teaching

Inuvik Trip Part 1


A week ago I was driving the ice road from Inuvik to Tuktoyaktuk. A week before that I was snorkelling in the Caribbean. And this morning I'm sipping tea in slippers and listening to Motown. Have I mentioned before that I love my life?!

One of the things I absolutely love about my life is the chance to teach quilting (and travel to do it). Being in a classroom full of people who absolutely want to be there, whether they are there for a new experience or just a weekend off, is an energy boost for me. You can't help but ride their enthusiasm. And my weekend with the guild in Inuvik was unlike any other.

There is just so much to share about my trip to Inuvik that I have to break it down into two posts. It was such a phenomenal experience. Up first, the class.



Seeing as Inuvik is located in the far North, we chose to run a Scrap Management workshop. They have to pay a lot to bring in supplies, so I thought it best to get people excited about scraps. And get excited they did! As did I. The days would start at the sun was coming into the sky, peering over the irons as we set up in the morning.

Like most scrap classes I run many people at first think they don't have much that's useful. But after we sort then run through the slab technique eyes are opened. The potential can't be hidden anymore. Some people brought scraps they inherited from mothers and friends. Some seriously cool scraps there. One lady brought scraps an Inuit maker gave her last year at the Great Northern Arts Festival. And like everyone does, it was fun to see the history of their quilting careers, family, and guild projects through the scraps.





One of the great things about teaching with a guild is that most people know each other well. So there is an instant camaraderie. For the teacher it can feel like you are the outsider, but definitely not with this group! They instantly welcomed me in, sharing gossip and stories, and taking me under their wing for northern adventures. You know they are a cohesive group when three of them bring the same kind of muffins for us one day.

During this two day workshop we explored scraps - sorting, remembering, making slabs and storage boxes, and working on individual projects. Some people choose projects from Sunday Morning Quilts, some take off in their own direction. The important part is that they be excited by what they are working on. I'm just there to guide the process, teach some technique, and troubleshoot, if necessary.








I had one of the best moments ever in my career as a teacher there too. Two of my students were art therapists. They work in the elementary schools - for the kids and the teachers. They have a tough job, seeing the best and worst of these isolated communities. Communities that have most definitely seen the worst of times beyond the weather - addiction, residential schools, relocations, abuse. Coming to guild, for these women, is a break for them, a chance to recharge and put work behind them. Well, on the second day one woman pulled me aside and thanked me for her own creative breakthrough. She was sewing more than she ever does in guild and was recharged personally. Usually I am pretty happy if people have fun and are inspired to sew more once the class is over, but to hear that, from an art therapist no less, was inspiring to me.





Not to mention this beading. Oh, the beading... (This one wasn't by a student, but a woman dropped by to share it.)

Thank you to the NWT Arts Council for the funding to bring me to Inuvik.

There Was Sewing


While I was away I spent 4 days at the Pictou Lodge with the Mayflowers Quilter Retreat. Three straight days of sewing in log cabins! All meals made for us, cozy cabins with ocean views, and an amazing group of women.

I taught my Improvisational Piecing class. With a three days in front of us we were able to spend a day on techniques and exercises, then each student got the chance to run with it. Everyone started with an idea and some fabric then went to play. And play they did! Seventeen students and seventeen different projects. I love them all!

Thank you so much to all my students and the Mayflower ladies for a great time. I am totally inspired by you all.


















And way up at the top there? That great lady was making her first quilt for herself after fifteen years of quilting. The pink and purple blocks are hers. Can't wait to see how it all comes together.

Oh Canada Pattern Release


Here it is folks: The Oh Canada! Pattern.


Designed in perfect proportions to the original flag, Oh, Canada! pays patchwork homage to this symbol of Canadian spirit and drive. Make one block or make a dozen. Piece the fabric together from scraps to echo the diverse nature of Canada, or make it solid to showcase the fabric. 


