Odetta

Odetta

52” x 52”

A few years ago I was privileged to go through some of the antique quilt collection of Heritage Park. Heritage Park is our local historical village. At the end of May they host a quilt show, where the quilts are all displayed outside, on fences, in the historical buildings. It’s a great affair. As part of the show they showcase a few quilters and have some classes. I was supposed to teach back in 2020 but, of course, the show was cancelled. In 2021 I was able to teach. My goal was modernize one of the quilts from their antique collection.

The original quilt was a repeat of the great Tree of Life block, simply two fabrics. The blocks were placed without sashing and on point, so that they stood tall and proud on the quilt.

In the class we talked about different ways to explore a modern version of this quilt. The main block is a half square triangle, so that became the basis of play. Exploring colour and scale were the two most common ways to play. As was playing with fabric. In the end, we had a collection of very different blocks in a rainbow of colours.

This version is made with 4.5” Half Square Triangles. The quilt is essentially one big block, floating in some extra patchwork. I used a collection of purple fabrics from my stash for the Tree and a wide assortment of black and white, low volume fabrics for the background. This is quite the update from the original ditzy floral and solid white background.

For quilting I stuck with straight lines and a wider than my usual distance between the lines. As this is a good size for a baby I kept it simple and softer. Another move to modern is that I chose a pale pink thread for quilting. Not purple, not white.

The backing fabric is a voile from my stash. I’d actually started making a backing for a different quilt but made a mistake. Because it is voile fabric and I didn’t have any other in my stash I assigned it to this quilt, so that none got wasted. It ended up being perfect. When I went shopping for the binding in my stash I liked the contrast of the magenta with the purple. It’s close, but not the same. And it goes perfectly with the backing! Interestingly, both of those fabrics are by Rashida Coleman Hale. Very different fabric collections, made years apart, but both hers.

The quilt is finished in time to be in the special Trees exhibit at the Heritage Park Quilt Show this year!

For Sarah Golden

Sarah Gold Mini

16” x 20”

It was a few years ago, in the middle of another lockdown, that I became truly entranced with the work of Sarah Golden. Something about her shapes and colour use, not to mention that we are birthday twins, just got to me. One day she posted some paper collages she was making. It was instant inspiration and I wanted to turn it into a quilt. With her permission I explored the handmade and the shapes of her work but in fabric and thread.

Here is the inspiration image:

To make the mini I dug through my stash for the right colours to reference her original piece. Some of my finds meant that I did not have to piece all the sections, but let the fabric talk. In the end, the components of my quilt collage were a combination of improv piecing, appliqué, and single fabrics. Then I used embroidery and hand quilting for additional details. I even matted my details like she did, with a ground of white.

Not entirely sure why it took me so long to finish this quilt. It’s just a mini! Yes, there is a lot of work in this small space, but that isn’t it. I just went in fits and starts on it. But it is finished now. Bound in a fabric to look like a wood frame. Sent to Sarah as a thank you for the inspiration.

Heritage Park Festival of Quilts - Quilter of Distinction

Whoa boy!

This is a big honour here in Calgary. The Festival of Quilts is THE quilt show in town. Quilts take over the historical village, with displays on buildings, fence, in the trees, in the homes and buildings of the park. There are workshops (I taught last year) and dinners and a vendor mall. There is also a special Quilter of Distinction exhibit profiling a local quilter. Guess who gets her own show in the Opera Hall this year?

Seeing as I’ve been quilting for exactly half my life this doesn’t make me feel old at all…

Now I have the hard task of determining what quilts to share. What quilts represent me? What quilts tell my story?

For years I’ve said that I don’t really have a style. At least, I don’t think so. My willingness to experiment and play means that I am open to trying a lot of things. Clearly, improv plays a huge role, but I’m not a one trick pony. I like handwork too. While my first love is prints I do embrace solids more now. And I’ve never met a half square triangle I didn’t like. Just how many quilts will they let me cram into the Opera House?

