Morning Make July 2020

How has your creativity been during Covid? Creative action is fantastic, but true bursts of inventive creativity? In full force or nowhere to be found?

A lot of what I’ve been doing in the past 5 months is forced action. Most definitely creative actions - painting, sewing, fabric play, sketching - but little of it is true creativity. The kind of creativity where your brain and body get excited by new ideas has not been happening. There is little space or energy for it in dealing with the day to day these past months, and still.

That being said, sometimes it is good to force the issue a little.

So for July that is exactly what I did. I haven’t been writing much at all this year. I want to, but the energy and inspiration are just not there. My friend Kate says that sometimes you just have to get your butt in the seat and do it. I wasn’t going to be able to tackle the essays or novel I started, that I knew, but I decided to force the creativity by writing down story ideas each and every day. None of these were anything that I’d thought of before. Instead, each morning, I would take my pen and my book and stare at the abyss (or my desk artwork courtesy of Bari J Ackerman, Andrea Tsang Jackson, Tim Johnston, Marissa Cummings, and my daughter) and extract something from my brain. It wasn’t easy and it definitely isn’t pretty. But it was absolutely worth it.

At the end of the month I had some good ideas there. Some not so good, but some well worth pursuing. I also had motivation again for writing. I got two articles done and started a picture book manuscript. I’ve also been able to brainstorm some new things not even related to writing. But the juices are flowing a little and that makes a world of difference.

More than I once I’ve said that creativity begets creativity. There are times when the movements of a creative action are enough. Other times you have to grab the wand and grudgingly pull the ideas out of your head. Once you do though? Magic!

Morning Make - June 2020

When I am teaching certain quilt classes I get students to draw. This is because if you can’t draw the line, you can’t sew the line. Inevitably one or a handful of people complain about their drawing skills. The self deprecation and apologies spread like wildfire. I shut it all down by showing them how I draw!

Spoiler alert: I do not draw well at all!

So for Morning Make in June I decided I would draw an object or scene in my home every morning. You can’t improve on something if you don’t do it with some regularity.

After a month of practice I’ve come to the following conclusions:

• 30 days is nowhere near enough practice to make noticeable improvements.

• Areas of improvement I would like - simpler lines AND shading. I seemed to land somewhere in between in the awkwardness showed in my drawing.

• Perspective is a failing on mine.

• My drawings were definitely sketches and not my best work.

• I definitely do not have a career as an illustrator in my future.

All that being said, I enjoyed the process. Some days I did struggle with the decision on what to draw. I also can’t say that I liked what I did most of the time. That doesn’t mean it wasn’t a worthwhile effort. I learned what I would need to improve on. I learned that I should try and pick one style and work harder on that to see more improvement. I learned that you don’t have to know how to draw in order to draw.

Morning Make - May 2020

At the end of April my son decided to learn how to sew All. By. Himself. He made 2.5 quilt blocks, they were awesome. He told me he wanted making a quilt big enough to wrap around himself. He also said he wanted to start the day with sewing, like me. So rather than have any machine work on the go in the mornings I made May Morning Make about hand stitching so I could be available for him. And he hasn’t sewn a stitch since!

I, however, got a quilt top finished in May with that hand stitching. One applique shape at a time.

The background fabric was a single piece of linen I picked up in California years ago. It was intended for a different applique project, but things change! I liked that it was a single piece of fabric, as opposed to something I had to sew together. It also constrained the project in a good way. As for the other fabric choices, I simply went into my solids bin and picked mostly based on size. And ability to match with thread I already had in the house. The green and the periwinkle came first then I chose a yellow to have some pops.

It was absolutely coincidence that I had the spool of Aurifil 80W that matched this vintage mystery fabric in periwinkle. But using it made me want this thread in ALL. THE. COLOURS. for any future applique work.