Available as a download (Thank-you Etsy for making this an automatic feature now) and a printed option. Also available for wholesale orders if you are a quilt or sewing shop. Email me for those details.

I'm so excited to share this incredible quilt with you. I'm looking forward to seeing your own versions because no two scrap quilts are the same!

Thank-you so much to Jessica at Blue Jay Graphic Design for her work in making this come together.

PS Just a reminder that I am teaching this block as a class on Thursday, June 20 at Traditional Pastimes here in Calgary.

Circles Inside a Pieced Background


More circles going on here. Shocker!

Someone in my Craftsy class asked about doing inset circles inside pieced backgrounds. I promised to try and let them know how it worked. What a fun experiment! I took leftover blocks from the Denyse Schmidt class at QuiltCon. No one claimed these early improv efforts and I couldn't let them go to waste. I took them with no plan and here they are.

As you can see, the blocks were not the same size. I created a random circle template and used it on both blocks. So the circle is the same size, but that's it. I'll likely trim things down and sew the blocks together. After I make more, of course.

And, for the record, it totally works to use a pieced block as the background. 

Teaching at The Workroom


It's been a week since I was in this lovely space known as The Workroom. What a delightfully different  quilt store! For one, it is not located in a strip mall or out in the boonies. No, it is on an urban street filled with hipsters and streetcars and bums and roti and taco shops. And it is filled with light. Oh, the light! I imagine those same windows make it stifling in the Toronto summers, but right now it was dreamy.

Then again, it might be dreamy no matter what. Karyn, the owner, and her employees are soft spoken and kind. They radiate a quiet energy that makes you smile. It was just so peaceful to be there, in addition to a lot of fun.

Besides, what's not to love about a store dog in a quilt shop? Okay, I'm biased on this one - Maisy kind of reminded me of our old girl that we lost at New Year's - but she was wonderful company. (And no, there wasn't dog hair all over the fabric.)


While I was at The Workroom I taught two classes - The Quilted Storage Box from Sunday Morning Quilts and my Values class. If you don't count my mistake (I was going on less than 4 hours of sleep) on the storage box instructions it was perfect. Everyone finished (thank-you to Quilt Sunday folks for your few minutes of patience). And we had such a range of awesome boxes.



One of the things I really liked about teaching at The Workroom - aside from the very dedicated students  - was the space. The tables for students are on one side of the store, with the fabric on the other side. And a giant table in between. It was so nice not to be in a classroom shoved in the back or the basement. Being right there allowed us to take advantage of the light. Have I mentioned the light already? But it also allowed us to be in the thick of things. If someone came in looking for some fabric they saw us and could ask questions. I know some teachers who would hate that, but I loved showing off the students' work to anyone who asked.

The Workroom is also a sewing lounge. You can come in and work on your projects, take advantage of  their walking feet or Berninas, and enjoy a cup of tea. Sometimes it would be so nice to just get out of the house and sew. I would take the interruptions of a curious shopper over a toddler most days.




Thank-you so much for having me, Karyn! I hope to come back again soon.

Superior Quilt Show



I'm not sure how many people go to Thunder Bay and say they had an awesome time (unless you are from a town in Northern Ontario and Thunder Bay counts as the big city) but I am officially one of them.

Last weekend I spent three days in Thunder Bay. Three very intense and fun days. I met some wonderful people who were incredibly generous of their time and spirit. I taught such an eager group of students that I was jazzed at the end of each day when they were tuckered out. And they all learned to embrace their scraps. I laughed in front of a crowd of over 100 as I told my stories and shared my quilts. I eagerly walked the show floor (and spent money) to take in the full range of quilts from thread painting to modern and everything in between.










(Made and quilted by Wendy Currie)

I walked on the waterfront of a still iced over Lake Superior (at least by the shore) and took pictures of the most awesome public sculptures ever. I drank beer with an air traffic controller/quilter. And all while keeping company with a carousel horse.










