Flora - A Baby Doll quilt from Park blocks

Flora

36” x 36”

She’s a sweetheart. Flora loves all things nature, especially plants and birds. But she will also stop to rescue a bug. Even the caterpillars because, while kind of gross, she knows they will turn into something beautiful. So drink the nectar, watch the sunlight move through the trees, and count birds eating mountain ash berries outside your window, Flora will be right there along with you.

Earlier this year I finally gifted an overdue wedding present to my husband’s cousin and her wife. Around the same time their son was enjoying the new baby doll that Santa brought him. Knowing I hd a few extra blocks around, I turned them into a coordinating quilt. Now he can snuggle with his baby just like his Mamas snuggle with him.

There were already 3 blocks started (and none finished). They combined my old Tag Fabric and some prints from Heather Givans’ Succulents collection. Went into the vaults for these! I made the last block with another of Heather’s prints and something else I found in my stash. It was kind of neat to have a theme to the fabrics - all plants. The Park pattern by Carolyn Friedlander is a good opportunity to show off fabrics. On the back I used a Charlie Harper print with birds on it that I know the Mamas would appreciate.

On the original quilt I also quilted a grid. That one was a vertical/horizontal. On this one I went for diagonal. In both cases it should be sturdy enough with the hand applique. Both quilts are going to get some good snuggles.

To finish the quilt I had just enough of the green fabric from the original quilt to also bind this one. It’s another way to tie the two of them together.

Flora is already in her new home, already in use with that loved baby doll. She’s big enough for snuggling under right now. At one point in life I made a few dozen doll quilts and there were tiny. Just big enough to cover a doll or stuffie. While they are loved and used this way, I like the idea of making them a bit bigger so kiddo and doll can be snuggled together. It works while the kiddo is little, at least.

Odetta

Odetta

52” x 52”

A few years ago I was privileged to go through some of the antique quilt collection of Heritage Park. Heritage Park is our local historical village. At the end of May they host a quilt show, where the quilts are all displayed outside, on fences, in the historical buildings. It’s a great affair. As part of the show they showcase a few quilters and have some classes. I was supposed to teach back in 2020 but, of course, the show was cancelled. In 2021 I was able to teach. My goal was modernize one of the quilts from their antique collection.

The original quilt was a repeat of the great Tree of Life block, simply two fabrics. The blocks were placed without sashing and on point, so that they stood tall and proud on the quilt.

In the class we talked about different ways to explore a modern version of this quilt. The main block is a half square triangle, so that became the basis of play. Exploring colour and scale were the two most common ways to play. As was playing with fabric. In the end, we had a collection of very different blocks in a rainbow of colours.

This version is made with 4.5” Half Square Triangles. The quilt is essentially one big block, floating in some extra patchwork. I used a collection of purple fabrics from my stash for the Tree and a wide assortment of black and white, low volume fabrics for the background. This is quite the update from the original ditzy floral and solid white background.

For quilting I stuck with straight lines and a wider than my usual distance between the lines. As this is a good size for a baby I kept it simple and softer. Another move to modern is that I chose a pale pink thread for quilting. Not purple, not white.

The backing fabric is a voile from my stash. I’d actually started making a backing for a different quilt but made a mistake. Because it is voile fabric and I didn’t have any other in my stash I assigned it to this quilt, so that none got wasted. It ended up being perfect. When I went shopping for the binding in my stash I liked the contrast of the magenta with the purple. It’s close, but not the same. And it goes perfectly with the backing! Interestingly, both of those fabrics are by Rashida Coleman Hale. Very different fabric collections, made years apart, but both hers.

The quilt is finished in time to be in the special Trees exhibit at the Heritage Park Quilt Show this year!

Hermia

Hermia

72: x 65”

Not known for her stature, Hermia is known for her passion. Her Shakespearian namesake was an apt inspiration. She is always willing to engage in a debate and will fight fearlessly for the rights of all. She’s marched, written letters, educated quietly, and interrupted when necessary. Perhaps her size makes her less intimidating? Or is it that she is ignored, assumed to be worth ignoring. Never make that mistake.

These particular curves started in a Small Piecing workshop with Chawne Kimber. I wanted to see how small I could go. It turns out that ¾” curves are the answer to that question. Chawne encouraged her students to try for smaller and smaller, as well as gave tips for managing the size. Once I started I couldn’t stop! The quilt is the size it is more because I ran out of a number of the fabrics but I was tempted to make it bigger. Small pieces + big quilts = heaven!

Improv curves are a comfort block for me, something to feel good sewing when I am not sure what to sew or need the joy in the act of sewing. Curves are always the answer. Truth be told, I was sad to finish this quilt. It gave me such joy to work on it. The quilt is great! But this is one of those times when process wins over product.

I had a few ways to go with quilting. No matter what, I knew it would be easiest choosing an all over design. I also chose to do straight line quilting with my walking foot to manage any potential headaches with all those seam bumps! Essentially, I quilted her twice. In one direction in various blue threads. Why various? well, I had a whole bunch of more than half empty spools so decided to use them up. Then I did the same thing in the opposite direction with yellow.

My original plan for binding was to use the black and white print I used in bits on the front. This is one of the prints from my one and only fabric collection. In the end, though, it felt too busy as binding here so I swapped it for the Famous Last Words print. Perfect!

It took the motivation of my first solo quilt show at Heritage Park to finish this one. Otherwise, I might have kept making curves. Once I found my fabric, of course.

Tree of Life Vintage Quilt Inspiration

What better way is there to spend a late winter day than immersed in a vintage quilt collection? Back in March I had the opportunity to explore part of Heritage Park’s collection of donated and gathered quilts. It was all in anticipation of the Festival of Quilts, taking place in August. Delayed twice because of Covid it was a special experience. My goal was to identify a quilt to inspire a modern interpretation for a special class at the Festival of Quilts. Let me tell you, it was hard to narrow it down!

In the end I chose this pastel version of the Tree of Life pattern. I took a million pictures then came home to sketch. My goal to was make a straightforward version of the block, one easily made with a rotary cutter and one that lent itself to play. I wanted students to be able to play with colour, fabric, and scale, creating their own modern version of the block.

The first version I made tested the pattern. It was also an opportunity to play with fabric and scale. This particular block finishes at 36” square! I dug into the stash of both purples and the low volume black and whites. I love the combination of warm purples and cool purples. Together they make the block very dynamic.

This size proved popular in the class itself. It’s a great way to get far with a project.

The block itself can be set with a straight set like this or on point. It’s hard to decide what you want until you make the block. For example, I debated making 3 more blocks this size to make a four patch in this straight set, maybe all pointing to the four corners. However, I think I will add another round of black and white patchwork squares to make it a bit bigger and turn it into a baby quilt.

Here’s what it looks like on point, like in the original.

You can see I am having fun playing with fabric. Exploring variations in the colour green and playing with value placement keeps this from being boring. The entire block is made from half square triangles and squares. Super easy to make! But also a bit tedious. So having some excitment with the fabric sure helps. So does a good show in the background (I am currently watching Sex Education on Netflix.)

In the class itself students worked in all sizes and with a wide range of colours. It is always so exciting to see people play!

A huge thank you to Heritage Park, curators and staff there, as well as the Festival of Quilts volunteers for making this happen.

PS Don’t follow those pattern instructions, it contains errors that I fixed later.