green is not just a colour

Aloha Kakou - a Tropical Version of Vintage Spin








Aloha Kakou 
52'' x 52''

A precious gift, finally delivered. I feel that way about so many things with this quilt and the reason behind it.



This is the baby boy of a dear friend. A woman who started out simply as a roommate in a creepy rental. That was 16 years ago and we're still friends, still laughing, still rolling our eyes at each other, still slightly wondering just how we got to where we are. Back in January baby S joined her life, our lives. Crazy munchkin.

When she was pregnant she chose to keep the baby's gender a surprise until birth. I love when people do that still, even if it does present an extra challenge to making a quilt. Then again, who says fabric has to live up to gender norms?!

My fabric selections started with some treats she brought me back from a trip to Hawaii a couple of years ago. I must admit, when she brought the fabrics I hesitated. Batiks and prints best suited to a middle aged man's Hawaiian shirt. But cut up? Perfect! I combined them with various prints and even batiks from my stash. Some of Malka Dubrawsky's original batiks, a Yoshiko Jinjenzi print, screen prints from Karen Lewis, as many organic prints as I had from Daisy Janie, Birch, and Cloud 9 (including the Lisa Congdon print for the centre squares), an old Denyse Schmidt, and quite a few more. It is an eclectic mix and totally perfect.


The pattern is Vintage Spin from Kathy Doughty of Material Obsession fame. It comes from her book, Adding Layers. It was the perfect choice to showcase the fabrics yet still benefit from the crazy combinations I put together. It does use a template to cut the fabric, and there are big scraps leftover after piecing. But I've gathered those and maybe they will turn into something else? The one change I did make was the use a square for the centre of the block, instead of a circle. A conversation with Rachel at 2nd Avenue Studio led me to try it and it works so well!


It thrills me to finally present this to my friend. I made it big enough to grow with S and for the two of them to snuggle together.

Caterpillar from Sherbet in A Month of Sundays


Caterpillar
66'' x 85''

One day my nephew will understand exactly how much I love him because I put all this Charlie Harper cardinals fabric on the back of his quilt. For now he knows that I think he is pretty awesome and funny and cute and full of spirit. And he knows I want him to be warm and snuggly and have bright things around him. All because Aunty Cheryl made him a quilt.

This isn't his first quilt from me, he did get a baby quilt when he was born. But this is his first quilt as a boy. He's nearly 4 and within second of giving it to him he was running around the house with it as a cape, wrestling with his brother on it, and has slept with it every night since. Now that is a quilt success!


This quilt started off as a class sample for teaching Sherbet (from A Month of Sundays) last year at Quilt Canada. The class was great as I walked everyone through the steps for making this quilt. It is an easy quilt to make, but it takes some time with the cutting, strip piecing, cutting again, and assembly. It is worth every bit of effort.

When I decided to appropriate my class sample for my nephew I adjusted only the size of the final borders, making it more fitting for a twin bed.

With the original made in a lovely palette of low volume fabrics with a solid Snow background this version stands in sharp contrast. I definitely turned up the volume on this one! I think it works wonderfully both ways. Just shows that the patterns in A Month of Sundays don't have to be limited to low volume fabrics.

This quilt was quilted (by me) on the APQS long arm, rented at my LQS. I used a variegated thread in reds. oranges, and yellows from Wonderfil. In the end we called the pattern a watery meander. It came together quite quickly and worked perfectly.


As I said, one day my nephew will appreciate the depth of my love through this quilt (and my actions) but right now I think I can sense his total appreciation too.

Modern Meadows Quilt


Inspiration to finished quilt. This is Mountain Meadows. Fully improvised, made with scraps from my own stash and shared by quilty friends and blog readers.

It started with a family hike. The wildflowers were in bloom all over the mountains. Little pops of colour dotting this hillsides. And so many greens. Not to mention the light and shadows dancing across the meadows. I wanted to capture the visual as much as the feeling. 

I think I did it.


Mountain Meadows
52'' x 68''

We went to Banff yesterday, a pleasant afternoon of brunch, a soak in the hot springs, and a little jaunt to take these pics. As you can see, I missed the window of opportunity for photographing this with the real inspiration. Snow has arrived!

