Playground

Playground

78'' by 62.5''

Finally, I can share this quilt with you. A year ago one of our awesome preschool teachers retired. She is a quilter and I offered to make a quilt for her. Alas, the Preschool Board had other plans. But a few months later they took me up on my offer after the other preschool teacher announced her retirement. She was presented with the quilt at the end of year party last week.

This quilt contains 120 signature blocks from present and former students. A simple layout, reminiscent of Plain Spoken by Weeks Ringle and Bill Kerr, is rounded out with Modern Solids II from Alissa Haight Carlton. The quilting is a very simple grid, 1/4'' from each seam line. I went with a white Aurifil thread so as not to take away from all the colourful signatures.

To get all the signatures we held two open houses at the preschool. Mailouts went to the local elementary, junior high, and high schools. Notices sent to the current preschool students. I spent some time cutting down Kona white into two sizes of rectangles. My girls helped me gather the fabric markers. Kids showed up, teenagers arrived, parents exclaimed.

To be honest, I'd seen previous teacher's gifts and wondered why people went to all that effort of making them a quilt. Sure, I've given many, many quilts as gifts and I know the value of the gift - to give and receive. But I couldn't fathom getting that excited by a signature quilt.

Was I ever wrong!

Let me tell you, it was actually pretty fun to do this! Seeing all the kids so excited to contribute, talking to the parents thrilled at being able to say thank-you for a good start to their kid's education, and getting pretty jazzed when putting the final quilt together. Not once did it feel like drudgery or did I ask myself what I got myself into. And I'm thrilled at the final result. I think our teacher is as well.

(And who could resist a buggy backing fabric? It was the perfect choice to remind us all of the mosquitoes keeping us company at the park after school everyday. Except these ones don't bite!)

Sewing Room Injuries

No, things have not been that stressful in life that I felt the need for drastic action. It sure looks like it though. I just accidentally touched my arm on the iron last week. This latest burn is healing nicely. It criss crosses a previous burn. And goes nicely with the other two scars on my arm from the same type of injury. Quilting is a dangerous activity!

It is dangerous indeed. We use sharp tools all the time. Hot tools too. All while creating something soft, cuddly, and beautiful. Here are some of my quilting injuries:

... Burns, as described above.
... Dropped a ruler and caught it with the top of my hand, where it landed on the corner and dented my hand nicely.
... Sewn my fingertip to appliqué (just a flesh wound, but a dramatic look).
... Sliced off the tip of pointer finger with the rotary cutter. Pay attention when cutting and don't look away because someone called your name from the top of the stairs. Or else you might almost require a skin graft, if it wasn't for having a brother who is a doctor who can bandage you up properly. And it is nice to be able to keep cutting and do simple things like flick on a light switch with that finger.

What about you? What are your sewing room injuries?

Playing for Karen

So many people are on Instagram these days and many people credit it with the downfall of blogs. It may be that people love the immediacy of Instagram. Me, I love the inspiration and camaraderie of it.

I follow Karen Lewis on Instagram. She does incredible screen printed fabrics, and even sells bags and such. Not to mention she's got a book coming out called Screen Printing at Home. On Instagram I find her funny and wildly inspirational. If there wasn't a continent and ocean separating us I imagine a good old fashioned catch up with her over challah and tea. And then she would teach me just an ounce of what she does and I would explode with creative joy.

A few weeks back Karen posted pictures of a bee project she has going on. Her contributors are making rows of isosceles triangles, inspired by this incredible antique quilt. Now, I'm not in her bee. I'm quite a bad bee member, if I'm being perfectly honest. But I loved the fabrics and thought this might be a perfect small challenge. Maybe something to pull me a little bit out of my slump?

While I cannot attest to the success or failure of a life changing bit of sewing, I can say that I quite enjoyed a little rustle through my fabric and an hour of sewing in the sunshine.

Playing with Stars

I'm chugging along and playing where I can. Working through this slump, pulling out old projects and trying new things. Last week, on my birthday, I got in the mood for some precision piecing. Rather than create any old random block I decided to add to my star collection.

Sitting in a bin was a little collection of 8 stars. I started them 7 years ago. Yup, that's how long ago. They were a Block of the Month from Planet Patchwork called Celestial Migraine. At the time I started them I did plan on keeping up - don't we always plan that with BOMs?! Then, as now, most of my sewing was improv based so taking a mental break to precision piece was nice. I also chose these soft colours and that provided a respite from the saturated colours I was using all the time too.

