I Tried

You win some, you lose some.

Today I lost the dinner battle. The girls didn't want to eat due to our own parental mistake of a late snack. We sent The Monster to her room for having a snippy attitude. (She now says "Double" instead of "Oh Man" when she's extra frustrated because that is short for "Oh Man, doubled.") Frankly, dinner wasn't all that great either.

It was supposed to be good. It was a meal that was going to make my preggo sister-in-law jealous when she logged in from the office tomorrow. Sticky, slightly spicy ribs, roasted potatoes, and coleslaw with orange and pomegranates. For dessert, gingerbread cake, her mom's recipe.

The ribs were tough. I cook them about once every few years, so that is totally my fault in assuming I knew what the hell I was doing. The sauce was great, a combo of the tomatoes and onions roasted with the ribs, tomato marmalade, molasses, sambal olek, and mustard. We would have been better off licking the sauce from the ribs than trying to, literally, pretend we were lions to get the girls to eat. Thankfully the coleslaw was tasty and I've got roasted potatoes down pat. The gingerbread cake tasted pretty good too, although, it fell.

No good pictures of our meal, no great leftovers. When I eat some gingerbread cake with my tea and a Bosc pear tomorrow morning it should be right around the time my sister-in-law arrives at work and starts her day. Know that I was thinking of you.

It's the thought that counts.

Colouring Books

This week is all about colour. Perfectly appropriate with a fresh dusting of snow outside. Although, don't fool yourself, there is a lot of colour in a winter day.

Elle asked for my favourite colour books. Colour books are not all the same. Considering colour theory transcends the medium of the maker and is fairly standard, this is somewhat surprising.

When it comes to quilt books and colour, the variations seem to come in the communication of the theory. I think this is great because people learn differently and one book may sing to you and fall flat for another reader. Okay, that may be personality, but when it comes to colour, it is probably more about how the message hits you. It isn't any fault of the writer either. It is all about what you, the reader and quilter, respond to in a book.

At the top of the list for me is Fun Quilts Quiltmaker's Color Workshop. They do provide a few short pages on colour theory, then launch into concrete examples of 15 different palettes. They aren't grouped according to analogous, complementary, split complementary, etc., like so many other books. Rather they talk about a concept, mood, or inspiration. Each palette includes a real quilt, illustrations of the colours used - including demonstrations of the proportions used - and where they fit on the colour wheel. Then they include illustrations of what happens when you change proportions or vary the colour choices. Finally, they suggest exercises or workshop ideas for the individual or group. And this is for each of the 15 palettes.

I think the way the book is written can appeal to many different types of quilters and learning styles. It is incredibly detailed in discussion and in visual illustrations. It isn't a book you are going to pull out to see if this green goes with that purple on the colour wheel. It is, however, a great book for pushing you to examine your colour use and to encourage you to play with fabric and colour before you even bring out a needle and thread.

Another great book to push you through some challenges is Color and Composition for the Creative Quilter by Katie Pasquini Masopust and Brett Barker. This one isn't just about colour, they also cover layout, balance, and composition. Moving the reader through a whole bunch of exercises, they really encourage the personal adaptation of the concepts. It does follow the typical colour theory discussions, but with discussions on composition it is set apart from other books.

This book is also full, really full, of examples. Student work, quilts, photos, and drawings. even if you didn't do a single exercise, it too is also a good reference book. It is also full of tips and detailed explanations/inspirations for expanding your concepts of colour and composition.

Another book that takes the lesson approach is Color for the Terrified Quilter by Ionne McCauley and Sharon Pederson. This book is full of photos, illustrations, and basic lessons to get you playing with colour. There are examples and 11 quilt projects also included. Keep in mind that the projects are all pieced and would likely be considered traditional quilts by many. But they are quite striking in their simplicity and easily adapted to your own fabric sensibility and design preferences.

There is a big difference between this book and the Pasquini Masopust/Barker book. McCauley and Pederson's book is probably going to feel more familiar to the average quilter. That is, the ones who are happy making lots of quilts, complex and simple, modern and traditional. The Pasquini Masopust/Barker book is probably going to appeal to the art school grad or art quilter. They are both doing very similar things, but the layout, visuals, and communication provide a different tone to the books. I don't think one is necessarily better than the other in the material content of the book. Grab them both from the library and see what I mean.

Finally, there is always Joen Wolfrom. I used to steal her Color Play book from a quilting friend until I felt pretty confident in my understanding of colour. Visual Coloring is great for people who don't want to worry about colour theory though. Take a picture, an image, some graphics and pull the colours from that. Nature or the designers are both pretty good at making sure what is there works together.