But those grasses were still poking through the snow. And the sun played across the field. My kids threw snowballs at each other while Hubby helped me take the pics.



I quilted this one on the long arm. It isn't a big quilt but that quilting is dense. It took me nearly 5 hours straight. I wanted to mimic the movement of grasses. And here and there is a flower. Not difficult, but time consuming to execute. For thread I used Auriful 1147, a perfect olive green. It blends in parts and pops in others.

For binding I went with more green scraps. There was a moment where I thought about facing the quilt instead. I see this quilt, however, as the beginning of a series and part of me wanted it to be very, very clear that it is a quilt. So it needed a traditional binding. I did roughly match the binding with the top. If it was a dark section then there was dark binding, light got light. I didn't obsess about it perfectly matching, but made it work.


How I love a high contrast back! In this case the contrast comes thematically. This fabric is Jay McCarroll's Center City line. He was inspired by urban centres, so talk about contrast with my inspiration. But I had to have it and this quilt sat until I tracked down enough yardage. I'm thrilled with the result because of the contrast and because the quilting blends so nicely.


Remember, if you want to know more about this quilt you can listen to the Webinar I did with the Modern Quilt Guild on Improv With Intent. It's free to all Modern Quilt Guild Members.

In the Webinar I discuss the process of making the quilt - from inspiration to the final top. It isn't as straightforward as one might think. If you are a Modern Quilt Guild Member you can access the Webinar for free now, even if you didn't join me last week. To access it make sure you log in and join the Community site. Then click under Resources and there it is. Not only do you get to see more images and learn about my process, you get to hear my awesome Canadian accent.

Cirrus Solids at Play


It is a very good day when new fabric arrives. It is especially good when that fabric is the new organic solid range from Cloud 9 Fabrics.

When Cloud 9 contacted me and asked me if I wanted a bundle to play with I totally hesitated. With so many quilts under construction I didn't exactly need more fabric, nor the obligation to make something. But I was intensely curious and I've always been quite impressed with Cloud 9's fabrics. At worst, I thought, I can add them to my Solid Sunday Morning.

Then the fabrics arrived. What glorious colours. Some great greys and neutrals and those deep blues and turquoises. I was smitten. And I had an idea percolating in my head after teaching a Values class in September. The only thing that stopped me from cutting into them right away was my trip to Alabama.


As soon as I could, though, I started sorting piles. Lights and darks, darks and lights, darks and lights and medium. I used the black and white feature on the camera to really get a good handle on the distinctions. My plan was based on the Pinwheel quilt from A Month of Sundays, with a twist. Value distinctions were going to be very important. Instead of the big swath of white triangles as in the original, I wanted more pieced HSTs. But if those didn't look different than the pinwheel section the design would be lost.



In the end, I made all my half square triangle blocks based on the piles above. Just random HSTs. Some with light/dark, most with dark/dark. I grabbed whatever came next and didn't worry at all about the combinations other than my values.

And, it didn't work. There were just too many medium values muddying things up. If I had kept them out it might have worked. The quilt would have been small in that case and that's just not how I work. I'm going to keep the concept out there and maybe play with it again at some point over the winter.

For now, however, it is still fall. A glorious fall. And in the last few days I played with all my HST blocks made for the original idea. The pinwheel concept stayed, but it looks radically different. I shared a few layout options via Instagram and received some great feedback. My initial pinwheels were the typical four patch pinwheel block, but that smart lady Victoria Gertenbach suggested some scale changes. I tried it and it was perfect. Thanks Victoria!




The Cirrus Solids were great to work with. They frayed no more than any other solid, which was nice. The hand on them is amazing! So soft cut right from the bolt. This quilt is going to be a dream to cuddle with when it is all done.

Right now Cirrus Solids are available in these 21 colours. All are cross-weaves, which means it is two different colour threads that make up the fabric. But they aren't obvious cross weaves like the kinds where two very different colours are used. Subtle, but the texture of a cross weave is definitely there.