Other than having a general idea of a collage, I started and progressed with no real plan. It looked quite questionable at the beginning, I won’t lie. But halfway through the month I could see the vision come to life. Every couple of days I cut a few shapes out fabrics. Some general shapes are repeated, but never measured to be the same. By cutting a few at a time I could have a bit of control over the distribution of colour. Then each morning I would pick a shape that motivated me or looked good that day and stitch it on.

While it’s been a while since I did any applique, I stuck with my tried and true basting technique. I didn’t invent it, but I will certainly sing its worth.

The original influence came from the collage and painting work of Lisa Congdon as well as the watercolour marks made through Lisa Solomon. That being said, when I was flipping through old sketchbooks I came across an image I made seven years ago that could definitely also be an influence.

One of the most difficult parts of an applique project for me is then deciding how to quilt it. A part of me worries about ruining the applique with quilting. Or questions whether I should highlight the applique or ignore the specific construction. Needless to say, this quilt top will sit for a bit while I figure it out more.

We’re halfway through June and I decided to put the needles down entirely for Morning Make. And my son still hasn’t sewn anymore himself.

Morning Make - April 2020

Did you know that if you make one 12.5” square quilt block each day that you will have a quilt top at the end of the month? A lovely, cuddly size, perfect for couch snuggles. Also, perfect for mental health in the making of and finished product!

For Morning Make in the month of April I made one X Plus block each morning. It was actually quite nice to not have to think about anything but fabric selection. That’s one of the best parts, anyway! From start to finish - from picking fabrics to a sewn block - it took me about 30 minutes.

Let me tell you, I absolutely loved having a complete block at the end of each session. To have something tangible, something that marked the passage of the days, and something that gave me nothing but joy was EXACTLY what I needed this month. It’s probably what all of us needed this month! Covid Isolation is HARD, but we are doing all we can to keep our community safe and that means staying home. And for me, having this 30 minutes to sew before dealing with schooling and meltdowns (all of us) and keeping our business going was lifesaving.

Now when you make these blocks you cut off some decent sized triangles to be thrown in the scrap pile. Rather than be indiscriminate with these scraps I sewed the offcuts together as they came from the block. I was left with a pile of half square triangles. After doing some math and some sketching I decided to turn these HSTs into Sawtooth Stars. From 30 X Plus blocks I could make 30 Stars.

Two quilts for the price of one!

All the fabrics for these quilts came from my stash. Yes, I have a very, very deep stash. Quarantine is a great time to be able to shop from your stash, let me tell you. About halfway through I was worried I wouldn’t have enough light and low volume fabrics to get through but I dug through all the bins and was able to come up with some really great fabric combinations. Some fabrics are brighter than others, some even get a little bossy. I only chose fabric one block at a time and didn’t think about whether they would go together at all. Because my overall feel was low volume it comes together. Besides, the most successful of these X Plus quilts are scrappy and full of unexpected fabric delights!

Now if I did this for Morning Make every month I would have a great collection of quilt tops. Just the tops though because nothing would get quilted! Of course, that kind of thing has never stopped me before! And right now I am totally wishing I had access to a long arm because I would love to get these quilted right now. As it stands, I have 2 basted tops waited for their turn under the needle. I also think part of that may just be me wanting the change after nearly 8 weeks of social distancing. Let me go play in the quilt store! So I wish, but I am still happy to do my part and stay home (and shop online for curbside pick up).

My plan for May was to embrace Me Made May and tackle some clothing projects I’ve had on the list. But this happened toward the and of April. It seems 2/3 children are suddenly wanting to sew with the machine. While I am lucky enough to have a dedicated sewing room, it is not big enough to be set up for that many people with different sewing needs.

For those wondering, the X Plus blocks can be found as a free pattern all over the place. I believe the original block comes from the 1930s but it really peaked in popularity a few years back when we were all on Flickr. I used the 12.5” measurements in my Creative Live class on working with low volume fabrics. Indeed, I had 10 blocks leftover from samples from filming that I intended to use in this quilt, then decided to let April 2019 stand on its own. If anything needs to be defined it is these times.