Well, I never downloaded all the patterns and the final quilt layout. It disappeared from the site and I could no longer find it. But, I did remember that is was a sampler of star blocks, with loads of Friendship Stars scattered among them. So last week I picked a star pattern (Pat's Star) off of Quilters' Cache to add to my collection. It was a spot of fun sewing and complemented the existing stars quite well.

I must admit, I'm kind of excited about these now. I'm going to make a few Friendship Stars and float them in background fabric. The stars I have finish at 12'' square, so I'm going to finish my Friendship Stars at 6'' square. I'd like to have all my stars float on the background a bit more so I'm going to play with layout.

(Scroll through here to see a version of the original pattern.)

Who knows how long these will stay up on my wall and when I can play again? I am quite enjoying their sunny nature and it was exciting to shop my stash for fabric additions. Another step forward in reclaiming my creativity.

Hot, Awesome Mess

Look at that quilt top, floating in a snow globe. Oh wait, that's only half the quilt. Do you know how hard it is to photograph a king size quilt top?

Yes, I made another king size quilt. I couldn't help myself. Last week I needed to flex my improv muscles. Not that I needed practice at improv. No, I needed the therapy of just sewing for the sake of sewing. Mindless, no planning play. It did wonders for my mood (and my cold). And before I knew it I had enough blocks to more than fill my design wall.

Once the blocks were up on the wall I started the puzzle piecing to get it all together. I only went by size, filling in gaps and squaring up as I went. I paid no attention to colour or direction. In fact, the only design decision I made was to make sure the feature fabric was on each corner of the finished top.

Then I made it bigger. At first, it came out to about 83'' by 103''. It seemed like such a funny size, and a few more inches meant it would cover our king size bed nicely, with extra quilt for snuggling. So I added another 11'' on one short end. It seemed totally crazy to make it even bigger, but felt right. And seeing as making this was a form of therapy it only made sense to make it the way that felt right.

This quilt began at Quilt Con last year. I was lucky enough to get a spot in Denyse Schmidt's Improv class. See more about that experience here.

About 6 months ago I made some more blocks with the scraps I had from the class and new fabrics I added at home. Then I packed them all up and they joined my WIPs. My thirty something WIPs. It was such a thrill to pull them out and put them upon the design wall. More of a thrill to get to playing again. Every night last week, after the kidlets were in bed, I entered my studio and exhaled.

Play, play, and more play. Then I totally took advantage of my time with a part time babysitter. Deadlines met for the week, I took a whole day to get the top together. Another couple of hours at night and it was done. Then another hour to add that final strip. 

Sometimes I look at the top and think it is a hot mess. And other times I get giddy with all the little bits that pop out at me. It may be a king size quilt, but there are so many tiny scraps in there. Big and small, they all play together. I do love the way it looks, but I think this quilt's value to me is definitely in the process.

Now, hopefully I can find that value when it comes to basting it.

Modern Paris

Modern Paris

72'' x 72''

Do you remember this stack of fabric? And all these scraps? Well, here is the finished quilt. A pattern published in Quilter's Connection too!

This is one of those quilts that isn't difficult, but it does take a bit of time. Loads of half square triangles and circles. I never get bored of those, even with the trimming. And all with some of my favourite low volume love. It started with the Vanity Fair fabric from Dear Stella and an orphan block from my Craftsy class. Then it all came together as a wedding present for friends of ours.

The name came courtesy of our friends, actually. They honeymooned in Paris. And they let me take these shots at their house.

This is one of those quilts that definitely whispers. The value differences in the half square triangles are quite subtle most of the time. Texture matters more than value in this case. It finishes with a very soft and scrappy look. That being said, I think this design would be incredible in high contrast. So bold, especially with the positive/negative part in the circle blocks.

To accentuate the circles I quilted it with swirls all over. And used my favourite Aurifil 2600. That grey goes with nearly everything, I use it all the time.

Thank-you to Dear Stella for providing the initial inspiration with their fabric bundle of Vanity Fair. It is quite the pretty line and it was wonderful to work with.

And congratulations to our friends, may this quilt keep you even warmer as our winter keeps on.

Friday Favourites - Inuvik Thimble

With the smell of campfire wafting through each stitch I sit and bind this vintage quilt. My thimble is made of moose hide tanned by the Inuvialuit near Inuvik. And beaded so preciously. It is my new favourite thing.

 - It is pretty and dainty and tough at the same time.

- It reminds me of the people in Inuvik, namely my students, who were awesome and listened to my enthusiasm.

- It works really, really well.

Let's bind all the quilts.

