Mighty Lucky Quilting Club Second Quilt Top - A Single Fabric

Woah! What an amazing response to my last post. It seems I am not alone in these thoughts. It has me percolating a few ideas to help us all out. Mainly, in ways to use our stashes more. And in maybe some not so predictable ways.

That thinking reminded me that I never shared a particular quilt top. One quilt top - one fabric. That's right, just one fabric. 

I started this about 2 years ago, as part of the Mighty Lucky Quilting Club. In preparing for my month of the club I made up a whole bunch of samples to show different ways to use a single fabric in a quilt block. While I did finish one quilt for the club and then a pillow, the rest of the blocks sat there. But then I decided to play with one of them a bit more. And play and play and play.

You can still purchase the 2016 Mighty Lucky Quilting Club challenges. But now they come as a print on demand book. 

What a great way to pull out a cherished fabric from your stash and play. We all have some that we bought a lot of, maybe for a backing, but is just sitting there. Look for the possibilities. 

This became my own personal round robin. What other ways could I manipulate this fabric into another look? I just kept going. Fussy cutting stripes, improv curves, triangles, slashing things apart. I just kept going. That last round is a variation on the blocks used to make the center. It ends up at about 78'' square in size. 

The fabric is Tick Tock Stripe in Mint from Chipper by Tula Pink.

I bought more fabric 3 times after the first fat quarter. The last time I was smart enough to buy extra so I could make a bias binding when all is done. All in all, I would say I used about 8 meters, but that is just me going off my memory and does include the leftover scraps and the binding set aside. 

Any ideas on how to quilt it? I am very open to suggestions on this.

Dear Quilting Industry: Simmer Down

As we pull in to our neighbourhood, home from the pool or errands or whatever my kids inevitably start talking about the things they will do when we get home. Can we watch TV? What is there for a snack? I have homework. Does Dad have to work tomorrow? Can I go over to so and so's house? It is relentless. The demand for attention, the inability to focus on what is front of us right now - a conversation in the car together - and the creation of more chaos when a bit of order, first, is needed. It is exhausting.

Life is full of competition for our attention. The kids are in battle with our parents, the news is in battle with the laughter of memes, the dog is in battle with our partners. And around and up and back again. How we don't all live with a crick in our neck from the constant twists of the head to watch something, the next thing, is beyond me. 

Fabric and the quilting industry is no different. Hundreds of lines, with probably 10-20 different fabrics in them, launch each year. Actually, each season. Then there are the patterns to go with each. Not to mention the thread, the latest notion, and the world of bags, crafts, and garments. It is all enough to make one feel like they are spinning in a vortex of colour, not knowing where to stop or look.

And I didn't even mention social media. 

Those of us working in the industry have been saying for a few years that it is getting worse and worse. The churn through of inspiration, the saturation of the market, the sheer volume of stuff is overwhelming even for us. It makes the hustle more exhausting as you try to find a way to differentiate yourself. Yet we too are contributing to the noise.

I always think of the Grinch and Boris Karloff saying "Oh the noise. The Noise. Noise. Noise. Noise."

Book publishing has already slowed down. You just don't see the volume of quilt books hitting in the market anymore. Two weeks ago we all saw the news of Free Spirit shutting down. Now it will have a new owner.  Brick and mortar stores are closing, and others are opening. Ecommerce still expands and contracts 

All of this could truly be a market correction. The quilt industry has nearly tripled in the last 20 years. That is a lot of years of buying, not just new quilters. The economy is still not great. I know my own disposable income doesn't get spent on  fabric even though as a professional I can write it off. How many other people are in the same boat?

I have three other theories regarding the consumer side, while others have addressed the supply side of the quilt market.

... One, all those new quilters, the twenty somethings who led the Modern movement, now have kids, and sometimes parents, to take care of. Our time and money disappeared. We are quilting less obsessively, if at all. Not to mention, #2 below.

... Two, we have enough fabric. Plain and simple. Many of us got caught up (still do) in the need to stock up on the latest and greatest, to build our stash of celebrity designers fabrics and products. Those stashes are now sitting there. There is that old joke about she who dies with the most fabric wins, right?

Some folks destash, others let it languish in the closet. This is regardless of the age and the situation we are in. Many of us can now shop at home first. Those large stashes have essentially created a quilt store in our home. That means we aren't necessarily hitting the stores to stock up anymore.

