Ballet Blue - A Donation for The Blue Gala

Ballet Blue

72'' x 72''

When the fact that you have 3 bins if blue fabric combines with a request for a donation quilt for an event called The Blue Gala this happens.

It actually started when I pulled out some scraps to make a sample strip set for a class I was teaching. Just one block. But then the donation request came and the block was sitting there, demanding my attention. It was rather bossy, actually. And before I could stop myself I spent my mornings making more strips sets and cutting more blocks. I fell in love with the process as much as the final result.

Sew strips together, cut a block on point. Take the scraps and add more strips, cut more blocks. I became obsessed with minimizing the waste after cutting. And when the blocks are together I loved the lines the precise squares brought back. I always say with improvisational piecing that at some point you have to add the order back in. This quilt ends up a great combination of improv and precision piecing.

I digress...

When I posted the quilt top a few months ago the amazing Dara at Stitched Quilting Co offered to quilt it for me, a donation of her services to the cause. Thank you so much Dara! That girl loves her free motion work and it shows. She added depth and even more movement to the quilt.

This quilt will be part of a silent auction at The Blue Gala. All proceeds go to Pancreatic Cancer Canada. I am thrilled to support the cause for two reasons. One, my son is part of the ballet school, H/W Ballet, hosting the event and will be dancing. More important than that though, is that my father in law was taken from us too young and very quickly from pancreatic cancer. In tribute to him, I make and donate this quilt. 

If you are local or looking for a good Saturday night out you can come join us at the gala. If you aren't local but are interested in bidding on the quilt shoot me a note. I will also be on Instagram Stories that night, watching the bid. After I watch my boy dance, of course.

Pride Quilt - Now More Than Ever

Pride Quilt

78'' x78''

Finished in time for the Pride Parade in Calgary. Finished to celebrate, to share, to show love, to be supportive, to care.

Every year we take our family to the Pride Parade. My kids love it, we love it. Sure, it is a lot of fun. There is dancing and candy and dogs and loads of free trinkets. But it is also about showing the kids that we love no matter what, we support with love, we respect, we talk. This quilt is no different. Wrap more love around the world.

(See the whole story behind the quilt.)

I worked hard to get this quilt done in time. It's been a while since I finished a quilt! But I really wanted to share it there so I worked feverishly. It's a small, tiny thing in the world but if it makes one person smile, shows one person they are not alone then it is worth it. If it reminds my kids that we look out for others, no matter what then it is worth it.

Statement quilts have a place in quilting, Pride has a place in our life.

Now for the quilt details.

In the rainbow section I quilted is the words Love is Love is Love is Love over and over again. I did this on my domestic Bernina with an orange Aurifil thread. Let me tell you, it felt great to be stitching these words!

The backing has another rainbow. I made one large rainbow that spreads across the back of the quilt, with some of my Tag fabric from Connecting Threads on either side. Simple and effective. And if you don't mind the words of the quilting being backwards you could use this quilt from either side.

Finally, I finished off the quilt with a rainbow binding. All the colours wrapped around. It ties the center portion of the quilt together. 

There are rainbow quilts, and then there are Pride quilts.

All The Sundays

All The Sundays

70'' x 70''

An oh so special quilt is finally finished. I wasn't impatient or anything, but as soon as the last stitches went in the other day I realized how much I wanted this quilt to be done. Only so that it could be real, that it could be a thing I used and loved.

The first bits of piecing in this quilt started years ago. I was teaching a Slab class, the technique popularized in my book with Amanda Jean, Sunday Morning Quilts. In my prep for the class I grabbed a bunch of scraps from making the quilts in A Month of Sundays. They were handy, that's all. I had no specific plan. So I made my samples for the class and that was that. A bit later I was reading Denyse Schmidt's book, Modern Quilts, Traditional Inspirations. Her Shoeman's Puzzle quilt grabbed me immediately.

I'm not sure when the moment was that I decided to combine all these influences into one quilt, but it happened. And it was love at first sight.