Giant Hexagons Update

In need of some mindless sewing and a real break from work - yes, even I go to quilting when I need a break from the work of quilting - I pulled out these old blocks. With a million (or 40) WIPs sitting in my sewing room it only made sense to grab one of those projects instead of starting something new. I'd always had it in my head to add a coral block to these giant hexagons so I went ahead and did it. Then I added that low volume grey, and a yellow one. 

You can see more of these in my interview with Alex Anderson.

When it came time to playing with layouts I tried something new. There is a lot of bias in these blocks and I didn't want to handle them that much. Plus, as you can see, there is also some other work on my design wall that a certain five year old is not ready to remove. Needless to say, I was quite excited to find some hexagon graph paper!

The internet is a wonderful thing. Sure you can make it yourself, but the chances are someone has probably already done it for you. That was the case when I typed in a few choice words into the search engine the other night. And up pops a PDF of graph paper that is exactly what I need. A little more digging and there are sites where you can create and print your own graph paper in many shapes and sizes. It is a quilter with a penchant for colouring's dream!

http://www.freeprintableonline.com/categories/graphs
http://www.printablepaper.net

Have fun!

Now, I'm only waiting for the rest of my perfect background fabric for these to arrive. Then I can add this to the pile of quilt tops ready for attention.

Quilting Happiness (Weekend Reads)

Isn't this the best title for a quilting book? I know it goes without saying for most of us that quilting makes us happy. But it can also frustrate, intimidate, and suffocate. Even I know that. So I'm pleased today to be sharing this book,  Quilting Happiness, written to bring even more joy to your quilting.

Christina Lane and Diane Gilleland have done a wonderful job capturing the happiness quilting brings - from the creation to the giving, from sewing something you love to sewing for others. And there are patterns.

Two things make this book stand out - Creative Exercises and Happiness Practices. These one pagers are littered throughout the book, leading the reader through some personal reflection. Asking the reader to examine their own inspiration, habits, and joy is a wonderful way to get us to stop and reflect on quilting. Sure, we all want to barrel through to the next project, the next stack of fabric, but taking a moment to pause and examine the practice of quilting for us as individuals is worth more than cutting up fabric.

Seriously, I mean that. 

I, myself, have stopped to examine my practice as instructed in the book. For instance, they describe a Morning Seeing exercise. In this you write down what the first five things are that you see every morning for a month. In doing so you can pick out the patterns, pay attention to the routines you have, and train yourself to be an observer. Me, I'm a bit of a pessimist so I always see the mess first! That means I've been tidying more before bed and it makes my morning more positive. Which makes that creative time for me more productive and peaceful.

And there are patterns in the book - large quilts, mini quilts, and small projects. The instructions are detailed and leave nothing to question as far as I can tell. Christina is a stickler for details so this is not surprising. I've made one project inspired by a quilt in the book. And that chevron pattern pictured above is next on my list.

I will say that I wish a quilt book could be written without patterns though, because I think the strength of this one in particular lies in all the non-pattern stuff included. A book focused solely on creative exercises and personal exploration for the quilter could be quite intriguing. There is a lot of that in this book and for that reason I would recommend this one, even if you never made a pattern from it.

Checkerboard Chillin'

Remember when I was setting my goals for the year? Well one of them was to finish all the quilt tops in my closet. That's a lot easier when you actually remember all the tops you have. Seems I forgot this one. Oops.

Measuring at 60'' by 60'' it isn't a huge top and I can manage to quilt this at home. I even have batting cut for it already.

This is my version of the Checkerboard quilt from Sunday Morning Quilts. When I went to make it at some point after the book came out I decided to control the colour scheme. So I raided all my turquoise, purple, grey, and white scraps. From these I cut all my 2 1/2'' squares. There may have been some stash raiding to finish up the quilt. Shh. It is smaller than that original, however. Partly because of the fabric limitations and partly because this has to join me on the road and the big quilts take up a lot more room.

Seeing as I have another trunk show in a few weeks I might be motivated to finish this up and reveal it then.

One of the things I love the most about this quilt is the way it comes together. Amanda Jean wrote the pattern so you are making it one row at a time. And you press to one side as you go. Then you just flip over every second row. Your seams nest and it comes together as a top in no time. It still works as a leaders and enders project.

Make sure to check out the book for detailed instructions, including the cutting requirements for a larger, twin sized quilt.

Pressing Issues

Some people think in the shower, others on a long walk. Some like to talk it out with a friend or partner. Some others like to turtle under and not think about things. Me? I iron.

