What My Son Taught Me About Letting Go and Quiltmaking

Here lies a very proud boy.

At some point last year my son asked me to teach him how to hand sew. We started with a basic running stitch and scraps in his favourite colour. Moments at a time - the attention span of a normal 4 year old boy - we stitched some triangles on squares and sewed them together. Then they sat. And sat. Then one day in the winter he asked to sew more. 

What ended up happening is he placed his one block on the design wall and started pulling scraps. He played and played and played. I loved watching it come to life one piece of fabric at a time. The next day it would change and again the day after that. In all honesty I thought it would stop there.

Boy, was I wrong.

Soon he started pushing for us to turn those scraps on the wall into a quilt. Hmm... now how exactly was I going to do that? He was quite adamant that it literally be what he laid out. I thought about doing some planned improv - using his fabric and sizes but puzzling it together to make it a solid piece, a quilt top. Well, that, and some applique.

He shot me down. The boy knows nothing about quilting other than watching me but he knew exactly what he wanted. So we picked a background fabric and carefully, with his sisters' help, he transferred the design to the background fabric. Then he glued each piece down. Just so.

This is where I had to take some deep breaths. But, but, but... He picked a busy background fabric and it could be seen through some pieces... He didn't cut selvages off... All those raw edges... those unicorns are upside down...

You see, when I am teaching a new person - child or adult - I am a firm believer in basic, solid technique. Good 1/4'' seam allowances, pressing, colour work, squaring up. It's what I've done with teaching my own kids all along. Know the basics then riff all you want. But here was this boy completely making up his own process, his own rules. 

I thought about the articles you read where kids remember being told they aren't creative and they stop making art. About adults coming back to art after feeling shunned due to rule breaking. I thought about those things and didn't want to do that to my boy. I had to let go of constrictions and rules and supposed-to-dos. I had to embrace the way he saw the quilt and the process.

So I followed his instructions to the letter, even when they made me cringe a little as a quilter. Better to make a 'not proper' quilt than kill the spirit of a child. That made me feel better as a mother. When it came to finishing he made all the decisions - backing, thread colour, even the quilting pattern, and binding. He has the label even designed, but that's waiting for a picture with him and Daddy and the dog. 

We will make no mention of the fact that the quilt is effectively a baby sized quilt. He thinks it is perfect for Daddy. And so it is, son, so it is.  

Summer Play - Improvisational Piecing With Solids

A little bit of this, a little bit of that. We sew when we can.

The Improv triangle work started as a class sample. Then I liked it so much I kept playing. Still, I play. I set some parameters for the play. This is always a good thing to do, especially if you find Improv Piecing overwhelming. These are mine:

• Two colour blocks, high contrast in value.
• Only solids.
• Fundamental construction revolves around the techniques I share in my Improv Triangles class.

I've invested in some more solids because my stash is minimal in that department. These are all a combination of Cloud 9 organic Cirrus Solids (so seriously dreamy) and Kona cottons. I work only 2 colours/1 block at a time. No rhyme or reason to my choices other than I think those two fabrics look fun together. 

Kids started summer vacation over the weekend. And we were going hard with activities until that Friday night. We are all totally pooped. The sum total of the sewing I've done (minus the quarter circles that got me on a tangent) in the last month is right there on my design wall. Hand sewing my Euroa quilt while still on pool decks and soccer pitches, and little Morning Make triangle bits slowly, ever so slowly adding up. Whether it is after dinner frisbee tossing or sewing triangles together, I'm having fun with this summer playtime.

Oops

A certain Britney Spears song is running through my head right now.

I was on a finishing quick. Trying to turn blocks in to quilt tops, basting a few quilts, and making more blocks for others. No real reason other than a desire to have things move around on the list and maybe get a finish or two. Then this happened...

You see, I was prepping for a class. Wanting to augment my existing class samples I decided to try something else. I did that one thing, shared it on Instagram, someone commented on it, that led to another idea, and I went ahead and played. So bits of that piece on the bottom left became an attempt at shark fins on the top. But I couldn't quite get the shark fins to look right so I kept trying. Frankly, then, they started to resemble orcas more than sharks. It was at that point that I got the idea for a whole pod of orcas/sharks. 

That bit on the bottom left also greatly intrigued me. I decided to pick two other high contrast solids and play some more. The blocks are made up on different sorts of improv triangles (that's what my class was on that day). I am completely in love with the interesting shapes that come from sewing the different components together. Positive and negative space at work.

So I did what any respectable quilter would do when faced with two fun ideas would do - I went shopping. My solids stash is actually quite minimal. I picked up a whole bunch of blues to add to the pod and add variation to the ocean background. Then I snagged a bunch of random coloured solids. 

These are both excellent Morning Make projects so they will certainly be in the rotation. Let's see what I can finish before the fabric arrives.

All The Sundays

All The Sundays

70'' x 70''

An oh so special quilt is finally finished. I wasn't impatient or anything, but as soon as the last stitches went in the other day I realized how much I wanted this quilt to be done. Only so that it could be real, that it could be a thing I used and loved.

The first bits of piecing in this quilt started years ago. I was teaching a Slab class, the technique popularized in my book with Amanda Jean, Sunday Morning Quilts. In my prep for the class I grabbed a bunch of scraps from making the quilts in A Month of Sundays. They were handy, that's all. I had no specific plan. So I made my samples for the class and that was that. A bit later I was reading Denyse Schmidt's book, Modern Quilts, Traditional Inspirations. Her Shoeman's Puzzle quilt grabbed me immediately.

I'm not sure when the moment was that I decided to combine all these influences into one quilt, but it happened. And it was love at first sight.

It wasn't an easy quilt to make. I made freezer paper templates to keep me on track. Those didn't come into play until after I'd made slabs though. The templates were totally necessary to keep lines as they should be, especially important with all those angles and bias edges. Of course, then there is the removing of the paper. Thankfully there are only 3 seams in each block, about the easiest paper piecing you can do.

The quilt top sat for a year and a half in the closet, keeping a dozen other quilt tops company. I wasn't quite sure what I wanted to do to quilt it and was willing to wait until the right idea hit me. Or, the right person to do it for me. 

Last summer I met Dara from Stitched Quilting Co. Turns out her MIL lives a few blocks away from me. We had a few visits and chatted quilting, dogs, and mothering. Well a couple of months ago Dara messaged to say she had an opening in her long arm schedule and delivery ready, if I had a quilt to go. Seeing as my Quilts Under Construction list is quite long I wasn't about to turn down the opportunity! This quilt made the cut precisely because I didn't have a plan for it and I already had a wide back purchased and ready to go. After a frantic evening of pulling papers and a few repairs I got it to Dara.

With so much solid expanse in the whites/creams of the quilt top this needed a special touch. Dara gave it just that! Such custom, detailed work. So much attention to detail. There are secondary and tertiary patterns in this quilt top and her quilting highlighted them. I'm thrilled with the outcome.

For the backing and binding I chose to go back to my dear friend Amanda Jean's fabric, Good Neighbors. She had a wide back fabric in that collection. And the orange dot was absolutely perfect for the binding. Conveniently I'd just ordered a half yard of it, the perfect amount. And lucky for me, because neither are available anymore!

My husband will happily tell anyone that we have a ridiculous amount of quilts in our house. He is very obliging if we are asked for donations or gifts. Little does he know that this quilt will never leave my hands. It represents so much to me, not to mention that I think it is absolutely beautiful. I will always think of friendships, how my career has grown, and the history contained in some beautiful fabric.