I do not know what Cloud 9's plans are for these, but I hope they take off at Quilt Market so that more colours arrive. Personally, I would love to see oranges, more lemony/buttery yellows, and grassy/minty greens. Solids aren't generally my thing, but I can definitely see these becoming a go-to source for me.


Beach Days in Fabric


What a sunny, summery pile of fabric. Perfect as fall is in its peak of colours and winter is probably only a few weeks away. Yes, I am pretending I'm in Australia.

What started as a need to create some samples for a class I'm teaching on my Beach Grass quilt has turned into this. This colour combo has been on my brain for a long time. I thought it was because I saw a few colour pins on Pinterest. That certainly was what got me pulling fabric the other day. That's how that stack above came to be.

I always start this way when colour of fabric is the initial inspiration - just a big, big pile of fabric. I have no idea if I have enough that I might need, or if all of these fabrics will stay. But it is all about that initial burst and frenzied search through the stash. I just need to get it all out, then I can stop and regroup.


Once the initial grab is done I take a breath, often sleep on it, then see what I have and don't have. Is there more structure to be found, some order, a running theme in the fabric I chose? At this point I might also look at my pattern, sketch, or examine my influence to see if I think the fabric will well and truly capture it. (Sometimes I start over at this point.)

With this quilt I decided I wanted to make some value distinctions within the colours. So I started sorting my colours by value, to see how much range I had. I don't want huge value jumps, but I did want some distinctions.

As I did this I also thought this pile looked awfully familiar. So I went into the reserves - the stacks of fabric I made and set aside for a specific quilt. And sometimes those piles sit for a very, very long time. That doesn't mean they are forgotten or abandoned. They are just 'in waiting'. And one of my favourite fabric lines of recent years was waiting for the right project. Turns out, this was it.

Sympatico is now being cut and used and I couldn't be happier. It is a gorgeous organic fabric. And the colours in the line - save for the peach - are exactly what I picked out in my initial fabric pull. Serendipity.


I'm quite excited now to see if what I had in my brain for this version of the quilt comes out. It is such a simple design and easy construction that I hope my fabric selection turns it on its head, just a little.


Sign up for the two day class at My Sewing Room. October 14 and 21, 10-4.

Mountain Meadows Quilt Top


This is Mountain Meadows. A loverly quilt top finally finished. I had to go in the Way, Way Back machine to figure out when I started it. My initial sketch and images were made 3 years ago. And I collected the fabric over 2 years ago to make a few blocks. Then it sat and sat and sat. We had the great fortune of a handful of mountain trips this spring and summer and the original inspiration of the mountain meadows was on my mind.

When The Modern Quilt Guild asked me to do a Webinar this quilt popped into my head. Pulling it out and working on it helped me formulate the presentation: Improv With Intention. So I worked hard to get it done in time for the Webinar. It was well worth the effort.

(It measures roughly 55'' x 75''.)


These were my original inspiration images. Hikes in the mountains on sunny days. Meadows filled with small, colourful flowers. Expanses of grass and weeds and plants in varying shades of green. Vistas so beautiful but little tiny bits of life stealing attention. Just how to capture that in a quilt?

In the Webinar I discuss the process of making the quilt - from inspiration to the final top. It isn't as straightforward as one might think. If you are a Modern Quilt Guild Member you can access the Webinar for free now, even if you didn't join me last week. To access it make sure you log in and join the Community site. Then click under Resources and there it is. Not only do you get to see more images and learn about my process, you get to hear my awesome Canadian accent.


It was actually quite appropriate that this quilt was revealed through The Modern Quilt Guild. All of the green fabric in this quilt was generously given to me by quilters, readers of this blog. I knew I wanted green solid scraps and I had absolutely no green solids. To buy them all would have been impossible. So, thanks to the internet I just asked if anyone was willing to share, and boy did you! Packages arrived for weeks and I had a lot of fun sorting through and organizing by value. Some of you sent pieces larger than 1/2 yard cuts! It was so generous and shows exactly how the spirit and kindness of quilters, not to mention the creativity, is fuelled on line. Exactly what comes to mind, for me, when I think of the Modern Quilt Guild.

