"creativity"

The Joy of Swimming (Weekend Reads)

"How do you just stare at the bottom of the pool for hours on end?"

It was the most common question I got in twelve years of competitive swimming. And only asked by people who could never really understand whatever answer I gave. But the truth is that it was hard to give an answer. Swimming, for me, wasn't about staring at the bottom of the pool. Heck, you really only noticed the bottom of the pool when it marked that you were close to the wall. Swimming was about so much more.

The majority of the time you compete as an individual but you train as a team. Everyone in the pool is pushing each other and not so secretly competing even on practice days. My swimming friends were my closest friends because I saw them the most, I suffered with them, I laughed with them, I travelled with them, we saw each other in next to nothing for hours on end. They were my people.

Swimming is also sport for the internally driven. No matter the cheering or the direction from the coach, no one is going to propel you down the pool but yourself. No one is going to kick harder or reach further but yourself. And yes, when you are starting at the bottom of the pool for hours on end the only person you have to talk to is yourself. It comes down to discipline and drive.

In Lisa Congdon's new book, The Joy of Swimming, she makes a connection between art and swimming that makes total sense to me.

"There has always been a fixed and steady connection for me between art making and swimming. Both of these passions require similar things of me: enormous discipline and a unique form of endurance... Like art making, swimming is at the same time rigorous exercise and also a form of play."

It explains so much to me, of me.

The Joy of Swimming is a delightfully creative survey of the sport of swimming. It is full of historical facts, fascinating tidbits about the sport, equipment, and pools. But mostly it is the story of swimmers. Lisa's drawing and letterwork, combined with the brief profiles all try to answer the question of why anyone stares at the bottom of a pool (or never sees the bottom of open water) for hours on end. The profiles range from kids in the beginning of their careers in the pool to seniors who've been in the pool hundreds of times more than the average person.  It includes famous swimmers of the past and present and water babies of today.

My daughter read this book. The Monster is nine and spends a good chunk of her free time in the pool as a competitive synchro swimmer. If she has a break from swimming for more than a few days she gets antsy and asks if we can go swimming. She needs the water to feel sane. I totally get that. The book gave her a way to be connected to the pool even at bedtime.

I don't know that this book will get anyone new in the water. It might - the profiles, while brief, are inspiring. It is making me want to get back in the water, that's for sure! The book will definitely enchant anyone who has ever spent time in the pool for more than what we always called public swimming, the fun stuff. I have a list of family and friends to buy the book for.

As a quilter and writer now it feels like I stare at the bottom of the pool for hours on end again. It might be the blank page of my notebook, at sentences on a screen, or piles of fabric in various forms. The work can be repetitive and lonely at times. Chain piecing like going back and forth and back and forth down a pool. The drudgery doesn't stop me - even when I'm trimming hundreds of half square triangles - because I am internally driven. I know the hard work will pay off. 

Everyone comes to the sport for different reasons, and we stay for different ones too. After twelve years of it I quit suddenly when it just wasn't fun anymore. I've never looked back and now watch the kids I see swimming while I'm at the pool with my own children with nostalgia. Lisa and I spoke about swimming during our time together in January. I was in awe of her commitment to the sport as an adult. She started her true commitment at the same age where I was ending mine. But I know that swimming provided a foundation for my entire life. I would not be the person I am today without swimming, not at all. And now I see that that includes my creative journey as well.

Lisa Congdon will be on a book tour for the book. If you are anywhere near Portland, Seattle, NYC, San Francisco, Minneapolis, or Brooklyn I recommend seeking out the event. And if you or anyone you know is a swimmer, then definitely grab this. If you aren't a swimmer or don't even like the water, The Joy of Swimming is worth the read. It does indeed provide some answers as to why we can spend all the time staring at the bottom of pools. Not to mention, Lisa's creativity shines.

Disclosure: I was provided a copy of the book by the publisher, Chronicle Press. That was the second time I read it because Lisa loaned me an advance copy to read back in January and I stayed up too late to read with the lights of LA for company.

Creativity in Quilting Input Needed

Dear readers, I need your help. I've got something in the works and I'm looking for input. Any feedback you can provide would be really helpful.

Not everyone uses patterns when quilting. And some people never use patterns. I know we've discussed this in the past, but I really want to dig deep into this. Pretend I am your therapist, tell me your real reasons for sticking with patterns. Are you afraid? What are you afraid of? If you decide to go out on your own does anything beat you down? Do you hold yourself back? Does someone else hold you back?

I'm looking for what quilters perceive as the limitations to their own creativity.  Because, whether you believe it or not, we are all creative when it comes to our craft. It's just that not everyone sees that in themselves. I want to know why not.

