Workshop in Progress - Inspired by a Little Boy Painting


Sometimes inspiration hits and you just have to run with it. Regardless of what the to-do list looks like. The moment I saw this photo I knew I would translate it into fabric. There was just something about the energy of his painting, the colours, the shape... It all combined into a flood of Must Make That Into a Quilt Now!

My friend here in Calgary, Katrina, is often inspired by an artist friend of hers, Shimon Kate, so I find it kind of interesting that I was inspired by art in her family. Overlapping circles formed everywhere.


Here's where I'm at now (thanks to a random afternoon with school/playdate and sick baby taking a long nap). When I first started I envisioned it with four blocks. Something about emphasizing the notion of a quadrant. Now that I see these together I still like that. But it needs to be sized up and filled in a bit. Right now this would only make a wall hanging. And I want those red strips to be floating between each other more.

Or, I could make more... or not have such a precise layout. (I am a bit worried about the defining lines that would be created when these become 4 actual blocks. I think I can manage that with judicious fabric placement, but maybe not.)

Any other thoughts? I'm open to any and all suggestions.

Teaching at The Workroom


It's been a week since I was in this lovely space known as The Workroom. What a delightfully different  quilt store! For one, it is not located in a strip mall or out in the boonies. No, it is on an urban street filled with hipsters and streetcars and bums and roti and taco shops. And it is filled with light. Oh, the light! I imagine those same windows make it stifling in the Toronto summers, but right now it was dreamy.

Then again, it might be dreamy no matter what. Karyn, the owner, and her employees are soft spoken and kind. They radiate a quiet energy that makes you smile. It was just so peaceful to be there, in addition to a lot of fun.

Besides, what's not to love about a store dog in a quilt shop? Okay, I'm biased on this one - Maisy kind of reminded me of our old girl that we lost at New Year's - but she was wonderful company. (And no, there wasn't dog hair all over the fabric.)


While I was at The Workroom I taught two classes - The Quilted Storage Box from Sunday Morning Quilts and my Values class. If you don't count my mistake (I was going on less than 4 hours of sleep) on the storage box instructions it was perfect. Everyone finished (thank-you to Quilt Sunday folks for your few minutes of patience). And we had such a range of awesome boxes.



One of the things I really liked about teaching at The Workroom - aside from the very dedicated students  - was the space. The tables for students are on one side of the store, with the fabric on the other side. And a giant table in between. It was so nice not to be in a classroom shoved in the back or the basement. Being right there allowed us to take advantage of the light. Have I mentioned the light already? But it also allowed us to be in the thick of things. If someone came in looking for some fabric they saw us and could ask questions. I know some teachers who would hate that, but I loved showing off the students' work to anyone who asked.

The Workroom is also a sewing lounge. You can come in and work on your projects, take advantage of  their walking feet or Berninas, and enjoy a cup of tea. Sometimes it would be so nice to just get out of the house and sew. I would take the interruptions of a curious shopper over a toddler most days.




Thank-you so much for having me, Karyn! I hope to come back again soon.

Friday Favourite - Granite Balloon Animals from Paul Slipper and Nadine Stefan


Balloon Animals made of granite. I almost feel like I don't need to say anything else.

A series of animals all made to look like classic balloon animals - dogs, swans, horses and the like - are part of a public art installation on the Thunder Bay Waterfront. And how cool is it that kids were part of the decision making process on picking the final installation?

The installation is called Naturally Inflated and is by Paul Slipper and Nadine Stefan. I could have stared at these things for hours (except for the creepy guy that launched into a tirade about the waterfront development and kept getting too close). But I can't get them out of my head. Best public sculptures ever.

Hubby is also obsessed now and we're wondering if we'll ever have the budget to commission one of these for our yard...

Superior Quilt Show



I'm not sure how many people go to Thunder Bay and say they had an awesome time (unless you are from a town in Northern Ontario and Thunder Bay counts as the big city) but I am officially one of them.

Last weekend I spent three days in Thunder Bay. Three very intense and fun days. I met some wonderful people who were incredibly generous of their time and spirit. I taught such an eager group of students that I was jazzed at the end of each day when they were tuckered out. And they all learned to embrace their scraps. I laughed in front of a crowd of over 100 as I told my stories and shared my quilts. I eagerly walked the show floor (and spent money) to take in the full range of quilts from thread painting to modern and everything in between.










(Made and quilted by Wendy Currie)

I walked on the waterfront of a still iced over Lake Superior (at least by the shore) and took pictures of the most awesome public sculptures ever. I drank beer with an air traffic controller/quilter. And all while keeping company with a carousel horse.










Thank-you very much to the Thunder Bay Quilt Guild for bringing me to your city, your show. it was wonderful.