Thank you to everyone who contributed. I truly appreciate it.

Friday Favourites - Scrappy Fabric Rug


It's awesome when friends just get you. They know what you need, when you need it, or anticipate the joy they can give you. After the last few weeks it was so perfect to have this awesome rug arrive in the mail.

Amanda Jean made it for me. She is such a generous person and I'm really quite lucky to consider her a friend. Now, she may have finally got tired of me talking about how much I wanted one of her scrap rugs. Or maybe each of her showers had their own already? I'm going to go with she was just being her awesome self. It was quite a surprising birthday present.


Right now I'm not sure where to put it. I actually just did some spring cleaning and rearranging in my living/dining room. So it sits in the now dining room, hosting an up cycled table. It sits, rather like its own piece of art, in front of the picture window. Seems like a pretty good spot for now. That way I get to see it every day and think of my dear friend.


Now, I am no expert in knitting or crochet. That means I don't know exactly which technique she used to make this one (I think it is crochet?). But she has provided tutorials for both crochet and knitting one of these rugs. What an amazing use of scraps!

One Day - A Quilt


One Day
40'' x 50''

Made for Hubby's best friend's new baby boy. As soon as they announced they were expecting my Hubby informed - not asked - me that I would be making a quilt. Rather than take offence I gave myself a pat on the back that he appreciates this gift as much as a recipient. And this little quilt is now in the baby boy's hands.


The whole quilt came together quite fortuitously. I used the map fabric I had left from this quilt. The couple who are parents of this baby boy are world travellers. In my imagination I live vicariously through the adventures they've had. Hubby actually picked that fabric when I decided I would use this block as the basis of the quilt. In addition to the map fabric I used a variety of low volume prints in blue, green, yellow, gray, and orange. Some of the prints were even from the couple's wedding quilt!


The map fabric is a little odd as it isn't exactly geographically correct. This is not what Canada and the US look like! But the outside borders are there. If I cared to research things in the history books I'm sure I could find a year to associate with this geography. For now, we all get the idea.

The quilting is done with Aurifil 50W in white, as was the piecing. It is a combination of grid work and dot to dot curves around the map sections of each block. Together, it creates a wonderful texture.


This is Hubby's other contribution to the quilt. He insisted that one block with Australia be placed upside down. Sure, whatever.


Finally, when it came to selecting backing fabric Hubby stepped in. He and his best friend have always bonded over cars. And indeed, this guy works at a car dealership now. So the car print was the only choice! I guess it really is a travel themed kind of quilt.

One day the world will be his to explore.

For One Day


Selvages.

Because I use a lot of fabric, I seem to hoard a lot of fabric, I have a lot of selvages. A few years ago I started saving them (instead of... GASP! throwing them away). They filled my giant jar slowly and steadily. Then they ended up all over my basement as the kids got their hands in the jars. Recently I cleaned up my jars - strings were donated for charity quilts, snippets got sewn together a bit, and the selvages were sent away.

You see, I may keep the selvages. I may admire the selvage quilts you find, but I have no real interest in making one. I've got enough want-to-dos on my list that a selvage quilt will never find its way to the top of the list. So I packed them up and sent them off to quilty friends who would make very good use of them.

It is easy to get caught up in making every single cool idea you see. So easy to think you need to keep everything for one day. I just saved my stuff for someone else's one day.


And now my jar is empty, all ready to be filled as I play with fabric again.


Quilting Pieces Mystery Box


Our beloved neighbours are moving this week. They welcomed us when we moved here nearly 10 years ago, treated us like their own children, and embraced our kidlets like another set of grandkids. We've shared many a bottle of wine and Sunday dinner. I've taken care of their cat, and I hate cats. But we would do anything for them. So when he showed up with this random box on the weekend I couldn't help but say yes when the last thing I need is any more stuff in my house. Besides, the less they move the better. I'm a good neighbour until the end.

This is one of those boxes that makes you excited and afraid at the same time. You can see why...


What a treat to dive into this box! Patterns, notions, fabric, and so much more. A bit of history of someone who sewed in their family. And a bit of sewing history.


