For Sarah Golden

Sarah Gold Mini

16” x 20”

It was a few years ago, in the middle of another lockdown, that I became truly entranced with the work of Sarah Golden. Something about her shapes and colour use, not to mention that we are birthday twins, just got to me. One day she posted some paper collages she was making. It was instant inspiration and I wanted to turn it into a quilt. With her permission I explored the handmade and the shapes of her work but in fabric and thread.

Here is the inspiration image:

To make the mini I dug through my stash for the right colours to reference her original piece. Some of my finds meant that I did not have to piece all the sections, but let the fabric talk. In the end, the components of my quilt collage were a combination of improv piecing, appliqué, and single fabrics. Then I used embroidery and hand quilting for additional details. I even matted my details like she did, with a ground of white.

Not entirely sure why it took me so long to finish this quilt. It’s just a mini! Yes, there is a lot of work in this small space, but that isn’t it. I just went in fits and starts on it. But it is finished now. Bound in a fabric to look like a wood frame. Sent to Sarah as a thank you for the inspiration.

July Morning Make 2022

Frankly, I can’t believe it’s taken me this long to try my hand at the classic red and black Ukrainian embroidery. A first generation Canadian on my Dad’s side with a Baba (grandmother) who never spoke English and spent her summers gardening and winters with a needle, I honestly never felt the need. I mean, we have oodles and oodles of her stitching in our homes. And that doesn't count the suitcase full an aunt stole and the probably hundreds of pieces she gave away to churches, family, and friends. (Much like it will be with my quilts when I die.) With the war in Ukraine and some pride in my heritage, plus a desire for some hand stitched over the summer, I decided to pick up the floss.

For patterns I dug into my stash of supplies I have from my Baba - books, papers, and patterns. I recognized pieces and fondly recalled the decoration she would make for our blouses in Ukrainian dance. All patterns, no instructions. Without her here to guide me I turned to the modern teacher: You Tube.

In the end I finished 4 small bits of embroidery. I didn’t set out to ‘make’ anything. For one, I had no idea how long it would take. Two, I figured it would get tedious to do the same repeating pattern for an entire month. And three, I don’t really need more pieces of embroidery in the house. All four pieces could, if I wanted to, be turned into bookmarks.

I found the whole process quite relaxing. Challenging at first, just because of the counting and need to follow patterns. Once you got into a rhythm, though, it became very soothing. I don’t know that I will do it again, but it was special to go back to my heritage this month.

March Morning Make 2022

Isn’t this so freaking’ adorable?

For Morning Make in March I made this little penguin ornament by hand. It is one month of Betz White’s Ornament of the Month Club. Betz was gracious enough to gift me a subscription so I could make ornaments this month.

I’ll be honest, I was unsure about this. I’ve long admire Betz’s felt work and her ornaments but was overwhelmed by the handwork, worried that it would all be too tedious. Participation through her online classes took all the fear away. Betz broke down every single step in a straightforward way, making it easy to understand and handle. One stitch at a time! For a Morning Make process, following along with her videos and tutorials allowed me to work a bit at a time. Again, making it more manageable.

And the end result is so cute!

Unfortunately, Covid hit me hard mid month. I was finished the penguin and had plans to make another ornament or two. With quarantine, however, I had no access to a printer to get the pattern. Bummer. (I chose sleep over Morning Make for the remainder of the month.)

Betz releases a new pattern each month in the club. Yes, they are ornaments, but they are not all winter/Christmas themed. I’m looking forward to getting those patterns printed and trying my hand at making a few more. I can’t resist, they’re just so cute!

Faye

Faye

72” x 72”

Years in the making. Like her namesake. A fearless woman, tenacious, and patient. She knew her time would come. Moved to New York with a dream. Moved through New York with relentless energy. Meeting people, making herself just that much more, ignoring the naysayers. She persevered and found her beauty and her success.

Faye, the quilt, began life in the follow-up to making the Alturas quilt. Carolyn Friedlander’s book, Savor Each Stitch came out and I fell in love with the graphic pattern. She’d already got me hooked on needle turn appliqué so this seemed like a logical step. I started the first block back in the fall of 2014. This finish is indeed a long time coming.

One block led to two and then I might as well do four, right? The initial pattern in the book calls for one block and a great use of negative space. I never follow a pattern anyway. So over the course of a few years I worked on the blocks. Looking back, it took me about 6 hours to baste each block, then who knows how many to stitch. Appliqué is not for a quick finish. Then again, nothing is a quick finish for me.

The finish for Faye come very recently though. Our family wanted to gift a quilt to celebrate a wedding. The gift was long overdue and we decided that this quilt top matched the couple’s personality. I will admit, I had a moment of selfishness for her. Then I realized that my love for her came in the making more than anything. It was time to set her free and share that love.

I always have a hard time with quilting an appliqué project. It’s a battle between accentuating the appliqué and ease. At least, it feels like a battle. In the end I went for a straight line quilting pattern. For one, Carolyn has done this a lot in the past and it works. It provides texture and security without taking away from the graphic design. Secondly, I am hoping this will be a loved couch quilt so I wanted dense quilting to help keep her strong.

The whole quilt is divided into quarters with an X through the middle. Then I echoed that line between each triangle. I chose a pale yellow/cream Aurifil thread in 50W (2311). It isn’t harsh on the backing but disappears for the most part on the front. It might seem odd to use a creamy colour when there is so much bright white, but the reduction in contrast on the coloured fabrics makes it worthwhile and you don’t even notice it on the white.

You know me and my love for a contrast binding. This bright yellow might seem like a funny choice, but almost all of the blocks have a bit of yellow in them. Black, my other thought, seemed too harsh. I had just purchased this yellow Spectrastic by Giucy Giuce from Keystone too. It was meant to be! Such a fun pop to finish this off.

The whole quilt really is a collection of some favourite and treasured fabrics. I started the whole thing with Samarra Khaja’s amazing New York illustrated fabric. Combined with a much loved Charlie Harper print that first block set the tone for the rest of the combinations. I stuck with the New York fabric when I realized I had enough of it, then paired it with some hoarded Heather Ross unicorns, the Stendig calendar print, and a gorgeous purple from Carrie Bloomston. On the back I shared another Charley Harper treasure.

Hopefully I will get to visit Faye in her new home.