process as the product
• Practicality - how we manage the unfinished quilts in our space and minds
• Play - bringing that spirit of playful joy to our quiltmaking

Long time readers will recognize these themes from posts. After nearly 20 years a quilter I've learned a few things, and I don't just mean hand applique. When we start our quiltmaking we almost always all start with products in mind. Some of us stay there and some embrace process more. Neither is more right than the other. When it comes to quilts under construction, however, I do need to defend every single one you have as a mark of creative action. Even if it's been years since you touched that project it does not represent a failure, it celebrates creativity! Own it.

Improvisational Piecing For Those Afraid of Improv

Yes, this still counts as Improv. It has precisely pieced curves, all made and squared up to the same size. It has a controlled grouping of fabric. It isn't at all what I thought I would make.

I define Improvisational Piecing as this:

Starting a quilt without knowing what it will look like when you finish.

This puts the emphasis on the process, on the path, on the exploration. It makes it about the act of sewing more than the fun of figuring out how to make something beautiful from that act. 

So when I started this quilt it was just to play with the fabric and the curves. Years later, when I returned to the fabric I kept the initial play and ran with it. I simply made the blocks. There was no finished quilt in mind. Obviously, my intent was to actually make a quilt at some point and not just a pile of blocks. But I had no idea what size that quilt would end up or what the actual design was going to be. I just made blocks until I ran out of the grey fabric. (To be perfectly honest, I'd wanted it bigger, but the fabric is years old and I was too lazy to try and hunt it down. So 54'' square is the size of the quilt.)

Then I had to figure out a layout. With quarter circles you have practically infinite design possibilities. I spent a morning sketching and colouring some options. I played on the design wall. I looked at the quilts of Jen Carlton Bailly, in particular. All cool and pretty, but not what felt right with these fabrics. In the end, I remembered the movement of a quilt I made with a stack of half square triangles. The design wall play worked!

No plan, no sketch, no pattern. Just a bunch of blocks turned into a quilt top. Complete improvisation.

If the thought of wonky or irregular cut fabric freaks you out - and I know it does for some people - but you are willing to embrace the challenge of an adventure then I suggest an exercise like this. Take precisely pieced building blocks, like a quarter circle, half square triangle, equilateral triangles, or even pieced coin strips and embrace some playtime. Make them without planning out a design, then try out a million and one different options for lay outs. This is indeed improvisational piecing. Don't let anyone tell you otherwise.