Morning Make January 2021

You know how people often start January with a Word of The Year? I admit that I’ve done it a few times. I also admit that I have forgotten my chosen word by March, every single year.

For Morning Make, then, I decided to think up a month’s worth or words to hammer home. All things I think are important for me to keep in mind. By drawing one our each day, doodling, really, I could spend some time to ruminate on the word for myself.

So that didn't really happen. I was doing these in the dark mornings on January in minimal light in the hopes the kids would stay asleep. I spent more time worried about font and lines and kerning and being unique each day than I did thinking about the word itself. Sigh.

It turns out that my love of fonts and graphic design does not extend to the doing of it. I’ve read some stuff and enjoy looking at books and articles about font design and logos and all that stuff. While I never expected this to be easy nor for me to be any good at it as a beginner, I did not expect to dislike it. This was a slog, if I am being truly honest. I did not look forward to it each morning, I even felt stressed.

This is not the point of Morning Make!

Or so I thought. Truly, the point is to commit to the daily practice. The point is to experiment and play with something. Unless you try, you don’t know whether you will like it or not. The point is to show up and both challenge your creative juices and embrace the little tangents it wants to take you to.

It’s okay not to like it. I tell my quilt students that all the time. You don’t have to like what you made or event eh technique, but appreciate it all for the commitment to yourself and your play. This, this is the point of Morning Make.

Since graphic design isn’t going to be a career choice for me (now I know!) it’s back to sewing for February.

Morning Make December 2020

December saw a decided slow down, a necessary slow down. I was in the mood for hand stitching plus I wanted something that would carry me through the quiet holiday at home. Having done embroidery in February and already working on English Paper Piecing I decided to try something entirely new to me.

Pojagi is a Korean art form of patchwork. It can be done by machine, but I chose to go the original route of hand stitching. The end result is a finished seam from both sides. This means any Pojagi piece is entirely reversible.

It was never a one piece of fabric to represent one day in the month kind of project. Some days I did a single short seam, some days I did five. I will say that, initially, I thought I would make it into a curtain or shade for one of my sewing room windows. The low winter sun and Zoom events mean I have to diffuse the light coming in the room for part of the day. This would have been a very traditional use for the Pojagi. But it’s a big window! So partway through the month I switched plans and made it longer rather that wider, sealing its fate as a table runner (if I finished it.)

The first exposure I had to Pojagi was years ago from Victoria Gertenbach. Despite the time passing, it has always stuck in my head. She did machine work, but it was the history and the effect that stayed with me. For a hand stitched technique I used this tutorial. I won’t lie, I had to look at the tutorial each day for a week while I worked on it to have it make sense.

For materials and colour I stayed close to home. Many examples of Korean work will use different materials from silks to polyesters. I stuck with quilting cottons and linens, a mixture pulled from my stash. Included in this was a sparkly linen left behind when a friend from Australia visited, leftover blues from Shiver, and a scrap of fabric used to sop up dye when we tie dyed sheets with the kids last summer. My fabric pull was, in the end, an homage to a winter sunrise here.

I did actually finish this piece. It felt silly to leave it behind to be both forgotten and potentially wrecked. During downtime and while supervising virtual school this week I hemmed the edges. The tree is still up, candles light our evenings, and a lovely reminder to slow down graces the table.

As for Morning Make I am going to continue on the monthly change for 2021. I really liked the strong focus for a relatively short period of time. It is fostering play and exploration but still allows me to dig in to something new a little.

Morning Make November 2020

Well this one was way out of my comfort zone! Just the way it should be.

Partly meditative, full of exploration, a lot of learning, and some very cool results at times. November Morning Make was some playtime with block printing. Thanks to my neighbourhood friend Julie who inspires me with her detailed reduction prints. Baby steps for me, as my one and only experience with block printing was a 2 hour class years ago where I recall being bored and distracted like a child in history class..

So I set myself some boundaries but gave myself free reign to try many things. I started with 3” blocks of the pink lino cutting material available in any art store. My daughter happened to have a lino cutting tool (I think it was a birthday present). I bought Speedball fabric printing ink, which the tube says was also fine for paper. Each morning I would carve a block then stamp it on paper in a 4 patch and then on fabric in a different 4 patch. Different patterns for the different materials simply to have two ways to see how the pattern of the block interacted.

Sometimes I did patterns that linked within the 4 patch. These were more or less obvious depending on the block. Sometimes I did a graphic motif that stood on its own, like a single stamp, so that a repeat was interesting, but not the most exciting. Sometimes the ideas worked, sometimes they did not.

The blocks above are probably my favourites of the whole bunch.

There were quite a few times where I wanted to print a number more repeats, to see a larger interaction. Or maybe mix a few stamps together to see the intricacies of the patterns created. Thankfully, I have the blocks still so I can always do that!

For the fabric I chose a slubby linen I had in my stash. I really don’t know if it was a smart or a stupid choice. I think my application of the ink on the stamp was a bigger concern than the fabric I used. I struggled to get it coated without being too thick or thin. Without doing much research - I didn’t want to use my phone while I was in the middle of Morning make but would forget as soon as I left the studio - I’m thinking that it is something that comes with feel and probably varies with the products used.

A friend pointed out to me that many of the things I’ve been exploring this year have potential to be repeat fabric designs. While I can’t argue with that, let me be clear that it was not my intention. I have been a quilter for 22 years and playing with prints that whole time so it isn’t exactly shocking that it would come out that way. Who knows? Maybe I will explore that a bit more in the new year? For now, though, I am just really having fun playing.

Morning Make October 2020

On October 1st I had a grand plan that I was going to make this symbolic improv quilt. A stylized version of the date, counting up with an interruption of a different colour every time a kid in the house was affected by Covid in terms of learning or having isolation requirements of their own. On October 2 I scratched that plan and decided playing was a lot more fun than getting symbolic with a quilt. Especially now.

Especially now.

So each day I woke up and padded to the sewing room, with the sole purpose of making an improv doodle. This isn’t totally new to me, as long time readers will know, but my approach this time was definitely different. Instead of making a block each day AND THEN figuring out how they might all work together, I decided I would make, compose, and build the quilt as I went. Each day the block was sewn next to the previous day’s block. After 5 days I had a row. After 10 days I sewed the two rows together. And onward.

None of the rows are the same height, but I did get them all the same length - some with trimming and some with additions. The height of the row was determined by where I stopped sewing with the first block, then all were made the same.

Composing on the go like this is a definite challenge. I just didn’t want it to look like 31 distinct blocks or have a grid. I can look at the finished quilt top and see some things I would change. Oh well. But I did eventually get in the groove and could see lines I might extend or places where it would be fun to change directions. I repeated a few motifs and the whole thing has multiple techniques used again and again.

I do think it finishes with a fairly well balanced composition, so that makes me happy.

Watching the quilt grow was indeed a marker of time. It marked an improvement in my mental health as opposed to a marker of my stress, which would have happened if I stuck with my initial plan. That also makes me happy.

I’ve got a plan in mind for quilting already and found the perfect fabrics in my stash. I almost basted it last night too, more welcome distraction in very stressful times. Hopefully it will happen in the coming days because I am in the mood to quilt! Plus, I am not sewing for November Morning Make so I need to get at my machine!