Loads of fabric scraps! My guess is that the fabrics range from the 30s-60s. Not sure of the fibre content of much of it, but some pretty sweet fabric. There is a lot more than what you see here.


A few sewing patterns. This horribly offensive one too. Interestingly, I think there is a nearly finished version of this skirt in the box (just missing the waistband) and it is gorgeous. Actually, there are a few nearly finished articles of clothing. And clearly they were made by someone with the tiniest waist ever.  I doubt I would get anything over one of my thighs! But, oh, the fabric.


A quick glance at this makes me laugh because it encompasses a lot of what a produced, slick book includes these days. Only 10 cents! I'll be keeping this one for reference for sure.


Vintage zippers anyone? If only I knew how to sew in a zipper. There were these and so many more trims and notions. Fun little bits and bobs for clothing. And they are sitting on this funky yarn pillow. Sadly, it has seen better days, but still pretty cool.


Then there was this! Roughly twin sized and made quite nicely. Full of fabrics that make me drool and get excited. I plan to finish up this into a lovely quilt. Seeing as the box came from a family member - they think a great aunt - I think this should go back to the family. My neighbours' daughter and husband like it so hopefully it will make it's way back to them by Christmas. What a find, and a what a treat to explore someone else's bit of history. Quilting Pieces indeed.

New Leaf Block and Blog Hop


Welcome to my stop on the New Leaf Blog Hop. What is New Leaf, you ask? This is the fantastic new line from Jan DiCintio at Daisy Janie. Bright, warm, saturated colours printed on 100% certified GOTS Organic certified fabric. All gorgeous.

I've been blown away by Jan and the rest of the organic fabric designers. Not only are they committed to sourcing and then supplying us quilters and sewists with a product that is more sustainable, they are showcasing beautiful fabric. It is rather like the organic food movement - it isn't just about hemp hearts and granola, but now a colourful array of vegetables and fruits that are readily available.

My previous professional life was focused on environmental issues, climate change and energy efficiency specifically. That background is a part of me and the lessons learned then do translate to what I do now. One of those ways is with the choice for organic fabric. Do I exclusively buy organic fabric? Not yet, but I've been blown away by the designs coming from the organic manufacturers so that day may not be far off.

I believe that every time you make the committed choice for certified organic you are doing a good thing. For the manufacturer, for yourself, for the people working with the fabric, for the recipient of the quilt. It may not be every time you buy fabric, but all movements start with one step. Besides, the fabric is gorgeous!


For this block Jan asked us to be inspired by the concept of Renewal, of Turning Over a New Leaf. Here are my back of the envelope sketches. Like many others on the blog hop, I really wanted to showcase that one large scale print. I had an image of the world unfurling in my head, writ more graphic.


So, I fussy cut from both the large-scale prints and cut the rest into strips. I also made myself the oh-so-fancy paper templates. First I measured how large the center square needed to be, based on the fabric itself. Then I drew the corner templates to get up to a finished size of 12'' by 12''. 

At this point I could have done this by paper piecing, or using a muslin foundation. Both would work quite well. I chose to minimize the amount of materials used and stuck with sewing then trimming to my scrap paper template.




Four corner blocks and a fussy cut center ready to go. Yes, there are Y-seams ahead.


I sewed each side to the center square, making sure to mark and stop at the 1/4'' mark. Then I removed the block from the machine and rejigged the block to sew the short seam from the center out. Scary, on paper, but not that difficult if you slow down.


You can see the finished block is a combination of improv with the random strip piecing and precision with that inset block. The fabric soft and no different to work with than the quilting cottons you may be used to. I do hope it works well with the rest of the blocks Jan receives.


Speaking of the other blocks, this is a blog hop, so make sure you check out all the other stops. So many great ideas for showcasing this gorgeous fabric.