Thank-you very much to the Thunder Bay Quilt Guild for bringing me to your city, your show. it was wonderful.

Announcing My Craftsy Class - Inset and Applique Circles by Machine

Do you remember my necklace inspired quilt? It is now finished and I can share it with you. I can also share with you the rather exciting reason I was making the quilt. 

I am thrilled to announce that I am now a Craftsy instructor! Have you heard about Craftsy? The fastest growing craft community on-line is full of courses from top instructors on everything from cake decorating to knitting, from costumes to quilting. My class - Inset and Applique Circles by Machine - is now available. Sign up now with a 25% discount!

The Craftsy platform is quite cool. Once you purchase the class it is available to you at any time forever. The HD video quality is great. They've filmed so many close-ups so you don't miss a thing. And you can take the classes from the comfort of your home - no lugging a machine across town or missing out because you can't find a local store or babysitter.

One of the best parts about a Craftsy class is the interactive forum. You can ask instructors questions, participate in class discussions with other students, and share your projects. I will be there the whole time, encouraging and helping you along the way. Stuck on a particular technique? You can ask for help and share the problem and we'll make sure you get it sorted.

And that necklace inspired quilt? It is a free pattern that comes with the class! Incorporating all the techniques learned in the class you can make this bold sampler. I've made it here with prints in colours pulled from the necklace itself and a mix of text prints for the background.

I do hope you'll join me over at Craftsy!







Austin Circle Sampler
76' by 96''

Quilted by Andrea Harris from Urban Quiltworks

I've got more that I want to share about my Craftsy experience. Look for that in the coming weeks. It has been an incredible experience so far. Now that the class  - Inset and Applique Circles by Machine - is available I'm looking forward to seeing circles pop up everywhere!

Inset & Applique Circles by Machine

Improv and Intentions


One of the workshops at QuiltCon I was lucky to get into was Denyse Schmidt's Improv workshop. It was a hot commodity and I had just the right timing when doing my registration. To be honest, I took it out of curiosity more than anything. I'm quite comfortable with improv work, even teaching it myself! But I wanted to see how Denyse taught it and see how people responded.

Frankly, I really enjoyed the class. It may have been the opportunity of just free sewing/playtime after weeks of prep for my own classes at QuiltCon. But it was also a great environment. The other students ranged from improv virgins to the old hats at the technique like me. Denyse is a good teacher, clear on the approach, and extremely encouraging. For the students who'd never done improv it was a challenge at the beginning but they all seemed to really embrace things at the end.

Denyse's technique involves true randomness. Three bags of fabric bits in different sizes. Close your eyes and reach in! At home I do almost the same thing, but I keep my eyes open. Denyse's goal is to get the students to see the beauty in the randomness; beauty in seemingly clashing bits of fabric and blocks that don't lay flat. And it is most definitely there.

After each exercise we reviewed all the blocks and discussed our responses. I loved this part as too often in classes we don't get see what other people make or hear about what people experienced as they worked. The last part was a big eyeopener as a teacher. Well worth the class for me.



In the morning we worked solely with Denyse's scraps. In the afternoon we got to add our own fabric and a randomly chosen solid (Confession: my solid may have been placed in my hand by my very awesome Aussie volunteer and friend). Having seen reports of this class before I chose my fabric to bring with great intention. The blocks from one of these classes can start to all look the same so I chose my fabric to stand out a bit. Plus, it is one of my all-time favourite fabrics.

I didn't expect to care much for my blocks, I prefer a bit more control in my colour schemes. But I LOVE my blocks. So much so that I've got plans for a lot more and a finished quilt. I think I lucked out  with the fabric I picked out of the bags and the colours that came up.  Or it was just all serendipity... In the end I took a handful of orphan blocks from the morning exercises and I have another plan for them too.

Again, I was totally reminded that we need to remain open to experiences. I went into the class all cocky about my improv ability and thinking I wouldn't learn anything. And I came out with a bit of a gut check, new ideas, and an appreciation for the approach of others. Plus some rather cool quilt blocks.

