All The Sundays

All The Sundays

70'' x 70''

An oh so special quilt is finally finished. I wasn't impatient or anything, but as soon as the last stitches went in the other day I realized how much I wanted this quilt to be done. Only so that it could be real, that it could be a thing I used and loved.

The first bits of piecing in this quilt started years ago. I was teaching a Slab class, the technique popularized in my book with Amanda Jean, Sunday Morning Quilts. In my prep for the class I grabbed a bunch of scraps from making the quilts in A Month of Sundays. They were handy, that's all. I had no specific plan. So I made my samples for the class and that was that. A bit later I was reading Denyse Schmidt's book, Modern Quilts, Traditional Inspirations. Her Shoeman's Puzzle quilt grabbed me immediately.

I'm not sure when the moment was that I decided to combine all these influences into one quilt, but it happened. And it was love at first sight.

It wasn't an easy quilt to make. I made freezer paper templates to keep me on track. Those didn't come into play until after I'd made slabs though. The templates were totally necessary to keep lines as they should be, especially important with all those angles and bias edges. Of course, then there is the removing of the paper. Thankfully there are only 3 seams in each block, about the easiest paper piecing you can do.

The quilt top sat for a year and a half in the closet, keeping a dozen other quilt tops company. I wasn't quite sure what I wanted to do to quilt it and was willing to wait until the right idea hit me. Or, the right person to do it for me. 

Last summer I met Dara from Stitched Quilting Co. Turns out her MIL lives a few blocks away from me. We had a few visits and chatted quilting, dogs, and mothering. Well a couple of months ago Dara messaged to say she had an opening in her long arm schedule and delivery ready, if I had a quilt to go. Seeing as my Quilts Under Construction list is quite long I wasn't about to turn down the opportunity! This quilt made the cut precisely because I didn't have a plan for it and I already had a wide back purchased and ready to go. After a frantic evening of pulling papers and a few repairs I got it to Dara.

With so much solid expanse in the whites/creams of the quilt top this needed a special touch. Dara gave it just that! Such custom, detailed work. So much attention to detail. There are secondary and tertiary patterns in this quilt top and her quilting highlighted them. I'm thrilled with the outcome.

For the backing and binding I chose to go back to my dear friend Amanda Jean's fabric, Good Neighbors. She had a wide back fabric in that collection. And the orange dot was absolutely perfect for the binding. Conveniently I'd just ordered a half yard of it, the perfect amount. And lucky for me, because neither are available anymore!

My husband will happily tell anyone that we have a ridiculous amount of quilts in our house. He is very obliging if we are asked for donations or gifts. Little does he know that this quilt will never leave my hands. It represents so much to me, not to mention that I think it is absolutely beautiful. I will always think of friendships, how my career has grown, and the history contained in some beautiful fabric. 

Another Improv Applique Project

Precuts are quickly becoming my favourite go-to for Improv Applique.

My current project combines a charm pack of Robert Kaufman Kona solids and a mini charm pack I made up with my own Tag fabric. Both were lying around the sewing room, collecting dust. I needed some mindless hand sewing and did not have anything prepped. 

That's my favourite thing about Improv Applique, there is no detailed prep required. Grab some fabric, cut a shape, and go. As long as you have supplies handy it is an instantaneous project. 

All I did, in this case, was snip a corner off the mini charms prior to basting them to the solids. Just for a slightly different shape. My daughter says they remind her of the shape of Alberta, our Province. She's right, albeit squared off a bit. 

Like all improv projects I start, I have no idea where this will end up. I am quite enjoying the black and white with the solids. It may stay small, I may not do any more, or I could make this something entirely differently. Who knows? What I do know for sure is that it is a fun little project for on the go.

For any local, or relatively local, folks I am teaching Improv Applique at My Sewing Room May 30, 6-9 pm.

Galaxy

Galaxy

60'' x 60''

Improv isn't just for wonky cuts and pulling fabric out of a bag. You can start with a shape, precise cuts, and a playful spirit. That's exactly what I did when I started this quilt, oh... almost 3 years ago.

I did have a plan, but when that didn't work I had to figure out something else that would still make a beautiful quilt. There was no way this beautiful fabric was going to waste. It is made from the Cloud 9 Cirrus Solids, their first colour release. It is extremely soft and oh so delicious. Bonus, it is certified organic cotton. So when my initial intention did not work out, I came up with an alternative quilt top.