In the flip side, many have no qualms at all about creativity. They feel confident when it comes to doing their own thing. What about their approach or mindset makes these people different?

As I said, any input you provide be valuable to me. If you prefer to comment anonymously I totally understand. And feel free to send me an email directly if that is your preference.

Thank-you

Abstract Painting with Kids

While many of my American friends are seeing the end of summer, and the return to school for their kids, we've still got 3 more weeks of summer vacation. I've been trying to make the most of it. For both myself and the kids. Field trips, swimming, lazy days, and new creative activities.

Last week we started abstract painting. To be fair, I think the kids have been doing this for a while! But this time we did a bit of research on abstract painting, discussed emotions and their expression, and I used real, ADULT acrylic paints on canvas. Having fancy supplies goes a long way.

To start with, the girls picked colours to express an emotion. Our first emotion was happy. Yellows, oranges, red, pink, turquoise, and silver. Bright, shiny colours. My only bit of control over the project was that I doled out the colours on the canvas. So I dotted it where they told me. Then they went to town.

They ground the paint into the canvas, they gingerly spread the paint, they used broad strokes. They played. And I resisted - badly - all attempts to direct their activities. That was very, very difficult. In part I wanted to participate. I also wanted to interrupt and give directions constantly. But I held off and only spoke when adding more paint or to emphasize the emotion they were conveying.

They filled the canvas, making sure no white spots remained. They touched it up with silver. And then, because they didn't quite get the notion of abstract, they added some lettering.

You know what? They were happy doing it. And I was happy watching them. It was a new form of creativity in this house. I think my oldest, especially, loved the idea of expressing something without having to be literal in her art. Because when you are 8 you are usually literal. This gave her an unexpected freedom.

The whole idea for the project came through Pinterest.

Yes, I've finally joined Pinterest

. And lo and behold, I saw this idea on a random pin one of the first days I was on there. No instructions, just the image of the paint dots, painting, and the canvas. Because Pinterest is still new for me I actually acted  on the inspiration!

To start with we looked up some abstract painters, classic and current. Like

Kandisky

,

Lisa Congdon

, and

Marissa Anne from Creative Thursday

. We talked about what one can do with just paint and about expressing feelings or ideas. It all felt rather liberating.

We've since done more canvases. (A friend of mine gave me the tip that we could buy small canvases at the dollar store. That certainly cuts down on the cost once we invested in the paints.) I still police the paint use as a certain Evil Genius has a tendency to want to use ALL the paint. I do not, however, paint myself with them. I find my kids compare my work with theirs and I don't think that is fair to them at all. They skip the adult versus kid part of that and get deflated because they perceive mine as better. So I let them be and wander around their own creativity.

If you are on Pinterest,

you can follow me

. I am trying to fill my boards with all sorts of inspiration. More pins daily. And let me know if you are on there too.

It's Over?

Yes, it is a question. But my slump may be over. And I have to give all the credit to my students at the recent Quilt Canada workshops.

A few weeks ago I had the pleasure of attending Quilt Canada in St. Catherines, Ontario. This is the annual big deal in Canada, hosted by the Canadian Quilters' Association and put on by a different local organizing committee. It includes the National Juried Show (which had a modern category this year) and 4 days of workshops, on top of the fun things like banquets, merchant malls, and challenges. I had three days of classes, two days being an Improv workshop.

In our small, ridiculously hot classroom we played and played with fabric. When I teach Improv I like to teach a series of basic techniques via blocks. For an audience used to more traditional piecing I find it to be a good foray into the world of Improv. When I get multi-day workshops we then get more time to play.

And oh, did the ladies in this class play. They all embraced improv with open hearts and sharp rotary cutters. As we taped blocks to the wall, brainstormed possibilities, drew out more and more inspiration, and laughed a lot the excitement grew. I was completely caught up in the energy and inspiration. I'm not going to lie, I may have even jumped up and down a little.

At the end of it I was desperate to sew myself. But I had to rush off on a plane to be home for The Monster's 8th birthday. So I found some time in the following week to play. And when I did play I felt all the same excitement in my own little basement studio that I felt in that room. I felt grounded, I felt energized, I felt creative again.

Thank-you so much ladies, I owe you so much.

Here is what I played with. In the class we covered how to take an idea, and image, and translate it into an improv pieced block. Houses, letters, numbers, mountains, diamonds, they all came out that day. We also brainstormed other shapes and one of them happened to be a sewing machine. That idea planted itself into my head.

I think I may turn this into a full pattern as my mind is spinning with possibilities. And if it wasn't the last day of school I could tell you for sure that I would be sewing more of these every day. Yup, the slump just may be over.