It's Good Here


My ladies (and one guy - hi David!) rocked it in the two Perfect Circles classes at QuiltCon. Such committed participation, consumption of chocolate, choruses of 80s ballads, and a collection of circles. I had a great time teaching, a seriously great time. I hope all my students felt the same. And my volunteers were incredible.

QuiltCon was a fantastic event. The Modern Quilt Guild, especially Heather, did a wonderful job putting on a big show. A quilt show, merchant mall, classes, lectures, and more don't come together without a heck of a lot of work - hard work - and loads of dedication. It was a committed team that pulled it together and an amazing group of volunteers that delivered.


One of my favourite moments of the entire event was listening to a lady scream on the phone to a friend about this amazing show she was at. The lady had merely wandered in from the RV Show going on in the next exhibition hall, but she was staying and exclaiming her delight at the quilts. She said she wanted to go home and learn how to quilt RIGHT NOW after seeing that quilts could be so much more than what she thought they had to be.

Indeed.

It was a busy weekend between teaching, taking classes, and yes, drinking beer. I never got to a single lecture, missed an entire aisle of the merchant mall, and only saw the show in it's entirety the last half hour it was open. There was a book signing and quite a few gentle hugs. And a lot of neon one night. There was the chance for longer conversations with friends, old and new, yet some missed ones as well. For those of us working in this industry it was nice to be here, in a much more relaxed environment, compared to Market. Spending time at meetings talking about real life instead of contracts and pitching ideas. It's still work, but we had the chance to breathe a bit more. 

Of course, that may have had something to do with being in Austin.


Circles Everywhere - QuiltCon Prep


Phew. Finished my QuiltCon prep with less than 48 hours to spare. It might not have been that stressful if I hadn't decided to make all new samples for my class. If you're in my class be prepared to be overrun with circle blocks! Despite the work tossed around and in between school, dance classes, naps, and swimming lessons I had a lot of fun. Circles are just awesome. I may have mentioned that before.

It was great to just get in my fabric and play. Some wonderful colour combinations, finally using up some of my treasured text prints., and even cutting into my Indian cottons. I do hope that the students in my class appreciate the effort.

My QuiltCon schedule looks something like this:

Wednesday - Leave ridiculously early for the airport so we don't get stuck in customs like we did when we went to Spring Market. Fly. Eat BBQ, compare to Kansas City.
Thursday - Teach Perfect Circles. Drink Beer. MQG Leaders Meet-up. See the bats at the bridge.
Friday - Teach Perfect Circles. Convince my husband to wear the Adidas track suit I got him for the 80s party.
Saturday - Yoshiko Jinzenji pillow class. Lunch and catch part of the show and lectures. Lotta Jansdotter Printing class. Drink beer. Hang with my SIL and her Mom too.
Sunday - Denyse Schmidt Improv class. Book signing in the Stash Books booth 1 pm. Back to class. Drink Beer.

Of course, this schedule, particularly the beer drinking part, is highly dependent on my husband. Despite his terrible experience at Market he is coming to another major quilting event with me. I know it's because he loved everyone he met so much, and not the possibility of beer, BBQ, and visiting the new F1 track. Or because we are travelling without our kids.

If you see me in Austin feel free to accost me and say hello. I am loud and brash, but very friendly.

Branch Out


I fancy myself a decent free motion quilter. No, I won't win any prizes for my quilting, but I do think I can do some fun things. That being said, it is good sometimes to push your limits.

This weekend I took a machine quilting workshop from Ana Buzzalino. Ana is a member of my Flying Needles Quilt Guild and an amazing quilter. She can do incredible things with a New York Beauty Block. And her art quilts, which involve painting and stitching are at a level that is both beautiful and well-recognized. Oh, and she is ridiculously nice, genuine, and funny.

