Forgiveness - Scrap Vortex Meets Improvised Words

Forgiveness

80'' x 77''

When two quilts become one. When emotions transfer to your making. When the morning make becomes all consuming. When making a quilt is cheaper than the therapist.

This particular quilt started a few years ago. I called it Snippets on Dates back then. Take two little bits and sew them together. Repeat a thousand times, press. Sew pairs to pairs and so on. I had a small quilt together and there was no end to the little snippets. Around the same time Amanda Jean launched her Scrap Vortex Quilt Along. It got a lot of people looking at their scraps differently. Here and there I would take my overflowing bin of snippets and sew some together. Doing it bit by bit makes it less daunting, especially when most of the pieces are 2'' or smaller! But I never really moved further than that. Everything just sat around in my Quilts Under Construction pile.

Cue last summer. For one, my Morning Make became a serious commitment. As in, I wanted/needed to do it every day for my sanity. I like my Morning Make projects to be no brainers so I pulled this one out to start. Then my heart started turning over the word, the act, the emotion of Forgiveness. I decided sewing the word would help it burn into my brain and body, like I was taking notes for a test. Initially, I didn't actually see the two projects working together, I just happened to have them both out on the cutting table. They did really want to go together.

At this point I could go on some spiel about symbolism: the chaotic nature of our emotions with the quilt as metaphor. Uh, no. It really came down to the fact that even though I was making letter blocks to spell Forgiveness, I had no clue what to do with a really long, skinny quilt with just that word. While I thought about other words I put more snippets together. It seems obvious now, but it took me a few weeks to let the two projects play together. And then they became creative partners, propping each other up, no metaphors needed.

I rather like that the word is a bit tough to see. It wasn't bad Value work on my part, it was intentional. Forgiveness is an internal emotion, I don't need it, or me, to shout its presence.  Oh wait, I just got symbolic. But I did tone down the value contrast intentionally. Rather, I didn't do really darks and really whites on purpose. But it is there. Another confession, I made that V three times.

The fabrics go all the way back - some 20 years, some last year. There are bits and pieces from other quilters in there, including leftover components already pieced. I did zero editing for style of fabric so everything is in here - batiks, civil war, 30s reproductions, modern, solids, linens, you name it!

The backing was a piece of yardage I picked up in Arizona last year, something random that reminded me of a painting in my childhood home.

As usual, I used Quilters' Dream 100% cotton Select weight batting.

It was quilted with a combination of Aurifil and Wonderfil threads in yellow, grey, green, and blue. Just things I had in my stash. I did wavy lines across the quilt and outlined the letters for a bit more emphasis.

When it came to binding I wasn't sure. Scrappy seemed to make sense, instead of suddenly adding one bit of order. Conveniently, I had a bowl full of binding scraps. I sewed them end to end and made my way around the quilt. 

The last stitches actually went in the binding on New Years Day. Felt great to start the year with a finish, symbolic as it is.

Why Not? - Improv Applique with Boundless Fabrics and Big Stitch Quilting

Why Not?

22 1/2'' x 22 1/2''

An experiment. A lot of play. Something worth trying.

That's really how I started out on this quilt. I had a bundle of Craftsy's Boundless Fabrics and an idea in my head. That idea quickly became an obsession. Then another obsession with the hand quilting. Ask my family. "Still working on that quilt?" was a common question this past summer.

Now the quilt, with a technique tutorial, is in the latest issue of Modern Patchwork. The article includes a primer on how I do applique and an exploration of play. And bonus, it includes technique for the hand quilting. 

This won't be the last time I do improv applique or hand quilt. A beast was unleashed with this quilt!

For the quilting I used many variegated threads from Valdani. They are gorgeous hand dyed Perle cotton that I picked up at my local quilt shop. I could have bought all the colours, I settled for all the variegated and the coordinating colours for the wedges. I definitely need to do more hand quilting because that was quite the obsessive investment! Pretty sure that won't be a problem.

To learn more about what I did, check out the Winter 2017 Modern Patchwork. Oh, and check out that binding! A perfect discovery in my stash of an old Anna Maria Horner print, the one that looked like a stack of books, framed the finished piece. 

Stocking Stuffers for Quilters

Tis the season! I've put together a list of some of my favourite small quilting items. Print off the list for the other shoppers in your family or for yourself. Whether you celebrate Christmas or not these are great, inexpensive treats for making quilting better, more fun, and easier.