New Leaf Bee Block Blog Hop Schedule

Mon, 1/14 - Becky Moyer, My Fabric Obsession
Tues, 1/15 - Lynn Harris, The Little Red Hen
Wed, 1/16 - Candy Glendening, Candied Fabrics
Thurs, 1/17 - Holly DeGroot, Bijou Lovely
Fri, 1/18 - Melanie Thornton, Melanie Dramatic

Mon, 1/21 - Emily Cier, Carolina Patchworks
Tues, 1/22 - Rachael Gander, Imagine Gnats
Wed, 1/23 - Maureen Cracknell, Maureen Cracknell Handmade
Thurs, 1/24 - Leanne, She Can Quilt
Fri, 1/25 - Cindy Wiens, Live a Colorful Life

Mon 1/28 - Cheryl Arkison, Dining Room Empire
Tues, 1/29 - Jacquie Gering, Tallgrass Prairie Studio
Wed, 1/30 - Shanna Bailey, Fiber of All Sorts
Thurs, 1/31 - Katy Jones, Monkey Do

At each stop on the tour there is a secret letter. Gather all your secret letters For a chance to win a Fat Quarter bundle of New Leaf.

The secret letter today is O.

Visit all the stops on the blog hop, gather the letters, then unscramble the letters to make a word that relates to the inspirational theme of the tour. Email your answer to info {at} daisyjanie {dot} com  for a chance to win.

Thanks for coming by. I do hope you will be inspired.

Pretty Things Too

Yes, Market is all about work, but there are pretty things too. You didn't think I'd not post some of my favourites, did you?

The Rise of Organics


Daisy Janie, Cloud 9, Birch, and some of the major manufacturers, including a line by Betz White with Robert Kaufman are all producing organics. The lines are varied, the colours have a great range and with the solids from Kaufman and the stripes and dots from Birch it is pretty much impossible not to build a solid stash now of just organics. And after seeing the video from Jan during her schoolhouse it makes me want to seek these out even more.

Favourite Fabrics


In two totally different corners I've got my four favourite lines that I saw there. Marcia Derse and Malka Dubrowsky have these intense, rich commercial prints based off of their own hand-dye and batiks. On their own or playing together these are exciting. Very exciting.



In the other corner is Echo by Lotta Jansdotter and Summersville by Lucie Summers. Graphic but soft, quietly bold. I'm in love with both of them (designers and fabric). And Lucie is very lucky I didn't steal one of her mugs. Thankfully I made it out of Market with a bundle of Echo to keep me going.


Somewhere in the middle is Ty Pennington's new line. To be honest, it seems like his fabric doesn't get a lot of attention. He does. But I do like his fabric. I've used a few prints from the first line and I can definitely see myself using some from this one too. And when I stopped in his booth he seemed quite thrilled that I wanted to talk about the fabric and not snap a picture with him. He's quite enthusiastic.

Speaking of Men

It would have been obvious to take photos of the men at Market, but let me tell you, they are there. A lot of the booths are staffed by men and there are definitely a lot of buyers on the floor. This was my first big surprise of Market, the men. Then there are the designers and sherpas that are there. Ty, David Butler, Mark Cesarik (all were conveniently located within steps of each other) showcased very different but equally engaging lines.

And Patterns

There are patterns all over the place at Market. With the quilt stores seeking out the interesting, the pretty, and the sellable, the pattern booths are packed and filled with pretty things. All to different tastes. I neglected to take a picture of her work or booth, but my absolute favourite was Carolyn Friedlander. A former architect turned designer. Her patterns are intense, graphic, and so beautiful. It's almost enough to make this improv girl seek them out. You definitely should.

Finally

Houston itself, while monstrous, is a pretty city. I may have been blinded by weather that made me feel like summer when it was snowing back home. Or it might have been the colour, lights, and personalities of Market. But Houston's downtown was dynamic and captivating. I got a walk or two in. I can see why Cherri House loves her town so much.


Kinda Herringbone



Kinda Herringbone
60'' by 80''

This is my latest finish, my Shades of Grey quilt. And guess what? I'm offering it as a pattern for sale! You can get it at my new Etsy shop.