Truth be told, I don't like to iron my clothes. My sister and I had this as one of our chores when we were growing up. My mom made us iron all the t-shirts too. Our clothes looked great, even if they smelled like smoke. Now I iron clothes only when necessary.

But pressing a quilt top or readying a back for basting is my go-to task when I have something to sort out in my brain. Whether it be bringing swirling ideas together or planning a difficult conversation, the repetitive nature of pressing, with accompanying steam facial is the means by which I can often formulate my thoughts.

I've got a lot to sort through this week, anyone want to bring some blocks over?

Cataloguing the Scraps

So I designed a quilt. It uses 36 fat quarters but there are some leftovers and scraps. Such pretty scraps. I know people hate to see waste and overly generous yardage requirements in patterns. I do too. When I made the quilt I made a point to keep and organize all the scraps. Here they are.

They could combine to do some really fun and beautiful things. Instead of using the extra blocks on the back I kept them aside and they will be used in a baby quilt. There are all those circles cut from the back of larger circles appliqués. They could be another small quilt if appliquéd on a background. Then there are strips and snippets and trimmings. The fabrics are this Vanity Fair bundle from Dear Stella plus a lot of additions from my stash. All pretty. All useful.

Oh the possibilities!

When the pattern comes out in the Spring issue of Quilter's Connection we can talk more about the scraps - how they came to be and what I may have even done with them by then.

Alturas Applique

With all due credit to Carolyn Friedlander and Sarah Fielke I must admit to a new addition: hand appliqué. Okay, so it is only in the early stages, but boy do I like it.

Yes, I have a hand quilting project on the go. And a hand piecing project (which I'm really going to wrap up as soon as I can find the first chunk of sewing I did). But over the winter break neither of these were getting me all that excited. I was looking for something to keep me busy as I kept Hubby company at the end of the day while he watched endless episodes of Top Gear and Patrick Dempsy: Le Mans.

You know my aversion to patterns, but I didn't have the brain power to be creative in this instance. Besides, I had Carolyn's appliqué patterns and they are just so cool. So I decided to keep it simple and go with the block based pattern Alturas. Fuel to the addiction for sure.

That being said, I'm not sure I have it in me to make a full size quilt of hand appliquéd blocks. Right now I am committing to nine of them and then we'll see what happens.

Never Gets Old

One would think that after writing the book and making the quilts, after all the Just One Slab blocks, after teaching the class almost a dozen times this year, that after all that I would be tired of making slabs. Nope, not at all.

Perhaps slabs are my default sewing? When in doubt make a slab!

Actually, that is a lesson I teach my students. That once you have the basic technique down it is perfect for when you just need to sew something, anything. If the fabric is there then there is no prep work needed. If you only have a few minutes you can work up a block without even thinking. If the day sucked and your brain hurts you can still sew and not stress about perfection.

Then there are the possibilities! Slabs as blocks, as fabric for making other blocks and more blocks, as background, as the whole quilt... I feel it is impossible to get burnt out on the technique or the possibilities. Maybe you are tired of seeing slabs from me? If you are, then oh well, because I will keep making them.

That mess up there in the top photo? That's what happens when a toddler who has to get into EVERYTHING finds your scrap baskets (also made from slabs) and you let him go to town because it gets you ten minutes of writing. What can I say, though, the boy has good taste. The mess sat there for a few days, taunting me with all the lovely colours. I was head down on a deadline but finally couldn't resist. I figured that if I randomly grabbed fabric and used them as leaders and enders I wasn't technically starting anything new. Whatever we have to tell ourselves.

Pink, orange, yellow, and grey. So loverly and so many possibilities.

Triangles

It took a scary day, medically speaking, to push me to finish The Evil Genius' quilt. It sat on my design wall for well over a month. Frankly, it is so pretty I was content to look at all the triangles and not sew them together. But then my girl needed a pick me up so I finished the top. 

Like her first quilt she picked all the fabrics and layout for this quilt. I will admit to spending a few days strongly suggesting that using red on those edge triangles would not make the quilt look better. I finally had to cut a few options and have her compare. This is the fabric she chose for the backing and I think it works well here (My preference was for a pale grey or white.) She definitely has a future as a quilter.

It finishes out at a twin. Because she wanted a quilt big enough for when she gets her own bed. (My girls share a bed.) With no plans to actually buy new beds that means I have tonnes of time to get it done, right?

