Long Arm Lesson


A few weeks ago the chance came up to have a long arm lesson at the recently opened Sparrows Studioz here in Calgary. Matt Sparrow, also known as the Man Quilter, is the APQS rep for this part of the world. He has a big studio in Edmonton from which he sells, quilts, leases space, and rents long arm machines. And now he has a smaller version here in Calgary. Joanne Flamand, who is running the place down here is making sure all the local guilds get their chance to play and learn.

So one night a handful of us from the Calgary Modern Quilt Guild went up to the Wonderfil Threaducation Centre for a night of learning and play. So. Much. Fun.

To be honest, I wasn't sure if I would ever long arm my own quilts. I really enjoy the quilting part and when the tops pile up or a deadline looms I have an excellent long arm friend, not to mention a handful of others. But I did think it would at least be interesting. And now I would totally do my own quilts.

The long arms at Sparrows Studioz here are not computer guided. That means the quilter is still doing the work - whether it is entirely free motion or pantographs. There are certainly tools that make it easier, like guides, but it is still always up to the quilter to move the machine over the quilt.

And let me tell you, it is not as easy as you think it is! The machines move really well, which means it is easy to get it going in the wrong direction quickly. It requires standing and shifting your weight all while finding a rhythm to your movements. And it means that a lot of control is required, especially for the free motion or custom work.



Here are my observations and lessons.

1. When a long armer asks for 4'' extra backing fabric on the top and bottom they really need it. They aren't out to get you to waste fabric, they use that to load the backing and keep it in place when quilting. Don't scrimp and there will never be puckers.

2. Custom long arming is worth every penny, and probably more than what you are paying. It takes a lot of skill and time to do that work so don't ever feel like you are paying too much for it.

3. Pantographs are totally okay to use.

4. This is not the kind of sewing that you would do in bare feet. You need good shoes to support yourself.

5. Almost anything is possible on a long arm, but that doesn't mean everything is easy.

During our lesson we played with pantographs, a bit of free motion, some guides, as well as loading and unloading quilts. In theory, we could go and rent the machines now to quilt our own quilts. (I'm not sure I will get to that, although I would really like to.)

And it was total coincidence that a Just One Slab quilt got loaded up on the machine for us that night! But I may get more up there. I am trying to get the last of the quilts finished and in for distribution prior to the one year anniversary of the Flood and that is coming up in a little over a month.


Klee's Trees by Malka Dubrawsky


Only about half the time do I like to do such precision piecing. I have to be in the mood for it. But every time I do it I get pretty excited by the results. Templates or paper piecing or just really good cutting, they all work. So when Malka Dubrawsky asked me to check out her her latest pattern and share it here I couldn't resist. 

In her words:


A while back I traveled to Switzerland and saw so many amazing things, but not the Bern Bears. Rather, I opted to visit the Klee Museum and view an extensive array of work by the artist, Paul Klee. I was especially struck by his drawings of trees. They were simple, stylized and abstracted. 

I came home knowing I wanted to translate those drawings into a quilt pattern and, after several attempts, came upon a block design that I feel captures the essence of Klee’s trees. 

This simple-to-piece block is graphic and clean and has a decidedly modern feel. Craft it in solids against a dark or light background or play with warm and cool colored prints to differentiate the “trees” from the “forest”.


It is a graphic pattern, that gives finishes to a rather cool quilt. Malka provides layout for a pillow and a quilt in the pattern. But you could easily change the size of the quilt but adding or removing blocks.

I made my block in about 30 minutes, but that was 30 minutes of supervising and providing snacks for 2 kindergarteners. And sewing upstairs to watch them play, but still cutting and pressing in my basement studio. Not very efficient!


It is wonderful for me to support quilting friends like this. Malka and I have only had a couple of brief conversations in real life. We live in totally different worlds - oh her heat of Texas. But we bond over swimming and colour. And I really credit her with my low-volume obsession. She was the first person to use the term and share examples, as far as I can tell. Make sure you check out her blog too, always full of her glorious colour and pattern.

The pattern is available in Malka's store, pick it up here.

Malka has very generously offered to give away two copies of the pattern to readers here. 

If you'd like a chance to win a pattern, leave a comment - make sure I can respond to you. Tell me your favourite colour, your favourite artist, whether you've ever been to Switzerland, or even what you had for breakfast! 

Giveaway open until May 14,  6:00 pm MST.



Being Present

It must be said, I cannot do it all.

Writing books and articles, quilting, patterns, and teaching. Mothering, being a wife, a daughter, a sister, a friend. Cooking and cleaning. Being here. I cannot do it all. Something, somewhere, always falls to the side in a heap of lack of time or enthusiasm. 

Thankfully I have kids who don't see the mess that I do, who beg to go out for steak even when I do want to cook, and who patiently model for me. Thankfully I have a babysitter willing to put in extra hours and friends who will pour me tea when they see my shoulders hovering somewhere over my ears. And family who send texts and understand why I haven't called. And dear readers here who send notes because I haven't blogged in weeks.

The last few weeks have been a blur of a photo shoot for the latest book, then finishing all the details for that book. There were family visits and trips to the ER, movie nights and snuggles, afternoons enjoying the sun then evenings watching the snow. I had to work and sneak in living my life. Laundry optional.

But the manuscript is in, the photo shoot done, the bathrooms cleaned, and some brisket in the oven. So I can sew for fun again and laugh with the kids over bad knock knock jokes. I can sit down with my husband at the end of the day instead of burrowing into the studio. I can catch up with the world.








Speaking of the photo shoot for the book...

Kate Inglis came out to shoot this book as well. It is an insane collaboration that I am proud to be a part of. She shot A Month of Sundays too. We hit the ground and five days later it feels like we surface into regular light and reality. And along the way we shoot. Well, she shoots the things I tell her too and she translates my obscure thoughts into gorgeous images, capturing the light and the quilts in a way I didn't imagine. In between we eat and drive and talk and fall into dreams.

Now she is home, celebrating her own book, Flight of the Griffons. The universe may explode from her creative powers. 

And I am home, here. Quietly being who I am.