... Three, I'm seeing a move away from consumerism. It might be the recession, it might be a increase in environmental awareness, it might be simple exhaustion at the churn of new product. Regardless, I think a lot of us are buying less new stuff simply for the sake of buying less. This translates to a rise in upcycled material, thrift store purchases, and using what we have already. This also ties into what I am seeing as a backlash against new, new. new. 

Personally, I've been feeling a shift over the last year. At first it was because we were tight on cash and I needed to not shop so much. (Kid's sports, yikes!) It continued because I wasn't seeing much new stuff I eagerly wanted. Or rather, nothing was standing out to me. I also launched my own fabric line in there and 20 bolts of fabric suddenly in your tiny space is A LOT of fabric. To be perfectly honest, I have a large stash. At least for the last 10 years or so. And I always shop first from there. But if I went to the store because I needed a particular shade of blue, I would buy 4 different fabrics to fulfill that need and fill the blue bin. It was a lot of consumerism. 

At the beginning of the year I cleaned out the stash. The closet was full of falling over piles, bins that wouldn't close, and a heck of a lot of fabric I wasn't and will never use. So I went through each colour, purging and refolded. It only took a few evenings after the kids went to bed, not the big deal I made it out to be in my head. I now have a large blue IKEA bag ready for donation and a neater closet. Was it ever liberating!! I've been in a quilt store twice since then and only bought what I needed because that was the easiest thing to do. Perspective is a wonderful thing.

None of this, however, helps the quilt shops or the suppliers. Or my colleagues in the industry trying to make a living. This market correction is going to hurt some people, I have no doubt. People will leave the industry, things will get leaner. This isn't always a bad thing, but it sure can be ugly. It also doesn't guarantee that quality is the winner. If social media has taught us anything it is that those who know how to play the game, with or without the rules, are likely to win.

I've been asking myself a lot of questions about the hustle lately for exactly these reasons. As I said before, I'd love to write another quilt book, but that may not be in the cards. I'd love to design more fabric but I have a lot of work to do there on improvement and I need to be comfortable with putting more product out in the world. I'm not ready to leave the industry, but it is definitely time to redefine my role in it. And I don't think I am alone in this process, from the consumer to the supplier level people should be doing this.

In the meantime, I've slowed down. Life is insanely busy between kids and the family business (outside of my own work). The only time I really sew is for that Morning Make habit. Let me tell you, slow is good! I love all my quilts under construction but I am starting to focus more. Working on only one or two at a time. Trying to spin less, take more deliberate action. Instead of walking in the door of my sewing room and asking a million questions about what comes next, I take off my shoes and move thoughtfully, getting things done little by little.

As I say to the kids every time they start off in a frenzy: Simmer Down.

Adventure - A Quilt for Not a Book

Adventure

36'' x 42''

My husband defines the distinction between an excursion and an adventure as this: When you go on an excursion everyone makes it back. When you go on an adventure, somebody or something doesn't survive the trip. He is morbid and sarcastic, that man. 

This quilt is definitely an adventure.

A few years ago I had an idea for a book. I was fresh off the publication of You Inspire Me to Quilt, still riding high. Over bourbon on the best patio over I sat down with an industry friend, a good colleague, and we were brainstorming ideas for my next book. We both got really excited about one particular idea. It was stellar. Or maybe it was the bourbon talking?

Nope, it's still a pretty good idea. Unfortunately, my publisher did not necessarily agree. Even though I've published three books I can't just throw an idea at them and have them send a contract my way immediately. So I took a few months to flesh it out. Because of the nature of the concept this required more time than I usually need at this stage. A book proposal is necessarily detailed as it is - table of contents, sample chapter, and quilt examples all required - but this one needed even more to get the concept across. I got all this together and then they came back with a request for an actual quilt to see the concept in action.

Sigh. 

Sure, okay. I went right to it. Got the quilt top all made, got it basted, then stopped. Life got busy. And it's never really stopped. No excuse, because I've made other quilts in the meantime. But the mojo slipped away after the initial burst of work. Then the reality of whether I truly had the time to actually write another book sunk in. I did not. Not for about 2 years there. I so desperately wanted to, but unless I became both a) suddenly flush with cash and b) able to function on zero sleep for months at a time it wasn't going to happen.

I won't lie, I shed some tears over this. Frustrated and annoyed at the position I was in - even though I put myself in that exact position - I wallowed for a bit. I got depressed seeing the success of others in the industry via social media, jealous even. It was ugly and mean spirited on my part, to be perfectly honest. And that is before I beat myself up on the regular about it all.

Not sure how exactly, but gaining some perspective changed everything. At some point I took stock of my own successes and felt proud. I started to play my own game. I saw all the freelance, short burst writing I was doing as practice for everything else. My schedule, or at least my approach to it, allowed for more time. So I re-pitched the book concept. 

