"creativity"

Important Letters


This is a fun little project I've got going on these days. I took some scraps and made letters. Put those letters on white et voila! I can't wait to share this one, but I need to wait as the recipient may be reading...

I'd volunteered to make the quilt for her after a tragic event. Another friend gave me some fabric and it languished. Lack of a clear vision kept me from moving forward. Then, one night, I had a dream. Pregnancy dreams are always quite vivid. And for once it wasn't a nightmare or something completely messed up. I dreamt this quilt. Hormones for good!

While I didn't follow it directly when it came to constructing mine, Elizabeth Hartman has a great tutorial here for making the letters.

Pretty Things Too

Yes, Market is all about work, but there are pretty things too. You didn't think I'd not post some of my favourites, did you?

The Rise of Organics


Daisy Janie, Cloud 9, Birch, and some of the major manufacturers, including a line by Betz White with Robert Kaufman are all producing organics. The lines are varied, the colours have a great range and with the solids from Kaufman and the stripes and dots from Birch it is pretty much impossible not to build a solid stash now of just organics. And after seeing the video from Jan during her schoolhouse it makes me want to seek these out even more.

Favourite Fabrics


In two totally different corners I've got my four favourite lines that I saw there. Marcia Derse and Malka Dubrowsky have these intense, rich commercial prints based off of their own hand-dye and batiks. On their own or playing together these are exciting. Very exciting.



In the other corner is Echo by Lotta Jansdotter and Summersville by Lucie Summers. Graphic but soft, quietly bold. I'm in love with both of them (designers and fabric). And Lucie is very lucky I didn't steal one of her mugs. Thankfully I made it out of Market with a bundle of Echo to keep me going.


Somewhere in the middle is Ty Pennington's new line. To be honest, it seems like his fabric doesn't get a lot of attention. He does. But I do like his fabric. I've used a few prints from the first line and I can definitely see myself using some from this one too. And when I stopped in his booth he seemed quite thrilled that I wanted to talk about the fabric and not snap a picture with him. He's quite enthusiastic.

Speaking of Men

It would have been obvious to take photos of the men at Market, but let me tell you, they are there. A lot of the booths are staffed by men and there are definitely a lot of buyers on the floor. This was my first big surprise of Market, the men. Then there are the designers and sherpas that are there. Ty, David Butler, Mark Cesarik (all were conveniently located within steps of each other) showcased very different but equally engaging lines.

And Patterns

There are patterns all over the place at Market. With the quilt stores seeking out the interesting, the pretty, and the sellable, the pattern booths are packed and filled with pretty things. All to different tastes. I neglected to take a picture of her work or booth, but my absolute favourite was Carolyn Friedlander. A former architect turned designer. Her patterns are intense, graphic, and so beautiful. It's almost enough to make this improv girl seek them out. You definitely should.

Finally

Houston itself, while monstrous, is a pretty city. I may have been blinded by weather that made me feel like summer when it was snowing back home. Or it might have been the colour, lights, and personalities of Market. But Houston's downtown was dynamic and captivating. I got a walk or two in. I can see why Cherri House loves her town so much.