Ana's style is so far removed from mine. That alone would discourage many quilters, particularly those of us who identify as young and modern, from taking a class with her. It shouldn't, though. It should inspire us to try something new and push our boundaries.

When you take a class from someone whose work is different than yours the best thing to do is immerse yourself, learn something, then figure out how to apply those lessons to your own work. Do not let style, age, or perception keep you from a new challenge or experience.

I am so glad I took this workshop. Sure, I love dense quilting, but maybe not as dense as Ana was teaching. I still doubt I'll try silk or rayon thread, but she had great tips regarding thread, period. I have more intent in my stitching, some new patterns to try and new inspiration for my own, and I'm heading into the next round of quilts with a boost of confidence in my free motion skills. And next month she's teaching feathers!

Bunnies

Easy sewing, right? A great project for beginners, right? Apparently Lotta Jansdotter doesn't know my kids.

At Market, Lotta Jansdotter gave out these cute little charm packs, pre-printed with a pattern for a little bunny stuffy. Even she commented that they would be a great first-time sewing project, or at least a fast one for the experienced sewer.



So I thought I would bring my little packets out one cold afternoon. The Monster has been begging me to teach her to sew after all. We reviewed our lessons from playing with sewing cards and embroidery hoops. We redrew the pattern, marking dots for where the needle would go in and out. We picked a giant needle to make it easier for little fingers.

I'm happy to report that there were no tears. This, in an of itself, should make it a successful venture. When The Monster is learning something new and can't do it perfectly from the very first effort there are almost always tears. No tears and only minor frustration, but frankly, they were bored. They kept asking if I could just do it or could they try on the machine. At that point I should have put the project aside, to be picked up later. Did I do that? No, of course not. I made them finish, by helping a lot. We had the distractions of pins, scissors, and the red pen we used for marking. Oh, and tiger costumes. When it got to stuffing their interest was renewed. And after I closed them up they went to town with a pen to draw on a face.

And they haven't asked me to sew again.


Not So Basic Patchwork Studio

This fall I've changed the way I'm teaching Improv quilting at Traditional Pastimes. Each month I will host a studio/workshop. We'll cover off one block concept, often with different ways of making it. But we'll also have the opportunity to gather, discuss your modern quilt projects, and troubleshoot the previous month's work.

In the first month we will tackle Not-So-Basic Patchwork. This is one of the best ways to baby step into improv. We'll cover two ways to approach patchwork improvisationally. Both involve breaking free from your design wall and preplanning. One will result in a defined patchwork with consistent sizes. The other will be a lot more wild and wonky.

October 12 6:30-9
7 Parkdale Crescent NW

Call the store at 403 286-9421 to register.

Quilt Snob?

Am I a snob?

Okay, don't answer that right away.

There has been a lot of talk and entertaining posts lately about a lot of quilt arena issues - modern versus traditional, rants about designers, plain old rants, beginners feeling shamed, quilters being snobby, and more. I'm not going to repeat them all here, and I doubt I've even seen them all. But if you want some really interesting posts read them here, and make sure you read all the comments too. Note: I've included different opinions here, only this post is my own.

It is actually the comments I'm reading that are pushing me to write this post. Many folks are upset with "quilt snobs". Unfortunately, it isn't always clear to me what defines a snob.

The way I define a snob is someone who intentionally works to make someone else feel bad for the way they act, dress, define themselves, propping themself up higher on their already high horse in doing so. When it comes to quilting snobs, what does this mean?

... Disdain for one style of quilting over another?
... Talking smack about a fabric line you aren't a fan of, and by extension, the designers?
... Shooting down bloggers who maybe don't have a fancy camera or can only take their pictures late at night when they have a spare moment to work?
... Judging people who are trying to make a living at quilting?
... Being openly critical of bee participants?
... Just another name for the quilt police marking down missed points and skipped stitches?
... Big Name Bloggers refusing to comment on other blogs?
... Groups of friends that are collaborating/chatting and defined as cliques?