Travelling Quilts 2, Latest Round

Despite all my deadlines and personal goals sometimes I feel the need to join a group and play. Of course, I always do it with the caveat that it is pretty much a guarantee I will be late in meeting any deadlines. It is the same with any bee, round robin, or group project. That's why I usually volunteer to be the assembler at the end. Plus, that is one of my favourite parts.

All that being said, I do enjoy the creative process and challenge of working with other people's work. Sometimes it feels like drawing bodies on heads, sometimes it is tremendously difficult. It is a push to add without detracting, to make use of seemingly disparate things. I may not be able to meet group deadlines very well, but I think I can meet this kind of challenge.

I am part of a group, modelled on the Travelling Quilts that you've likely seen out there. Some of us Canadians brought in a few American friends and we're playing. Here are a few of the quilts.

This one started with Jenn, of Pinkbrain Quilts. She made the paper pieced non-star block in the centre. Then Julie added some stellar embroidery, including the pink brain! Then off to Jacqueline. She made up a bunch of linear blocks, but didn't join them to the original.

My initial thought was more circles - shocker. Then I decided to bring in the linear aspect of Jacqueline's blocks. But those angle from the original are so intriguing. So I extended angles and joined them with the fabric and linear aspects of the additional blocks. Not an easy addition, but so much fun and I love the results. I can't wait to see what happens next! Off to Anna and Robyn next.

It's hard to figure out where to go when you start with colour blocked cathedral windows. For me, the temptation was strong to just make more and more. Can you imagine a quilt just like that? These were the beginning of Julie's quilt. Jacqueline made a whole schwack of blocks, many on the large scale like these ones. I took the combination of text inspiration and the cathedral windows and combined them for my blocks.

I used colours already in the blocks as background. The petals are simply appliquéd on. I resisted the temptation to join them into a strip because that would have finished at 72''. That's a big quilt to commit to for the folks coming next. But it would look really nice that way. Hint, hint...

Process on the Quilts in A Month of Sundays

It's another snowy morning. That means it is perfect to talk about quilts. Today to celebrate A Month of Sundays I want to share a bit about some of the quilts with you. As a blogger it is so hard not to share my work in progress when making the quilts for the book. So hard. I'm used to sharing everything from the initial inspiration to the fabric pull to the frustrations to the finished top to the end. Sharing that is part of my blogging style and I believe in the honesty of that. I did take photos along the way while making book quilts, so at least I can do it after the fact.

When I'm making quilts for publication my process is actually a bit different. If I were to go my normal way of sewing - starting without a definite plan, adapting and making changes along the way, and ending with something for the sake of it - I would have a lot of work to do reverse engineering to write a pattern. That is a recipe for disaster - for me and someone trying to make the quilt from that pattern.

Oh boy, was finding text prints at the time of doing this tough! 

Thankful for some screen prints dug up on Etsy.

Quilts destined for publication always start, for me, with the pattern. Not just a sketch, but the actual pattern. I like to draft the whole thing first. This lets me think about the best way to divvy up fabric requirements and calculate yardage as well the most efficient way to make the quilt. I consider myself the first pattern tester. As I work there is always going to be a sketchbook filled with numbers or a pad of graph paper next to me. That allows me to write down any notes or corrections as I go. A half an inch makes a difference.

From first fabric pull to second, after patter drafting, things changed a bit.

A good friend gave me advice when I was starting on the journey of this book. She told me to send out the quilts to be long armed. I'll admit, this was hard for me, but it was the best thing I could do. I was having another baby, after all. The deadlines may push forward because of the need to get the quilts to long armers, but the time saved for me was valuable. It meant a lot less stress and a lot more time with my family during the work. Not to mention the savings on my already taxed joints. So, thank-you to Angela Walters and Janet Madyski for getting me through the work.

I use a lot of binding tape in the book.

Coordinating my snacks and my quilts.

When I was looking through my photo library to pull these images I was struck by just how much the making of these quilts, these books, is intertwined in my life. On the same day I was cutting fabric there was a crew framing in the basement and I had a book launch for Sunday Morning Quilts! Same day. Other days will be pictures of my babies doing their thing - like finishing preschool - while I finish a quilt. And all while I had a newborn. So the quilts, and the book, are a true reflection of our life at a moment of time. And more than once I had to take my own advice that I was writing to slow down and sew, not just get caught up in the frenzy of making.

It is always a huge rush to get the quilts made, though. You think you have all this time but you end up doing everything at the end. Your fingers are sore from binding, your shoulders hurt, everyone in the house is cranky at the fabric everywhere... Then you send the quilts away and don't see them for months, or even a year! It kind of feels anticlimactic. Such an energy high from the moment of first sketches to the last stitch and you don't get a chance to even snuggle with the quilt. But now the quilts are home, living in rotation. Reminding me of the time spent in creation, the moments that happened then, and the concept to just chill out.