Wolfrom features heaps of examples and a few patterns to illustrate her point. In all honesty, though, the discussion on what she means by visual coloring is short. What else could she say, though?

So, which is the right book for you? That's hard to say. I do think many beginners, and even us experienced folks would benefit from a good resource book. I own the first two books and do pull them out regularly. I fully admit that there is still a lot to learn.

A modern quilter who is ready to take steps into design and moving beyond single fabric line quilts would probably like Quiltmaker's Color Workshop the best. The quilts themselves are probably more appealing to a modern quilter.

Don't, however, discount a book just because the quilts in it aren't your style. Take cues from the presentations, lessons, and whether you actually learn something from the book. Colour books aren't necessarily meant for inspiration. Think of them as textbooks or reference materials.

Have I missed a favourite of yours? Have I thoroughly confused you with my insistence on using the letter U in colour?

Caught in the Act

Have you ever considered boycotting the entire notion of Christmas baking? Frankly, I'm sure most of us have at one time or another. We're so busy during December and stopping to bake a couple of dozen cookies for a swap, a party, or simply to steal from the freezer for the rest of the month is the last thing we want to do.

Then we see the covers of the magazines and every single one is a Christmas tree arrangement of glittery cookies tempting us back into the grocery store for butter and sugar. Our kids/partners beg for a batch of shortbread or some esoteric treat their mom used to make. Or the guilt hits.

Every year I swear I'm not going to do it. Maybe a batch of Chewy Chocolate Gingerbread or Peppermint Bark. But THAT'S IT.

And every year I bake 3 or 4 more kinds of cookies. Then I pretty much eat them all myself. What a Ninny.

So this year I vowed I wouldn't do it. I swore to my husband and my jiggly tummy that I wouldn't even buy the butter.

Then The Monster started prepping for the concert at school. It was all about The Gingerbread Man. In fact, a reenactment of the story. She's been walking around reciting the damn thing non stop. Then she asked to bake. I suggested gingerbread men. This brought on tears, full can't catch your breath sobs out of fear that our gingerbread men would run away after we baked them. We settled on gingerbread penguins and moose. Thank goodness there are no stories about runaway moose. At least none with catchy songs attached.

I pulled out the icing sugar, sprinkles, and ridiculously fake food colourings. It was craft time/kitchen time/treat time as far as the girls were concerned. It was a messy way to kill an hour. That's how I approached it at first. Still a Ninny.

The messier it got, however, the happier we all were. Grandma was visiting and happily iced the requested purple and pink penguins. We eventually laughed at the number of sprinkles underfoot, joking that one of us was going to wipe out like it was a pile of ball bearings and we were in a cartoon. My counters are stained and my kids ate more icing than cookies. There wasn't a single tantrum, by them or me.

No longer is Christmas baking about a pile of cookies in the freezer for the guests that might pop by. It isn't even about treats to share with the neighbours over tea. It is about process, the act of making. Baking and decorating cookies with the girls is like Jackson Pollack at a canvas.

Who cares that the cookies will likely not be eaten for lack of enough icing or the wrong sprinkles? They'll make me a little more Santa like, in spirit and with my jiggle.

For the record. We used this recipe from Julie for the cookies. The only change I made is that we cooked them for 10-11 minutes so they would be a bit softer.

Valuable Finish


Values Quilt
66'' Square

Finally, a finish. Well, almost. I haven't come up with a name for this one yet.

This one is a long time coming. It feels like it, at least. I started this one back in April. I'm usually much faster than this. Oh well. I fully claim life as getting in the way. It happens. And I'm okay with that. Lately, however, I've been craving finishes. I've got a few more going on, I'll keep you posted on those.
Once I got it basted it only took me a week to finish it. Really it took only one full day to quilt it. The one day Hubby gave me and I took it. Another evening and I had the binding on it. We went away for the weekend two weeks ago and I stitched away happily in the evenings at my MIL's.

The quilting is pretty darn simple. I can see why so many stick with simple straight lines. It's mindless, sure, but it gets things done quickly. For the one square section I went with these freehand and rather primitive hearts. The Monster is very big into drawing hearts these days, so that's where these came from.

The binding is this blue green. I found the quilt to be quite pink/red. Lots of warm tones. So I bound it in blue. The quilting is actually in two different blues as well. I think it balances things out a little bit better. What do you think?

Someone else has already taken to it quite quickly.