Snowflake Quilt Top

Unequivocally, I am a winter girl. When it looked like this last week I texted my two best friends and said we had to get out in that fresh snow for a walk. It ended up being a slippery walk. I neglected to wear snow pants and that was a mistake as I kept wiping out on the ice under the foot of powder. I was wet through to my skin yet I couldn’t help but smile. It was just so beautiful. And I had good company. It was all too good to resist.

That’s how I felt when I saw Nicole’s Snowflake quilt. Modern, bold, and the kind of thing - if I’m being honest - I wish I had designed. I tried to resist, but it is too good. So I slid into my stash and picked fabrics to carry this love of winter year round in a quilt. Her pattern is fantastic.

The pattern provides options for a scrappy look like I did, a four colour version like the cover, and even a really bold two colour one. If you’ve seen anything I’ve ever done you know I went for scrappy. Oh, and low volume. Shocker.

We had fresh snow again this week. I can’t wait to go out for a walk and to come home and quilt this so it is ready for snuggles all winter. It is Calgary, after all, I have many more months of winter left to enjoy both.

Thank you to Nicole Daksiewicz of Modern Handcraft for generously providing me with her pattern.

Improv Piecing Doodles

Sometimes I feel like an impulsive child. The one who just barreled ahead, without thinking, infuriating their parents as they went. “What did you think would happen?” I am totally that parent. And I am totally that child.

I had an idea and just wanted to see what it would look like. I grabbed some scraps to play. Of course it would turn into a quilt! And here I was trying not to start any new quilts.

What did you think would happen?

Well, I didn’t think. I was just playing. And now it seems I’ve started a new quilt.

This represents 10 days of Morning Make sessions, plus maybe one or two stints in the evening. Just 20-30 minutes a day. For now I am calling these doodles. Lines on fabric. Pieced, not applique. I started in the scrap bin then pulled out from my actual solid stash. Initially I only went with orange, but after sharing the blocks on social media a few people mentioned that it looked like line drawings on the human forms, just in detail. That got me thinking so I started adding the browns. And I have a stack of pinks that will likely join in.

Other people said it looked like deconstructed basketballs, which I also see, but it less inspiring..

Like that impulsive child, I have no idea where it is going. Obviously it will be a quilt - I should have expected that - but what it will be is very much up in the air. Will I add sashing? Will I lay it out in a colour gradiant or by shape? How many blocks will I actually make? For now, I am just going to keep playing.

Setting myself up to sew right in front of the design wall feeds the creativity. Usually I am in this spot when I am machine quilting - so that the weight of the quilts does not pull off the table. I had moved the table here for just that, actually. Then I discovered I needed a new spool of thread. The delay meant the time to play. And now I am like “what quilt needs to be quilted?”

And oh, yes, there is a second, concurrent sewing project going on there. More on that next week.

Improv Quilts Can Be Precisely Pieced

Sometimes I just get in the mood for some precision piecing. Actually, it was more that I needed the distraction that comes with the need to focus when precision piecing.

The first of these blocks was probably made a decade or so ago. It was part of a BOM I found online called Constellations. I think I did the first 3 months and then never looked at or saw it again. Years back I tried to find the pattern to finish it because it was quite good, but never located it. Now and then - about once every year or two - I would pick a star block pattern I could find and make another block. I didn’t have to recreate the original quilt, after all! No plan, no rush though.

This is actually improvisational quilting. Yes, even though I am doing precision piecing. I define it as improv because I have no idea where I will end up. Improv = starting without knowing where you will end.

But this past week of dealing with stress and needing a different kind of break with my quilting brought out these blocks, and a path forward.

• 36 blocks needed

• 3 blocks of each star pattern

• Add more variation in the shapes of the stars for remaining blocks.

So I am digging through the scrap bins and raiding the stash for more combinations of fabrics, playing with the original colour scheme I started. I cut a block or two at night, to be ready for my Morning Make. And I’ve picked out patterns for the two new sets of three blocks I need to make to get up to 36 stars in total.

It’s exactly what I need right now.

Firefly Quilt Top in Solids

All 15 fireflies taking flight!

After finishing up my epic scrap quilt last week I needed a break. Not from sewing, mind you. Only a break from little pieces and all those scraps. Like a sorbet course in a very fancy meal I thus turned to my palate cleanser - precision piecing.

Thanks to my handy dandy list of Quilts Under Construction it was easy to pick and locate a project to play with. And when I took out the blocks I had already made I realized I only needed 3 more to finish my top. A few Morning Make sessions and the blocks were all done. A quiet Sunday and the top was assembled!

There is a reason I only made 15 fireflies and left a block blank, I will share that later. If, and when, I get this quilted.

Each firefly is unique. I played around with my small stash of solids, going with colour combinations that felt right. There was no regard for colour theory or even a colour story, to be perfectly honest. I would pick three fabrics for the body, sometimes a gradient, sometimes not. Then I would pick a dark for the head and back and a light for the wings. The only really conscious decision was trying not to repeat combinations or colours in each part. For example, in the photo above the two top fireflies have a pale pink and a pale peach for their wings, they aren’t the same colour.

Do you want to hear something else? I’ve never actually seen a firefly before. They aren’t native to around here and I’ve never been somewhere else during firefly season.

That didn’t stop me from trying to have a little glow in each precious bug. The highlight around their bodies is actually Metallic Essex by Robert Kaufman. It almost blends into the regular Essex background, almost. Just enough of a sparkle to me. And I liked the idea of the metallic being woven in as I find most metallic prints fade quite a bit with regular washing.

A few things to note:

- The combination of solids and the Essex linens mean there are A LOT of loose threads on the back of the quilt. It will require a thorough going over but I will do this right before I baste it so no more appear in the night.

- It is extraordinarily hard to get a full shot of this quilt when you are taking selfies in the back alley. But hey, at least the lilacs smelled nice.

For those of you wondering, the pattern itself is by Pen and Paper Patterns. It is one of the most detailed patterns I’ve read, I don’t think she forgot a thing! As I am not generally a pattern follower I truly appreciate it when it is so clear, no questions for my improv brain! You can buy it from Pattern Drop, Lindsey Neill designed it exclusively for them. (I was a Pattern Drop designer myself last year.) Here I thought I would make one or two blocks to help promote the pattern and now I have a whole top!