Not helping me when I needed to quilt.

So, on this Sunday filled with sunshine and a blanket of fresh snow I will do just that. Right after a birthday party and coffee date with my Hubby. But then, then I can pour some tea, wrap myself in a quilt, and attend to an afternoon of puzzles and paper crafts with my girls.

Remember, there will be giveaways at the end of this celebration. One comment on each post in the month enters you for the prizes.

Tell me, coffee or tea, or hot chocolate with marshmallows?

Some Modern Opportunities

Putting aside the use of Modern Quilting as a term to define a trend, or make something seem trendy even when it isn't really a modern quilt, there are some changes afoot in the traditional quilting world that I wanted to share with you.

Quilt Canada 2014, the big show, conference, and workshops put on by the Canadian Quilters Association added Modern to its categories for the National Juried Show. For my American friends, this is the equivalent of the show in Houston for Canadians. The CQA worked with The Modern Quilt Guild to define the category and judging criteria. Entries are open to Canadians - including Canadian citizens living elsewhere. (Oh, and I'll be teaching there for four days...)

Enter here.

Did you notice there are some pretty hefty cash prizes?

Closer to home, the Calgary Stampede's Western Showcase also added a modern category to its quilt show. The Western Showcase is quite a wonderful part of The Stampede. A little oasis of calm and creativity in the midst of the midway, rodeo, and wallet draining. And it isn't all just horses and cowboys there either.

Entries aren't open yet, but stayed tuned to the Western Showcase site, entries will open at some point in the new year.

Putting yourself out there by entering a show is a scary thing, I know that. And show quilts are not necessarily the quilts you snuggle up with on the couch. Sure, your entry may not be accepted and it is quite easy to wholeheartedly disagree with any comments from the judges. That being said, entering a show is a new experience, a challenge, and rather exciting. I urge you to consider it, put any fears aside, and jump in feet first. Don't worry, I checked the water, there are no sharks. Just a lot of black drapes and white gloves.

One Day - A Quilt

One Day

40'' x 50''

Made for Hubby's best friend's new baby boy. As soon as they announced they were expecting my Hubby informed - not asked - me that I would be making a quilt. Rather than take offence I gave myself a pat on the back that he appreciates this gift as much as a recipient. And this little quilt is now in the baby boy's hands.

The whole quilt came together quite fortuitously. I used the map fabric I had left from this quilt. The couple who are parents of this baby boy are world travellers. In my imagination I live vicariously through the adventures they've had. Hubby actually picked that fabric when I decided I would use this block as the basis of the quilt. In addition to the map fabric I used a variety of low volume prints in blue, green, yellow, gray, and orange. Some of the prints were even from the couple's wedding quilt!

The map fabric is a little odd as it isn't exactly geographically correct. This is not what Canada and the US look like! But the outside borders are there. If I cared to research things in the history books I'm sure I could find a year to associate with this geography. For now, we all get the idea.

The quilting is done with Aurifil 50W in white, as was the piecing. It is a combination of grid work and dot to dot curves around the map sections of each block. Together, it creates a wonderful texture.

This is Hubby's other contribution to the quilt. He insisted that one block with Australia be placed upside down. Sure, whatever.

Finally, when it came to selecting backing fabric Hubby stepped in. He and his best friend have always bonded over cars. And indeed, this guy works at a car dealership now. So the car print was the only choice! I guess it really is a travel themed kind of quilt.

One day the world will be his to explore.

Plus, a Quilt Top

Back when I was in Nova Scotia (oh, how it feels like it was last year, not last month) I managed to get a bit of sewing in for myself. I had such eager students that were going back to sew late into the night, after dinner. One night I decided to join them. I made great progress on these blocks while chatting about klutziness, motherhood, real estate, and more. I came home with just some final seams to sew.

I took a break from binding Just One Slab quilts and finishing a baby quilt to get this top together. And now I want to throw everything aside to finish it!

I debated a number of ideas for layout. Contemplated more blocks. Thought it should be bigger. In the end, the idea of quadrants won out. I liked the echo of the quadrants in the blocks into the quilt top as a whole. And I wanted the plus signs to really float on that pieced, scrappy background.

So much fun. All improv fun. And all that grey, such lovely grey. Mostly made from scraps. Just wait for the texture from quilting.