Where to Start?

~~~repost because Blogger crashed and lost the original one~~~

Back in March I left Amanda Jean's place with a great friendship and a pile of challenges. My challenge really, is figuring out which one to do first?


This roll of fat quarters is so, so, so out of the realm of my usual. Hers to. We split it into fat eighths so we could each have some of everything. Of course we can add more too! I think it will be a great challenge to turn this rather subdued and traditional stack of fabrics in a very funky and bold way. I've already got a design in mind. My only hint is Charlie and the Chocolate Factory...

The fat quarter bundle was actually a treat from Bernadette at Traditional Pastimes. She got so exited while I was pulling fabric that she cut an identical bundle for herself. I'm quite intrigued to see what she does with her fabric.


Here is another bundle from Traditional Pastimes in a gorgeous colourway. Some fabrics are quite bright, some more subdued. It should make for a perfect blend in a simple pattern. I'm thinking a variation on half square triangles, but nothing is set in stone yet. There could also be pinwheels.


Then there are these two neutral fabrics. Just two fabrics. Nothing else. It's a quilting challenge. This one is very exciting to me. I actually got it sewn together and basted last weekend. It was my turn for a demo at guild so I used this as a sample for basting a quilt.


Finally, before I left she gave me this stack of fabric from Connecting Threads. It's the Canning Day line. I think it will blend perfectly with some vintage feedsack prints I've got. I already know that I'm going to make Amanda's quilt from Fresh Fabric Treats. I know, not me, right? But I love her pattern and I think the fabrics will be perfect for it.

Who knows when Amanda Jean and I will get a chance to see each other again? Thankfully we have the internet and our readers to keep us honest and open. Make sure you keep asking me about these projects. And don't worry, there are more...

Quilt Snob?

Am I a snob?

Okay, don't answer that right away.

There has been a lot of talk and entertaining posts lately about a lot of quilt arena issues - modern versus traditional, rants about designers, plain old rants, beginners feeling shamed, quilters being snobby, and more. I'm not going to repeat them all here, and I doubt I've even seen them all. But if you want some really interesting posts read them here, and make sure you read all the comments too. Note: I've included different opinions here, only this post is my own.

It is actually the comments I'm reading that are pushing me to write this post. Many folks are upset with "quilt snobs". Unfortunately, it isn't always clear to me what defines a snob.

The way I define a snob is someone who intentionally works to make someone else feel bad for the way they act, dress, define themselves, propping themself up higher on their already high horse in doing so. When it comes to quilting snobs, what does this mean?

... Disdain for one style of quilting over another?
... Talking smack about a fabric line you aren't a fan of, and by extension, the designers?
... Shooting down bloggers who maybe don't have a fancy camera or can only take their pictures late at night when they have a spare moment to work?
... Judging people who are trying to make a living at quilting?
... Being openly critical of bee participants?
... Just another name for the quilt police marking down missed points and skipped stitches?
... Big Name Bloggers refusing to comment on other blogs?
... Groups of friends that are collaborating/chatting and defined as cliques?

I've been critical of charm packs/pre-cuts and the reliance on them. I struggle with group projects where the simple quality of the workmanship is lacking (ie. no 1/4 seams, lack of pressing, and no squaring up of blocks). I'll admit that I'm tired of plain patchwork quilts. And stippling. (I've done more than my fair share of both)

All this, however, doesn't make me a snob. Anytime I think these things I keep my mouth shut (until today, obviously). If I visit a blog I like and see a quilt I don't then I move on to the next one in my Reader. I like to challenge myself so that's why you don't see me do many things twice, but that's me. I have no interest whatsoever in making someone feel bad or trying to make myself feel better with an off-putting or off-colour comment.

I will never condemn you for your pattern choice. I will never judge your fabric choice, but I will share my considered opinion if you ask. I will never shoot someone down in a public forum for their own creativity, work, family, or anything quilty related.

Rather, I want more people quilting. I want blogs to inspire. I want new or hopeful quilters to come to blogs and think "I can do that!" Or, if they are intimidated by the work (and not the quilter) think, "I can't wait until I can do that!" I don't think I'm alone with this goal. I want people to feel motivated to finish their quilts however they like, with the emphasis on finishing.

In pursuit of this goal I will continue to share my own inspiration, my work - both easy and difficult - tips and tutorials and yes, challenge the conventions. I will always encourage people to break free from patterns, charm packs, and single line quilts. I will always, always stress care in construction. I will always answer questions you send my way. I will push for people to be open with their process

This doesn't make me a snob.

Or does it? Be honest, I've got skin as thick as an elephant. But remember, my Dad just died.

(That was a joke.)

What makes a quilt snob? Have you had any run-ins? What's your strategy for dealing with the quilt snobs you encounter?