Hazel - From the Archives to Cuddles

Hazel

56” x 72”

Like her namesake eyes, no one can ever quite get a perfect read on her. She’s a bit mischevious but still follows the rules most of the time. She’s shy, but a deep conversationalist. She loves the beach but hates the dirt. You can be two things at once.

My stash is deep, and that includes many unfinished projects, sets of blocks, teaching samples, and a bunch of random things. I’ve been carrying around this bin of started blocks and chosen fabric for over a decade now. I pulled it out as part of my series: Old Projects Cheryl Has Laying Around, What Should She Do With Them? These blocks come from on of the patterns in my book, A Month of Sundays. The original was calm and inspired by beach grass. This version? She’s a Hazel.

The pattern itself is super easy. I think I started with 10 blocks already made and some strips cut. I did the rest of the cutting, sewing, pressing, and even assembly in a few more hours. Not counting the futzing on the design wall to get the layout just right.

For quilting I went really easy on myself. End to end wavy lines in a light pink. It emphasizes the linear nature of the blocks but also softens them. I had a day rented on the local long arm and this was a very quick finish. And score! Found some Liberty cotton in the clearance bin to use on the back.

To bind the quilt I had just enough of this mint green and white stripe. A lot of the fabrics came from a collection that was released about 12-13 years ago from Cloud 9. I used the stripe in other colours in the quilt itself but saved this green for the binding. With my much improved machine binding skills it became a perfect frame for the finish.

Hazel, like a few others, made their way into new homes this summer. A warm treat for some special people. More on that in another post.

Darcy - Playing with Neutral Values in A Quilt

Darcy

55” x 55”

Spunky and full of life. Might come across one way to folks, but she is holding back, that’s all. Knows how to dress the part, code switch, and be what others want her to be. The truth is, she is so much more than anyone thinks or gives her credit for. One day she’ll make a permanent switch, but for now she is going to keep going and stay spunky no matter what.

Recently finished this beauty to gift for a lovely little family baby. The top had been sitting for years, almost as long as her parents have been a couple! The top itself was completed in 2019, from a stack of blocks that were teaching samples for my Values class. But with the right backing she became a sweet gift for a sweet family.

I didn’t get too fancy when quilting her. These strong lines don’t need much more than a highlight to make them sing. You could do an all over design, but I felt like exercising some different muscles.

When you are working with neutrals you can really choose any colour for the quilting. I used a pale pink cotton thread from the stash, maybe a Precensia? I ran out just before I finished and the store was out of that colour so I finished with a Mettler in an almost identical colour. You cannot tell, I promise. Why pink? Well, the backing fabric was a very cute pink fabric with horses and flowers all over it. Now that fabric shines on the back and design is accentuated on the front.

To finish her I added the bright blue (not quite turquoise but not a royal blue) binding. It worked well with the backing fabric and added some fun colour with the front. Perfect for a little one.

And just as I was preparing this post Mama texted me photos of baby girl snuggled asleep with the quilt. Makes a quilter’s heart smile.

Calla - Another Version of the Lilla Quilt

Calla

81” x 81”

Calla is Lilla’s younger sister. Not quite so driven as the first born, but way more fun. She is the free spirited second child, moving to her own rhythm and enjoying life as it comes. She dreams of sandy beaches, big parties, and a good glass of wine. Not content to stay home or stay quiet, Calla loves to live and lives to love.

True confession, I finished this quilt at some point last fall, maybe even in the summer. That was after the top sat for a few years. She is another version of the Lilla quilt pattern, designed in collaboration with Lotta Jansdotter. This version was actually made as part of a blog hop for Scott Hansen’s Tie One On Fabric, in 2018. That’s just how quiltmaking goes for me and I will not apologize for it.

I will, however, apologize for the massive delay in getting this quilt to its recipients. I just gifted this as a long overdue wedding present to some extended family. They had a Covid wedding that we watched on Zoom. Does that mean they should wait 4 years for a wedding present? Of course not. But they have it now, that’s what counts!

I quilted her on a rented longarm with a unique all over design. Mostly, just me doodling. Much like the quilt itself, it is a mish mash of shapes. In all honesty, I wasn’t too fussed about it. One, this is a functional quilt, not a show quilt. That means the quilting is there to hold the quilt together and give it texture. And two, with the 100% cotton batting I use, the crinkle factor kind of negates most detail in a quilting pattern. Best to enjoy the quilting process and do it well, rather than stress about the quilting design itself.

To bind her I used an orange Grunge fabric. It was a great frame for the quilt, with so much warmth in her colours. The original inspiration of the fabrics and my background selections was Sedona, Arizona and this Grunge was a pretty close approximation of the rocks in the dessert.

She sat then, for months and months as I waited to finish a few other quilts. Actually, just one. Her recipients now have two kiddos. The first babe got his quilt before he was even born! The second, well, hers was just finished. Then it took me another month or so to get labels on everything. And we won’t even talk about my inability to get to the post office to mail everything! Then we got a text this week that the family would be in town. I almost went to the post office on Monday and they came on Tuesday.

Needless to say, the quilt is finally delivered!

My Scrap Dreams Coming True

I’m not sure what is going on lately, but I have been having some very vivid dreams. It’s happened to me before, but medication was the cause. This time, I have no clue what is happening, but I’m leaning in to it. So when I had a dream about a quilt, I had to make the quilt.

Seriously, I had a dream about a very colourful quilt made from traditional blocks. The block itself wasn’t distinct, but the colour was. That day, when I arrived at the studio I immediately went searching for a potential block. I grabbed a favourite book - Barbara Brackman’s Encyclopedia of Pieced Quilt Patterns - to browse for ideas. Rather, to search for what I might have dreamt about. In the end, I settled on one specific block, which she calls the Crocket Cabin Quilt.

Sadly, my dream wasn’t super specific on the block in question. Or maybe that was a good thing? I mean, what if I didn’t like the block? Regardless, I chose block 1123a, the Crocket Cabin Quilt block. Why? Mostly because it was simple, graphic, and just felt right. The math was pretty easy to figure out as well, considering the block only has half square triangles and plain patchwork.

The first experiments were straight out of the scrap bin. That is, I dug in to the colourful bins on my cutting table and picked two contrasting fabrics. Block 1 was a success so I tried another one, and another. I played around with values, making the dark the bowtie, then making the light fabric the bowtie. I couldn’t decide which I liked better, so I went with both. After only a few blocks it was apparent that I was indeed starting a new quilt.

When I made that decision I also put some limits on my fabric selection. This is primarily to satisfy the vision I had in my dream.

• No low volume fabrics

• No black backgrounds either

• Value is only relative within the block (it doesn’t matter if what is light in one block would be a dark in another)

• No repeating fabrics, each one is only used once

There is no special reason for these limits, it’s only just what feels right for me, for this project, for right now. I am shopping for the fabrics from my scrap bins first. I’ve found some classic gems doing this! Of course I have loads of scraps, but they aren’t always big enough. Then I go to my stash and pull out fabrics that might need to be trimmed a little or not. It will not be hard to get enough fabrics without spending a penny.

How big will I make the quilt? My default size is usually 80” x 80”. I made the blocks to finish at 8” square, so that means I will need 100 blocks (and 200 unique fabrics). I’m currently sitting at 43 made, with a few more cut out and ready to sew. I’ve been making 1-4 each day that I am in the studio. No great rush, but it is a nice way to round out my days before returning home.

Dreams really can come true.