I've been critical of charm packs/pre-cuts and the reliance on them. I struggle with group projects where the simple quality of the workmanship is lacking (ie. no 1/4 seams, lack of pressing, and no squaring up of blocks). I'll admit that I'm tired of plain patchwork quilts. And stippling. (I've done more than my fair share of both)

All this, however, doesn't make me a snob. Anytime I think these things I keep my mouth shut (until today, obviously). If I visit a blog I like and see a quilt I don't then I move on to the next one in my Reader. I like to challenge myself so that's why you don't see me do many things twice, but that's me. I have no interest whatsoever in making someone feel bad or trying to make myself feel better with an off-putting or off-colour comment.

I will never condemn you for your pattern choice. I will never judge your fabric choice, but I will share my considered opinion if you ask. I will never shoot someone down in a public forum for their own creativity, work, family, or anything quilty related.

Rather, I want more people quilting. I want blogs to inspire. I want new or hopeful quilters to come to blogs and think "I can do that!" Or, if they are intimidated by the work (and not the quilter) think, "I can't wait until I can do that!" I don't think I'm alone with this goal. I want people to feel motivated to finish their quilts however they like, with the emphasis on finishing.

In pursuit of this goal I will continue to share my own inspiration, my work - both easy and difficult - tips and tutorials and yes, challenge the conventions. I will always encourage people to break free from patterns, charm packs, and single line quilts. I will always, always stress care in construction. I will always answer questions you send my way. I will push for people to be open with their process

This doesn't make me a snob.

Or does it? Be honest, I've got skin as thick as an elephant. But remember, my Dad just died.

(That was a joke.)

What makes a quilt snob? Have you had any run-ins? What's your strategy for dealing with the quilt snobs you encounter?

Upcoming Classes Spring 2011

Interested in some modern quilt classes in the Calgary area? I've got two coming up at, of all places, Traditional Pastimes. It only sounds ironic in name, Bernadette is a great supporter of modern quilting and brings in some of the best new fabrics to hold court next to civil war reproductions.

Want to learn about Values Quilts and perfect your half-square triangle technique? This will be a one night class to get you set. We'll discuss ways to see and use value, make-up a set of blocks, then play with settings.

Thursday, April 14
6:30-9:30 pm


How about Improv? I've made a few adjustments to my Improv class. Not only will we be practicing different techniques for improv blocks, like a wonky log cabin and free piecing, we also tackle the challenges of breaking free from precision cutting and patterns.

Monday, May 2 and May 9
6:30-9:30 pm

To register for either class contact Traditional Pastimes.

Personality


Let's talk books.

I've reviewed a few books here and plan to review a lot more in the coming months. Before I go any further I wanted to bring up a conversation here.

There was a comment on last week's post by Weeks Ringle, one of the authors of The Modern Quilt Workshop, among others. Her comment led to a series of emails between she and I about the writing in quilt books.

I'm a fan of good writing. Just like I'm a fan of a cup of strong tea, colour, and the Edmonton Oilers. I also enjoy entertaining writing, or a piece that challenges or motivates me. While I've only read a couple dozen or so quilt books in my time I can say that it isn't always the writing that attracts me to the book.

Too often, a quilt book is a section outlining the concepts of the book - what makes this book different from all the rest of the books out there - followed by a basics quilting section. After that it is a bunch of patterns. The vast majority of books are glorified packages of patterns.

To be clear, I don't actually see anything wrong with that. I don't own many of this type of book, but they serve a purpose and can be quite motivating. What makes a book buyable and frequently browsed - to me - will be the good writing.

If I flip through a book and the patterns are interesting or exciting to me the first thing I do is read the Introduction. Bad or boring writing usually causes me to set the book down. I'll probably take a mental note of what I liked from the patterns and file it away for later inspiration. If the writing is engaging or grabs me with a challenging concept I am far more likely to take the book.

Of course, I'm also a sucker for pretty and clean layouts.

