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High River Handicrafts Guild

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Last week I had the tremendous honour to teach in High River. You may not know or remember that High River was one of the communities devastated in last year's flood. It is a small town south of Calgary. The Highwood River runs through it and during the flood that was a bit of an understatement. The Highwood River barrelled over, under and through it.

A few months back I got a call from a quilter from the High River Handicrafts Guild. Would I be interested in teaching Slabs to the Guild? How they found me is the best part.

One of their members received a donated quilt after the flood. She loved it so much she started researching it. And it contained slabs! But the story goes further back than that. The quilt was made by someone else that I taught slabs too in one of the other local area guilds. She turned her slabs into a quilt, then donated it. Shirley, in High River, received the quilt. Shirley told me that the quilt has become her 'blankie'. Providing all the comfort that the word implies and then some. 


On top of that, I know the original quilt maker outside of quilting because her grandkids and my kids are friends, we live in the same neighbourhood and they go to school together!

It was crazy!

Not nearly as crazy as the flood and the fact that the community is still dealing with the aftermath. The centre where the class took place is a block from the river. The houses and apartments surrounding it are either still empty or you see the evidence of recovery in the form of new windows. Crews were moving earth and rocks outside to fortify the shoreline as we head towards spring run off. All morning phones were going off with alerts as they were doing emergency services testing in the community. 

Then were the quilters telling me about living in hotels for 6 months or more, the stress on disabled family. How they were just getting carpet installed that day. How they couldn't go home. What the wall of water was like. And about the generosity of other guilds in donated fabric and machines to replace all that was lost. How they themselves decided to give back as a first project once they could sew again.

The entire morning was humbling. There were tears and a lot of laughter. And so much sewing. 

Thank you to the High River Handicrafts Guild for having me.

And I can tell you this for sure, I am super motivated to get the last of the Just One Slab quilts done. There are about a dozen in various states of completion at my house. The rest have or are being finished and donated. All will be in by the flood anniversary.
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Long Arm Lesson

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A few weeks ago the chance came up to have a long arm lesson at the recently opened Sparrows Studioz here in Calgary. Matt Sparrow, also known as the Man Quilter, is the APQS rep for this part of the world. He has a big studio in Edmonton from which he sells, quilts, leases space, and rents long arm machines. And now he has a smaller version here in Calgary. Joanne Flamand, who is running the place down here is making sure all the local guilds get their chance to play and learn.

So one night a handful of us from the Calgary Modern Quilt Guild went up to the Wonderfil Threaducation Centre for a night of learning and play. So. Much. Fun.

To be honest, I wasn't sure if I would ever long arm my own quilts. I really enjoy the quilting part and when the tops pile up or a deadline looms I have an excellent long arm friend, not to mention a handful of others. But I did think it would at least be interesting. And now I would totally do my own quilts.

The long arms at Sparrows Studioz here are not computer guided. That means the quilter is still doing the work - whether it is entirely free motion or pantographs. There are certainly tools that make it easier, like guides, but it is still always up to the quilter to move the machine over the quilt.

And let me tell you, it is not as easy as you think it is! The machines move really well, which means it is easy to get it going in the wrong direction quickly. It requires standing and shifting your weight all while finding a rhythm to your movements. And it means that a lot of control is required, especially for the free motion or custom work.



Here are my observations and lessons.

1. When a long armer asks for 4'' extra backing fabric on the top and bottom they really need it. They aren't out to get you to waste fabric, they use that to load the backing and keep it in place when quilting. Don't scrimp and there will never be puckers.

2. Custom long arming is worth every penny, and probably more than what you are paying. It takes a lot of skill and time to do that work so don't ever feel like you are paying too much for it.

3. Pantographs are totally okay to use.

4. This is not the kind of sewing that you would do in bare feet. You need good shoes to support yourself.

5. Almost anything is possible on a long arm, but that doesn't mean everything is easy.

During our lesson we played with pantographs, a bit of free motion, some guides, as well as loading and unloading quilts. In theory, we could go and rent the machines now to quilt our own quilts. (I'm not sure I will get to that, although I would really like to.)

And it was total coincidence that a Just One Slab quilt got loaded up on the machine for us that night! But I may get more up there. I am trying to get the last of the quilts finished and in for distribution prior to the one year anniversary of the Flood and that is coming up in a little over a month.


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Klee's Trees by Malka Dubrawsky

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Only about half the time do I like to do such precision piecing. I have to be in the mood for it. But every time I do it I get pretty excited by the results. Templates or paper piecing or just really good cutting, they all work. So when Malka Dubrawsky asked me to check out her her latest pattern and share it here I couldn't resist. 

 In her words:
A while back I traveled to Switzerland and saw so many amazing things, but not the Bern Bears. Rather, I opted to visit the Klee Museum and view an extensive array of work by the artist, Paul Klee. I was especially struck by his drawings of trees. They were simple, stylized and abstracted. 

I came home knowing I wanted to translate those drawings into a quilt pattern and, after several attempts, came upon a block design that I feel captures the essence of Klee’s trees. 

This simple-to-piece block is graphic and clean and has a decidedly modern feel. Craft it in solids against a dark or light background or play with warm and cool colored prints to differentiate the “trees” from the “forest”.


It is a graphic pattern, that gives finishes to a rather cool quilt. Malka provides layout for a pillow and a quilt in the pattern. But you could easily change the size of the quilt but adding or removing blocks.

I made my block in about 30 minutes, but that was 30 minutes of supervising and providing snacks for 2 kindergarteners. And sewing upstairs to watch them play, but still cutting and pressing in my basement studio. Not very efficient!


It is wonderful for me to support quilting friends like this. Malka and I have only had a couple of brief conversations in real life. We live in totally different worlds - oh her heat of Texas. But we bond over swimming and colour. And I really credit her with my low-volume obsession. She was the first person to use the term and share examples, as far as I can tell. Make sure you check out her blog too, always full of her glorious colour and pattern.

The pattern is available in Malka's store, pick it up here.

Malka has very generously offered to give away two copies of the pattern to readers here. 

If you'd like a chance to win a pattern, leave a comment - make sure I can respond to you. Tell me your favourite colour, your favourite artist, whether you've ever been to Switzerland, or even what you had for breakfast! 

Giveaway open until May 14,  6:00 pm MST.