It wasn't an easy quilt to make. I made freezer paper templates to keep me on track. Those didn't come into play until after I'd made slabs though. The templates were totally necessary to keep lines as they should be, especially important with all those angles and bias edges. Of course, then there is the removing of the paper. Thankfully there are only 3 seams in each block, about the easiest paper piecing you can do.

The quilt top sat for a year and a half in the closet, keeping a dozen other quilt tops company. I wasn't quite sure what I wanted to do to quilt it and was willing to wait until the right idea hit me. Or, the right person to do it for me. 

Last summer I met Dara from Stitched Quilting Co. Turns out her MIL lives a few blocks away from me. We had a few visits and chatted quilting, dogs, and mothering. Well a couple of months ago Dara messaged to say she had an opening in her long arm schedule and delivery ready, if I had a quilt to go. Seeing as my Quilts Under Construction list is quite long I wasn't about to turn down the opportunity! This quilt made the cut precisely because I didn't have a plan for it and I already had a wide back purchased and ready to go. After a frantic evening of pulling papers and a few repairs I got it to Dara.

With so much solid expanse in the whites/creams of the quilt top this needed a special touch. Dara gave it just that! Such custom, detailed work. So much attention to detail. There are secondary and tertiary patterns in this quilt top and her quilting highlighted them. I'm thrilled with the outcome.

For the backing and binding I chose to go back to my dear friend Amanda Jean's fabric, Good Neighbors. She had a wide back fabric in that collection. And the orange dot was absolutely perfect for the binding. Conveniently I'd just ordered a half yard of it, the perfect amount. And lucky for me, because neither are available anymore!

My husband will happily tell anyone that we have a ridiculous amount of quilts in our house. He is very obliging if we are asked for donations or gifts. Little does he know that this quilt will never leave my hands. It represents so much to me, not to mention that I think it is absolutely beautiful. I will always think of friendships, how my career has grown, and the history contained in some beautiful fabric. 

Great Grandmother's Geese - Modern Quilt from Vintage Fabrics

Great Grandmother's Geese

40'' x 48''

Days away from delivering her second baby a friend popped by my house. Part of her nesting was clearing out things from home. I was the lucky recipient of a stack of vintage fabrics once belonging to her grandmother. Now vintage fabrics aren't generally my thing. No doubt, they are pretty, but that doesn't mean I want to sew with them. Something changed a week later. I got the right idea and the fabrics began to talk to me.

As is my style, however, I started the quilt without a plan. I cut all these squares to make HSTs. I was going to just sew them together randomly. But this wasn't about making a Values quilt, I wanted some order and repetition. Without thinking it through I screwed up. Soon I realized that what I envisioned was not going to happen with the process I started. I very nearly lost the time and maybe the fabric to impulsive cutting. So I regrouped, cut my squares into triangles, and got very deliberate with placement. Of course it would have been better to cut the geese shape from the beginning, but so be it. The overall effect is the same.

The vintage fabrics were a bit of a challenge to work with. First off, I should have washed them. They were all clean, but one had that distinct old smell (mothballs) every time the iron hit it. The weight and stiffness of each fabric varied too. So I took my time, made sure not to pull or stretch any of them, and gave the quilt a lovely soak once I finished it all.

The yellow fabrics are all modern, with one classic Denyse Schmidt pink floral also making an appearance in the blocks (Just when I needed a few more blocks cut I temporarily misplaced the vintage fabrics in a studio tidy-up). 

Putting the top together required some patience and attentiveness. One row at a time. But I did it without messing up. Phew.

This is a baby quilt I hope will get used and loved, so I didn't stress about anything too fancy for the quilting. Texture and ease won out. Simple straight lines so the graphic design stands out. In case you were wondering, I used the magical Aurifil 2600, the dove grey. The quilt is pieced with it too, actually. 

On the binding I uncovered another old Denyse Schmidt print, this one from a Joann's release years ago. It was the perfect sweet touch. Because Denyse is so inspired by vintage textiles it works so well.

Now I get to hand the quilt back to my friend. It is a thrill to give these old fabrics new life, especially when there is a family connection like this. A handmade legacy.