• Kwik Klip - A very handy tool when pin basting quilts. Yes, you could use an old teaspoon, but this is easier.
• Sewing Machine Oil - It isn't something we often buy for ourselves but it is an integral part of machine maintenance. Make sure to buy the right one for your machine.
• Seam roller - Instead of finger pressing or getting up that much more, buy a seam roller. Violet Craft is now selling them (a branded version of the one I've always used.) Perfect for improv piecing as well as both paper piecing (foundation and English). I couldn't sew without mine.
• Hera marker - Personally, I am not a fan of most marking pencils when quilting. A Hera Marker leaves a crease rather than a mark. With good lighting it is easy to follow.
• Chalk Pencil - All that being said about marking, this recent discovery made me very happy. I've used chalk to mark before but I really like this handy Bohin chalk pencil. A fine line. Downside, doesn't work on white.
• Fabric Glue - Good old Elmer's Glue works great for glue basting and more, but there are good fabric glues out there that are even better. I like Liquid Stitch and Unique Stitch. While you are at it, pick up some of these glue tips. They are perfect!
• Rotary Cutter Blades - A quilter can never have too many! Even though we all wait too long to change the blade. Make sure to pick up the right size and brand for the rotary cutter in the sewing room.
• Small Olfa Scissors - While you can often get pretty little scissors at the check out counter in nearly any sewing store, spend a few more bucks to get these Olfa Precision Scissors. They cut fabric well but also work as snips. Perfect for handwork. And bonus, they seem to pass through TSA screening without any problem because the blade is less than 3'' (but not in Australia, ask me how I know).
• Needle Threader - Anyone who does handwork knows what a pain it can be to thread and keep needles threading. They also know how quickly we go through needle threaders because the main mechanism is thing wire. You can never have too many around. This Clover one is my favourite. 
• Thread Conditioner - I am a recent convert to this, after finishing two major handwork projects. Boy or boy, does it make life easier! Thread Heaven is the one I am using currently.
• Enamel Pins - The pins are all the rage now, no matter the hobby or inclination. Check out the Sewist (Abby Glassenberg), No Regrets (Colette Patterns) and this Sewing Machine (City of Industry.
• Gift certificate to an online class - this really takes up no room in the stocking! You can gift classes on Craftsy and buy them Creative Live. Until the 16th classes on Creative Live are 50% off. Then 40% until the 19th, and so on until Christmas. 

Shockingly, fabric isn't on this list. I know! But unless you know the recipient's preferences well it is best to skip buying them fabric. They may not like charm packs or that particular fabric designer. When in doubt, pick a gift certificate to their favourite local shop. In fact, try to pick up as much as possible in your local quilt shop so they can have a merry holiday season too.

Please note that I am not affiliated with any of the brands or products listed above, with the exception of the Crafty and Creative Live classes. Those are affiliate links. 

Screen Printing Lesson and Coincidences at Maze and Vale

On my Australia trip I got the opportunity to learn silk screening printing from the wonderful Leslie Keating at Maze and Vale. We were in Melbourne for 48 free hours in between the two retreats. Jules McMahon arranged for us to go meet Leslie one morning. I'd interviewed Leslie for a Modern Patchwork/Quilting Arts article before, but this would be a treat. We were in for far more than we expected!

Leslie invited us into her shared warehouse studio space. A number of different artists working on their painting, printing, sewing, and making in a sunny, crisp warehouse. Divided by plywood walls and mixed with creativity. The Maze and Vale space is long and narrow, perfect for a printing table. Perfect for Leslie's gorgeous drop cloths (which Jules and I really, really want), a cabinet with her base cloth, and shelves of inks. Not to mention the true value of her unique screens stacked under the window.

We, admittedly, thought we were going to have a cup of tea, a short tour, and a little chat. But no! Leslie gave us that and so much more. She gave us lessons, stencil papers, a blank screen, and access to her beautifully custom mixed inks. Before our tea was cold we were cutting stencils with an exacto knife.

To be put on the spot for this was momentarily disconcerting. Thank goodness for my nearly full sketchbook that I always carry with me! I flipped through the pages and came across these sketches. In an older issue of Uppercase Magazine there was mention of a paper folding technique called Kawasaki's Theorem. While me drawing it out has nothing to do with paper folding I loved the lines of the illustration. It screamed quilt block to me. And, on this day, I used it as my inspiration for a stencil.

Now, the last time I used an exacto knife I nearly sliced my thumb off and my brother had to practice his eventual doctoring on me. So, I was a little nervous. But with some good chit chat I calmly got through and got to the exciting part of the process - printing.

There is something wonderfully meditative and quite exciting about screen printing. You think you know what it is going to look like, how it will finish, but there is still some uncertainty at the beginning. I could see this being addictive for me. At least in the summer at home because I'm not sure I could appropriate the dining room table for this in the winter months!

My prints dried, we heat set them, and last week I put together a small quilt top with my fabric. We used Essex Linen as out base cloth. With a bit more of the blue colour and a paper piecing pattern drafted to take advantage of the prints themselves I made 4 blocks. The blocks themselves are the Kawasaki's Theorem on repeat. All very meta. I think I will continue that with the quilting.

Leslie was a wonderful host and teacher. If I lived in Melbourne I would hope we could hang out a lot more. If she lived back in her native Canada it is likely we would too. Then again, we may have in the past! It turns out that not only is she Canadian, she is from the same Prairie suburb as I am. We know mutual people and even now, her sister and my sister in law are friends! We discovered all this while chatting and printing. It was a crazy coincidence and I can't believe I had to go halfway around the world to discover the connections. My little quilt and my prints mean that much more now.

This day of printing was an excellent creative retreat for Jules and I. Working hard for others and doing all we could to nurture their creativity was decidedly fantastic. But getting a chance to play and nurture our own was such a welcome and needed break. Thank you to Leslie for providing the space, inspiration, and guidance to do so.