If you've been reading here for any length of time you know that I will always encourage other quilters to do their own thing. To take an idea, inspiration, or even a pattern and make it their own. This pattern is written that way. It provides the technique and the basics to make a quilt like this, but I also provide tips on making your own size, your own colour, and even with variations in design. Of course, that's not to say you won't make it a way I haven't even thought of! Or that you don't love it as is and want to make it exactly like this quilt.

This quilt and pattern wouldn't exist with the support, inspiration, and work of Jan DeCinto, the force behind Daisy Janie. The design itself was inspired by one of the fabrics in her Shades of Grey line and she helped me tremendously in getting the pattern itself together. To pick up her fabric check out her list of retailers.


A few more details on this particular quilt:

- The top is entirely made from Shades of Grey organic fabrics.
- I used a bamboo batting to try something different.
- The back is made up of wide strips of Kaffe Fassett shot cottons. I chose those intentionally to have a lighter material on the back. With a foundation fabric in the top I wanted to lighten up the quilt overall.
- It is quilted with an organic thread.
- Pieced binding with Kona organic solids.


Thank-you, readers, for continuing to inspire and push me to be a little bit more than I was yesterday.

Crazy Busy


This is a post of random notes.

Thank-you so much for the support for Quilts Recover. I'm seeing posts go up around the blogosphere by friends. Emails are coming in already. If there wasn't this rotating postal strike some quilts might even be on their way already!

There've been a number of suggestions for Quilts Recover. Different chapters, financial donations, and offers of quilting tops sent from far away. I promise you that I'm sorting through all the ideas and figuring out ways to maximize quilts and quilters' generosity. You folks are just awesome.

There wasn't a lot of quilting done in the last week. I was up to my eyeballs in writing deadlines. In one day I interviewed Jennifer Paganelli (Oh, she is so awesome!) and a handful of goat farmers (also awesome). In between butt wiping and baking muffins for preschool. Now that's the life!

Lastly, I'm getting the binding on the Shades of Grey quilt. That's today's task, along with prepping for The Monster's 5th birthday party tomorrow.

Then, on Thursday, I'm having knee surgery. Finally. Just one of my knees, but they will check out the other while I'm down for the count. Needless to say, there won't be a lot of quilty action, aside from handstitching that binding, for the next week or so.

On that note, time to get prepping!

Thread Choices

It's down to the quilting on that Shades of Grey Herringbone piece. The first decision is always which thread to use.

I actually starting threading my machine with the normal grey thread I use for piecing. It seemed kind of obvious to use it. It would blend in and carry on the grey theme.

Then I thought about my binding. I'm thinking of going with a turquoise, so I wanted to see if turquoise thread would work. It surely pops! The colour would be great and it would work great with the binding and the back. But I've also got turquoise on the back (shot cottons) and I didn't want to have just one section on the back where the quilting blended in.

Going back and forth between the grey and the turquoise I was torn. The turquoise looks really good on the front, but the grey seemed more in line with the Shades of Grey fabric. Then I remembered that I have a cone of nearly white organic thread. When I put it next to the others I realized that it was the perfect choice. It pops on the back, it reads practically the same as the grey on the front, and it is an organic choice.


This quilt isn't all organic - the muslin foundation isn't organic, the back is a mix of conventional shot cottons, and I tried out a bamboo batting. But I am definitely influenced by Jan's commitment to organics and wanted to push it as much as I could. The organic thread will be a great finish.

Almost Herringbone



There is cutting and sewing and pressing going on! Check out what those strips of Shades of Grey are turning into.

I was completely influenced by the fabric itself. Jan's bold graphics are so inspiring to me. Such a great change from florals these days. The one Ragg Tagg print fit perfectly into a concept I'd been exploring. So I essentially have taken that one fabric and made it large-scale for the quilt pattern itself. It was so easy to do and I love the effect.


And check out how well it all works with our patio chairs.

Depending on how my evenings go I should be able to share the finished project in a week or so.

Please stay tuned for another project I'm launching next week. This one's a biggie!

More Grey



It might seem appropriate that I'm working with grey fabric these days, but I assure you that these Shades of Grey fabric are far from dreary and dull. Clear tones, loads of white, and some amazing graphics on the latest line from Jan at Daisy Janie. This line is also printed on certified organic cotton.