This is what playing with improv teaches you to do - figure out a solution no matter what. Whether it is running out of background fabric or making a mistake in piecing, whether you simply don't like the way it turned out or you suddenly want to make the quilt bigger, having the spirit of improv means you can come up with a low stress solution. It is about tapping into that ability to embrace the unknown and find a path forward. 

So back to the quilt.

When I took my mostly random half square triangles and settled on a layout - after a lot of design wall play - the top got pieced and added to the pile of tops in the closet. Periodically I would pet it (that fabric is seriously soft) but that's about it. Fast forward to last month when friends of ours asked if just maybe I had a quilt to donate to a charity event they were hosting. I think my husband answered for me, with the strongest yes ever. Rather than take a finished, and therefore used, quilt from the racks I decided to finish one fresh for them.

I've also learned that for charity donations like this people seem to like quite traditional or quite bold quilts. This one is definitely bold! The other thing I've learned is that while I am generous, I can't be ridiculous with my time. I do have that family/work thing to do. So I went with straight line quilting that actually added some movement plus a cool secondary pattern of an Ohio Star where the lines intersected. I picked a turquoise Aurifil because when any colour will work that is always an excellent choice! It also looked great on the back, one of the first Prints from Rashida Coleman-Hale with Cotton and Steel, Moonlit.

Binding choice was probably the most difficult. Again, any solid colour would likely do. I was leaning towards hot pink or carrying the turquoise out. Then I spied the perfect fabric peeking out of my stash - a ruled sheet of paper inspired print from Paper Obsessed by Heather Givans (of Crimson Tate fame). It's already on the bias, and the touch of blue and pink is just enough to make it so much more than a solid binding. And thankfully it looked great on the back.

The quilt has already been auctioned off. I'm always a little bit sad that they don't fetch more, but happy that the quilt is going to a loving home. And I met the winning bidder so I know it will be well taken care of. I may however, need to restash some of those Cirrus Solids now.

New Obsession with Tiny Piecing

I'm a fan of a big quilt. Always in favour of sewing more to make it bigger I have a hard time making something smaller than 84'' square these days. I have to push myself to go smaller. None of that, however, applies to piecing. The day may have now come where I have to push myself to go larger in piecing, at least for now.

While at QuiltCon East in Savannah last month I had the great joy of taking a tiny piecing class with Chawne Kimber. Mostly, I just wanted to hang out with Chawne for a day. She rocked my world in so many ways!

After a demo and short talk about the mechanics of tiny piecing she let us loose. Not one to follow the crowd, I decided I would try my favourite improv curves scaled down. Way down. I started with squares cut anywhere from 1 1/2'' to 2'' big. With scissors I cut a curve and started sewing. 

Oy.

Not easy, especially on the classroom machines. But also not too difficult. And once I got home and could use my own machine with a smaller foot it got much easier. So much so that I am totally addicted. I can't stop cutting fabric and sewing blocks!

To keep from going totally insane and to make a finished pieced more interesting I change up the size of the starting squares. So far, the largest ones cut are in the 3'' range. They seem enormous in comparison. I square up according to what it can be, but the smallest ones are about 1 1/4'' wide. Even though Chawne taught us how to make log cabins and pineapple blocks with 1/8'' finished pieces, I think that is about as small as I can go and still be able to sew them in the first place. 

It takes a lot of work to get to any size when working this small. I break it up to keep from total insanity (although, I may already be there). One day I might cut and sew a bunch of the curves. After the kids go to bed I might press the handfuls of little blocks. With some good music I tackle the tedious job of squaring up, sorting the blocks into piles of different sizes. This, by far, is the part that makes me doubt myself the most. Then it is play time. I took about 4 hours to get this piece together, from ready blocks. It measures about 9'' by 28'' at the moment. 

Another student in the class - a woman who has actually taken an Improv Curves workshop with me - teased me for being so on brand with this. After a good laugh I conceded that she was right. I just like what I like!

Because it is me, I have zero intention of stopping at a wall hanging or even a baby quilt size. Must go larger! For now, I will play with this until I don't want to play anymore. Seeing as this seems to be pulling me out of a funk I don't anticipate boredom anytime soon. 

Amazing what some experimentation and a lot of play can do for the soul.