This leads me to what Weeks Ringle and I were chatting about - what is the appropriate level of personality in a book? The visuals, aside from the quilts themselves, are a strong part of the personality of the author. Compare Simplify with Camille Roskelly with The Practical Guide to Patchwork by Elizabeth Hartman, for example. Same publisher, same book format. But visually they are very different.

The writing is also part of the personality. And making the writing personal is about more than adding a whole pile of exclamation points or silly jokes. Being able to write in a voice that sounds like you when you are talking doesn't come to everyone. More importantly, being able to do so well and still be engaging is a big challenge. Even if you can do it well, it is hard to be great at it all the time.

In a book that is outlining specific concepts or technical design information, is there a place for personality? That was the question Weeks and I were debating. Or it is better to be succinct and specific?

This, of course also leads to the inherent links between blogging and books. Are they separate? Should they be? If you blog and write a book, how much of one should make it to the other - marketing aside?

I'm going to turn it back to you now. You've read the questions above. You've probably read a million books on your own. What are your thoughts? Oh, one more question. What is your experience as a quilter and what type of books do you like to read?

What Does Modern Quilting Mean to Me?



Over at The Modern Quilt Guild this week they've had a series of posts from some significant bloggers in the the modern quilt movement. I've rather enjoyed the conversation, so I decided instead of just commenting on all the posts, I would create my own post. So, what does modern quilting mean to me?

Central to modern quilting, I believe, is the idea of Freedom. Unlike traditional quilting which can feel very restrictive in both construction and design, modern quilting is about freedom. Freedom to throw tradition out the window or tweak it with fabrics, layouts, and improvisation. Freedom to try something new in colours or construction. Freedom to do what you want without fear of the quilt police knocking down your door.

Improvisation is also central to modern quilting.  This doesn't just mean the wonky log cabin. Improvisation is about starting a quilt and seeing where it goes, without a detailed plan. Maybe you could also talk about process here.  When I was asking you about The Whys of quilting, process was something that was central to me at the end of that discussion. I think modern quilting stresses the process as much as the final product (regardless of your technique) and improvisation is central to many a modern quilter.

Even when a modern quilter is using calm colours or simple designs, The end result is always something quite bold.  It might the fabrics themselves, or the final design, but when I think of modern quilts, subtlety does not come to mind.

I know that there are many traditional quilters out there under the age of 40. And there are modern quilters out there over the age of 50. But when I think of modern quilting I tend to think of youth. Perhaps it is because there is an energy to the work and the movement? It might be because most (but not all) of the bloggers I've encountered are closer to my age than my mom's age? But that youthful enthusiasm and energy has, I think, a powerful influence on the quilting world as a whole.

It would be remiss to not mention the role of technology in modern quilting. I don't just mean the design software. Blogs, virtual quilting bees, Flickr, and Etsy are all having a powerful influence on quilting. Have you heard of Web 2.0, where we the readers are also the content providers and help determine the present of the internet? Well, technology has allowed us to have Quilting 2.0 as well. Not only are we connecting and working together in a way that wasn't possible beyond the traditional guild, we are also working with each other projects, lending opinions through workshops and our blogs, and generating a never ending cycle of inspiration.

Finally, I want to highlight, that for me, it is important not to throw out the baby with the bath water. That is, there is a lot in traditional quilting that shouldn't be thrown away just because we like a modern aesthetic. This includes basic technique - we still want a quality piece at the end, not just one that looks good in a small on-line picture.  It also includes colour theory and design basics. We're modern and it is up to us to push the boundaries a little. Like modern architecture though, the building still has to stand on its own.

In a somewhat contradictory twist to this conversation I will be attending my first guild meeting tomorrow, a traditional guild. I'm quite excited about it, and it seems that this guild has some modern tendencies and vibrant members. With The Modern Quilt Guild springing up across North Amercia, maybe one day there will be a Calgary chapter?