Jan sent me some of this new yardage a few months back. Unfortunately, I wasn't able to get to it until very recently. Now I have an exciting project underway using these great prints. For now, I've cut strips. And I'm drooling over this particular print and it just might have inspired the design of this quilt, much like the Ogee fabric from Geo Grand inspired my Ornamental Organic quilt.


As usual, I'll keep you posted on my progress.

If you are interested in Shades of Grey, I've seen them available for purchase so far at Fat Quarter Shop, Wondrous Wovens, Sew Mama Sew, and Marmalade Fabrics.

Sneak Peak


I know I go on and on about process and even criticize folks who wait for finished projects for a reveal.  But I can't help myself on this one.  I am so excited by it.  It deserves a proper unveiling when the time is right.

This is a tiny sneak peak of my all organic quilt, showcasing the Geo Grand fabric by Daisy Janie. I was completely inspired by the fabric when it came to the design.  But the full effect isn't there yet, that's why I want to wait to reveal it.

To complement the Geo Grand I picked up some Robert Kaufman Organic solids from Pink Chalk. And I picked up some yardage of Geo Grand and organic thread from Plum Project. (Thanks Holly, for that recommendation!)

Yesterday I cut and finished the top.  This whole being home thing is kind of nice when the creative juices hit! Of course, there was little in the way of home maintenance done yesterday and I stayed up way too late to finish. I'm paying for that today. But nothing that tea in a Bunnykins mug can't mend.

Prepare yourself, I'm contemplating making a quilt from a single fabric line.

Shocked, aren't you?

You see, I won this gorgeous Daisy Jane organic fabric from the Blogger's Quilt Festival. And when it arrived I got to thinking about making a solely organic piece. I know I could mix in some other lines, or at least some solids. It would be a bit of a statement, and somehow it seems wrong to mix it with the conventional stuff.

Kind of like getting organic, local strawberries and making shortcake with Bisquick mix.

Belated Easter Treats



How very Martha of me. Not that I dyed Easter eggs using cabbage, beets, onions, and turmeric. Not that I also decided to dye some fabric. But the colours are all Martha. And if you look around this site for about five minutes you'll see that I don't generally work in softer colours. Like I always say, it's good to change things up a little.

We dyed eggs with friends on Friday. I was totally enamoured with the colours, and very surprised from that orange from just a few onion skins. So I left all the eggs with our friends, but took home the rest of the dye juices. We dyed a few more eggs but that liquid colour looked too good to throw away. I already had all my scraps out so I grabbed some pieces of white on white and threw them in the bowls. The orange is from onion skins, the yellow from turmeric, and the purple measuring cup contains the liquid from boiled red cabbage.

This is the fabric as it came out of that red cabbage juice. Such a lovely purple. It clearly turned the eggs blue, so this was a bit of a shock. But a good rinse in cold water and some air time to dry and the fabric all turned the same soft blue/grey as the eggs. Perhaps a little less blue.

These are the turmeric stained fabrics right out of the dye water. So yellow! And even though I rinsed and rinsed they stained quite bright. And point of fact: turmeric dyed fabric will smell like turmeric long after it is rinsed and dried.

Look at my strips drying so nicely together!

And here are the eggs and their associated fabrics. In truth, they may be Martha colours, but they really are softer versions of the colours already in our house, namely turquoise and orange.

So I took all the scraps, trimmed them into strips, and started sewing. I went for the silly a little, in making an egg shaped placemat. This was easy to do. I simply created an egg shape out of paper so I had something to compare to as I sewed. You could also use it as a paper pieced project. Then I sewed the strips together. Once I knew I had my desired size I trimmed the top, cut out backing and batting and sewed it all together with right sides together.

Full disclosure, I screwed up twice when sewing it together. That's what I get for rushing to get it done during naptime. But I got myself sorted out and finished it off after turning it all right sides out and sewing that last seam around the edge.

There is a peak of the backing fabric. I put on something bright and fun so that if/when the top gets wrecked/runs I can use the other side for springtime. And there is my Smilosaurus checking it all out.