This is a huge honour for me. I’ve been going to this quilt show for 18 years myself and long admired many of the quilters I’ve seen get this distinction. Yes, it makes me feel old. And does it mean I don’t have more work to share? There has to be a joke about getting a lifetime achievement award while you are still living and working.

Meh, at the end of the day I’m just going to keep making quilts. It’s what makes me happy. Thanks for noticing.

Rest

Truth be told, I’m not very good at rest. I want to be, I try to be, but it’s hard. I’ve come to realize that this is because I would generally consider rest as sitting on my butt and doing nothing. Stop me if this sounds familiar though, you can’t sit and do nothing until everything is done. Everything is never done, right? Which means you never rest.

We thus need a new definition of rest.

At one time in life (when I was younger) I was a competitive athlete. Back then rest meant two things. One, just like above, rest was simply not doing the training. Two, within a workout there was active rest. So not the hard training pieces, but the easy strokes in between the hard sets. As a professional quilter I see the benefit of the latter. As a parent I realize the former is impossible. So that has led to me understanding that I need two unique forms of rest.

Active Rest

When you are working on deadlines and contracts quilting can feel like a chore, let alone actual work for some. Quite often the quilting becomes hard and full of drudgery. What once gave us joy and energy drags us down. It’s one thing to be pushing to meet a deadline like a wedding or show entry. This is why I am a big fan of Active Rest.

This is about, in many respects, mindless sewing and play. It’s the sewing that doesn’t challenge you or push your creativity. It might be creative action though. So maybe sewing snippets of fabrics in pairs, making HSTs, aligning strips, binding a quilt, stippling a quilt. The kind of sewing that allows you to catch your breath after a hard run. That’s why it is called Active Rest. You are still doing something but giving yourself the opportunity to slow down, gather thoughts, and be mindless for a little while. Because creativity begets creativity your juices will eventually start flowing again and you will be ready for the next challenge.

Escape to Rest

While running away to the beach or the mountains is many, many people’s idea of escape (myself included) we can’t do it that often. That’s why we need to find daily or weekly moments of escape. For me, this often includes long walks in the forests not far from home, a ski trip for the day, or maybe camping in the summer. It might be a hot bath, curling up with a great book, or binging a new show. My best advice when on a physical escape like this is to lean in to it. So no stitching while watching TV, no podcasts on your walk, leaving the sewing at home on a trip out of town. Let escape truly be a mental break.

Don’t want to give up your creative pursuits, even for a moment? Then switch it up! Escape to Rest also means exploring other creative interests. Trying crochet, taking a watercolour class, learning embroidery, even reading a fashion magazine. Your muscles and brain are still working, but in a different way. This alternate firing of brain cells gives your quilting brain a rest, your conscious mind an escape, but you are still pursuing creativity. It can be both relaxing and liberating.

In truth, this is what Morning Make has been for me over the last two years, on the months I am not sewing, that is. Trying weaving and embroidery and painting and poetry is an Escape to Rest for my creative brain.

The last few years have been rough for everyone. Indeed, rough is an understatement. While there were long periods of time where we were home, languishing, we weren’t still resting. Doomscrolling, cleaning, stressing, eating, teaching our kids, working on the dining room table - all of it added up to HARD WORK. Watching Tiger King at the end of the day just didn’t quite give us our energy back.

Resting is not easy.. I don’t want to be roped in to the mess of toxic positivity either when I say rest is important. Rest is a choice. It’s taken me a long, long time to see that and thus make it priority. I thought not having to drive my kids all evening was going to be the rest I needed. Nope, not even close. I puttered and wandered and zoned out but I did not rest. Since choosing to make rest an important part of my life I can feel myself catch my breath a little quicker, like I am getting in shape. The more I rest the better I feel when I am doing the hard stuff.

Full confession: I just spent the weekend in the mountains with my husband, just my husband. I brought crafty things to do and read but, in the end, read a thriller, took 5 baths in 48 hours, ate room service, and walked in a snowy forest. Now that’s an Escape to Rest! Then I came home ready to sew!