"inspiration"

Inuvik Trip Part 1


A week ago I was driving the ice road from Inuvik to Tuktoyaktuk. A week before that I was snorkelling in the Caribbean. And this morning I'm sipping tea in slippers and listening to Motown. Have I mentioned before that I love my life?!

One of the things I absolutely love about my life is the chance to teach quilting (and travel to do it). Being in a classroom full of people who absolutely want to be there, whether they are there for a new experience or just a weekend off, is an energy boost for me. You can't help but ride their enthusiasm. And my weekend with the guild in Inuvik was unlike any other.

There is just so much to share about my trip to Inuvik that I have to break it down into two posts. It was such a phenomenal experience. Up first, the class.



Seeing as Inuvik is located in the far North, we chose to run a Scrap Management workshop. They have to pay a lot to bring in supplies, so I thought it best to get people excited about scraps. And get excited they did! As did I. The days would start at the sun was coming into the sky, peering over the irons as we set up in the morning.

Like most scrap classes I run many people at first think they don't have much that's useful. But after we sort then run through the slab technique eyes are opened. The potential can't be hidden anymore. Some people brought scraps they inherited from mothers and friends. Some seriously cool scraps there. One lady brought scraps an Inuit maker gave her last year at the Great Northern Arts Festival. And like everyone does, it was fun to see the history of their quilting careers, family, and guild projects through the scraps.





One of the great things about teaching with a guild is that most people know each other well. So there is an instant camaraderie. For the teacher it can feel like you are the outsider, but definitely not with this group! They instantly welcomed me in, sharing gossip and stories, and taking me under their wing for northern adventures. You know they are a cohesive group when three of them bring the same kind of muffins for us one day.

During this two day workshop we explored scraps - sorting, remembering, making slabs and storage boxes, and working on individual projects. Some people choose projects from Sunday Morning Quilts, some take off in their own direction. The important part is that they be excited by what they are working on. I'm just there to guide the process, teach some technique, and troubleshoot, if necessary.








I had one of the best moments ever in my career as a teacher there too. Two of my students were art therapists. They work in the elementary schools - for the kids and the teachers. They have a tough job, seeing the best and worst of these isolated communities. Communities that have most definitely seen the worst of times beyond the weather - addiction, residential schools, relocations, abuse. Coming to guild, for these women, is a break for them, a chance to recharge and put work behind them. Well, on the second day one woman pulled me aside and thanked me for her own creative breakthrough. She was sewing more than she ever does in guild and was recharged personally. Usually I am pretty happy if people have fun and are inspired to sew more once the class is over, but to hear that, from an art therapist no less, was inspiring to me.





Not to mention this beading. Oh, the beading... (This one wasn't by a student, but a woman dropped by to share it.)

Thank you to the NWT Arts Council for the funding to bring me to Inuvik.

Slabs Meet Low Volume


No doubt about it, scraps get overwhelming at times. And other times the scraps are so inspiring and excited. This time it is the latter.

When I was working on A Month of Sundays all my scraps ended up together in one large messy pile. Then that pile moved to a bag. And that bag moved around and was shoved in different corners. I'm not sure why I felt the need to keep these all together, but I'm glad I did.

Ever so slowly I've been sewing together slabs from the scraps. It is like both my books are colliding into a beautiful mess. I'm in love! I didn't, however, want to just make slabs. I wanted to be a bit more creative, experiment a little.

At some point I read Denyse Schmidt's Modern Quilts Traditional Inspirations. Her interpretation of Shoeman's Puzzle struck me the most of all the quilts. Without a moment's hesitation I started turning my slabs into Shorman's Puzzle blocks. She uses templates, as she usually does. Because of the slabs and the proliferation of bias edges I chose a different route. My blocks are paper pieced. Each block has three seams, about one of the easiest paper pieced options ever. It was a smart choice as it is keeping the blocks in check.

Now, to find the time to make more. I've got more slabs sitting there waiting. When I teach a slab class this is the demo fabric I use. I just need a bit more time and some freezer paper patterns. I made the blocks 10'' square which means I can't print them. So freeze paper it is.

Aren't they fun?

Friday Favourite - Spirals




This past summer I took the kids to the M.C. Escher exhibit at the Glenbow Museum. Cool enough for them, but they were more interested in the glowing rocks in the Minerals room and the crafts they always have in the ARC Discovery Room. And when we discovered that one of the activities was these Spiral Draws from Klutz I could hardly blame them.

A kissing cousin to the original Spirograph, this drawing toy pretty much means hours of fun. Seriously, we can all sit and create and colour for a long time. It brings back so many childhood joys for me, and is creating them in the girls.


And just look what they did with them at the Museum! You totally change the look when you selectively colour. I so love this. And then there is the bigger installation. Volunteers took each image drawn and coloured, cut them out, and were pasting them together.

Must try this in fabric...




Oh, and another note. M.C. Escher? Absolutely, insanely, incredible. My only experience with Escher was the posters every 18 year old boy put on his dorm wall in my university. But to see the original prints, woodcuts, and linocuts in person was phenomenal. I had no idea that most of the work was actually a woodcut or lithograph. Completely impressive.