Shot down again.

This time though I decided the quilt I'd started needed to not languish on the closet shelf. Up there it mocked me, made me feel like a failure. It was time to reclaim that part of my creative history. At worst, it becomes another story to tell at a trunk show (or on a blog). At best, it becomes a cool quilt gifted to a beautiful baby. So here it is. 

This quilt went on a creative adventure. The book never came back alive, but that's okay. The journey was still worth it. And who knows, that concept hasn't died entirely...

Quilt Details:

-  Fabric is a couple of Mini Charm packs of Carolyn Friedlander Doe mixed with her curated selection of Kona cottons. It was a give away from Quilt Market a few years back. The background is Essex Linen.

- Backing is also from Doe.

- Binding is Carolyn's crosshatch in this amazing green. I wish I could find more.

- Quilted with a pale yellow from Aurifil in straight lines changing directions. There were a million knots to bury with the quilting pattern I chose, but I do love the end result.

From 0 to 125 - A Survey of Unfinished Quilts

Where do you fall when it comes to unfinished quilts? Earlier this year I conducted a survey of readers on the topic. Everything from true confessions on the number of quilts under construction to attitudes towards these projects.  Over 400 people answered the survey and I am finally able to share the results. My own current number sits at 47. It certainly creeped up this year!

What counts as a quilt under construction? I left the definition of unfinished open, by design. For some people a stack of fabric counts as an unfinished quilt, for others it is a quilt top. I let everyone define that personally. 

Just how many quilts under construction do you have? A few of you have 0, zero! unfinished quilts. A a few of you have over 100 quilts sitting unfinished. Most of you, however, are in the 10-15 unfinished quilts range. 

What I think is more telling is how people feel about their number. I asked people does this number stress you out?

Unfortunately, it didn't occur to me to have these questions link so I could figure out the statistical correlation (I am not a survey designer by trade). Same goes for the next question, where I asked people how many is too many?

In looking informally through all the responses though, it appears (but is not proven) that those that have a higher number don't seem all that stressed by the number. Nor do they think there is such a thing as too many. I have a theory about that. 

It comes down to perspective. If people view quiltmaking as a means to an end - a process by which we make a product - they get hung up on numbers and checking things off lists. Must finish becomes a mantra because their goal is a finished quilt. But if people view quilting making as an end in and of itself - a process that may or may not result in a product - then the number doesn't really matter.

Of course it should be said that at some point the majority of us do want to finish quilts. We are, ultimately, trying to make quilts here. If the emphasis, however, is on the finished product over the process we might as well go to the mall and buy a factory made piece. 

Back to the survery results.

Let's get practical. I asked where in the process do you generally stop working on a quilt? The question about process was left open ended, so the numbers don't add up to 100%. But the results are still telling. 

I know, for me, making a backing and basting are my blockades. Quilts pile up there. It seems I am not alone. Those are tedious tasks, no doubt. 

One question and the most popular answer probably tell the story here. The question was asked, what makes you stop working on a quilt?

Overwhelmingly, the answer was what one respondent referred to as Shiny Object Disorder. Something else becomes more inspiring in that moment. Or we get bored. It's pretty simple. Other answers included uncertainty about quilting plans or skill level. And that ever present need to wash the floors to baste a quilt!

I was able to present these results and my take on them in a lecture at QuiltCon in February. For the rest of you who weren't there I am happy to both share the results here and my full take on them in the latest issue of Modern Quilts Unlimited. In the article I defend all these unfinished quilts as markers of creativity. If we take on the Five Ps of quilt creativity we can all see it this way.

• Perception - how you view your quiltmaking in general makes a huge difference in how you view unfinished quilts, your skill level, and creativity
• Planning - approaching quiltmaking willy nilly is fine for some, but most of us require a more thoughtful approach to a project and practical considerations of space, time, and money
• Process - there should be as much joy for you in the process as the product
• Practicality - how we manage the unfinished quilts in our space and minds
• Play - bringing that spirit of playful joy to our quiltmaking

Long time readers will recognize these themes from posts. After nearly 20 years a quilter I've learned a few things, and I don't just mean hand applique. When we start our quiltmaking we almost always all start with products in mind. Some of us stay there and some embrace process more. Neither is more right than the other. When it comes to quilts under construction, however, I do need to defend every single one you have as a mark of creative action. Even if it's been years since you touched that project it does not represent a failure, it celebrates creativity! Own it.