"teaching"

Improv and Intentions


One of the workshops at QuiltCon I was lucky to get into was Denyse Schmidt's Improv workshop. It was a hot commodity and I had just the right timing when doing my registration. To be honest, I took it out of curiosity more than anything. I'm quite comfortable with improv work, even teaching it myself! But I wanted to see how Denyse taught it and see how people responded.

Frankly, I really enjoyed the class. It may have been the opportunity of just free sewing/playtime after weeks of prep for my own classes at QuiltCon. But it was also a great environment. The other students ranged from improv virgins to the old hats at the technique like me. Denyse is a good teacher, clear on the approach, and extremely encouraging. For the students who'd never done improv it was a challenge at the beginning but they all seemed to really embrace things at the end.

Denyse's technique involves true randomness. Three bags of fabric bits in different sizes. Close your eyes and reach in! At home I do almost the same thing, but I keep my eyes open. Denyse's goal is to get the students to see the beauty in the randomness; beauty in seemingly clashing bits of fabric and blocks that don't lay flat. And it is most definitely there.

After each exercise we reviewed all the blocks and discussed our responses. I loved this part as too often in classes we don't get see what other people make or hear about what people experienced as they worked. The last part was a big eyeopener as a teacher. Well worth the class for me.



In the morning we worked solely with Denyse's scraps. In the afternoon we got to add our own fabric and a randomly chosen solid (Confession: my solid may have been placed in my hand by my very awesome Aussie volunteer and friend). Having seen reports of this class before I chose my fabric to bring with great intention. The blocks from one of these classes can start to all look the same so I chose my fabric to stand out a bit. Plus, it is one of my all-time favourite fabrics.

I didn't expect to care much for my blocks, I prefer a bit more control in my colour schemes. But I LOVE my blocks. So much so that I've got plans for a lot more and a finished quilt. I think I lucked out  with the fabric I picked out of the bags and the colours that came up.  Or it was just all serendipity... In the end I took a handful of orphan blocks from the morning exercises and I have another plan for them too.

Again, I was totally reminded that we need to remain open to experiences. I went into the class all cocky about my improv ability and thinking I wouldn't learn anything. And I came out with a bit of a gut check, new ideas, and an appreciation for the approach of others. Plus some rather cool quilt blocks.

It's Good Here


My ladies (and one guy - hi David!) rocked it in the two Perfect Circles classes at QuiltCon. Such committed participation, consumption of chocolate, choruses of 80s ballads, and a collection of circles. I had a great time teaching, a seriously great time. I hope all my students felt the same. And my volunteers were incredible.

QuiltCon was a fantastic event. The Modern Quilt Guild, especially Heather, did a wonderful job putting on a big show. A quilt show, merchant mall, classes, lectures, and more don't come together without a heck of a lot of work - hard work - and loads of dedication. It was a committed team that pulled it together and an amazing group of volunteers that delivered.


One of my favourite moments of the entire event was listening to a lady scream on the phone to a friend about this amazing show she was at. The lady had merely wandered in from the RV Show going on in the next exhibition hall, but she was staying and exclaiming her delight at the quilts. She said she wanted to go home and learn how to quilt RIGHT NOW after seeing that quilts could be so much more than what she thought they had to be.

Indeed.

It was a busy weekend between teaching, taking classes, and yes, drinking beer. I never got to a single lecture, missed an entire aisle of the merchant mall, and only saw the show in it's entirety the last half hour it was open. There was a book signing and quite a few gentle hugs. And a lot of neon one night. There was the chance for longer conversations with friends, old and new, yet some missed ones as well. For those of us working in this industry it was nice to be here, in a much more relaxed environment, compared to Market. Spending time at meetings talking about real life instead of contracts and pitching ideas. It's still work, but we had the chance to breathe a bit more. 

Of course, that may have had something to do with being in Austin.


Circles Everywhere - QuiltCon Prep


Phew. Finished my QuiltCon prep with less than 48 hours to spare. It might not have been that stressful if I hadn't decided to make all new samples for my class. If you're in my class be prepared to be overrun with circle blocks! Despite the work tossed around and in between school, dance classes, naps, and swimming lessons I had a lot of fun. Circles are just awesome. I may have mentioned that before.

It was great to just get in my fabric and play. Some wonderful colour combinations, finally using up some of my treasured text prints., and even cutting into my Indian cottons. I do hope that the students in my class appreciate the effort.

My QuiltCon schedule looks something like this:

Wednesday - Leave ridiculously early for the airport so we don't get stuck in customs like we did when we went to Spring Market. Fly. Eat BBQ, compare to Kansas City.
Thursday - Teach Perfect Circles. Drink Beer. MQG Leaders Meet-up. See the bats at the bridge.
Friday - Teach Perfect Circles. Convince my husband to wear the Adidas track suit I got him for the 80s party.
Saturday - Yoshiko Jinzenji pillow class. Lunch and catch part of the show and lectures. Lotta Jansdotter Printing class. Drink beer. Hang with my SIL and her Mom too.
Sunday - Denyse Schmidt Improv class. Book signing in the Stash Books booth 1 pm. Back to class. Drink Beer.

Of course, this schedule, particularly the beer drinking part, is highly dependent on my husband. Despite his terrible experience at Market he is coming to another major quilting event with me. I know it's because he loved everyone he met so much, and not the possibility of beer, BBQ, and visiting the new F1 track. Or because we are travelling without our kids.

If you see me in Austin feel free to accost me and say hello. I am loud and brash, but very friendly.

Branch Out


I fancy myself a decent free motion quilter. No, I won't win any prizes for my quilting, but I do think I can do some fun things. That being said, it is good sometimes to push your limits.

This weekend I took a machine quilting workshop from Ana Buzzalino. Ana is a member of my Flying Needles Quilt Guild and an amazing quilter. She can do incredible things with a New York Beauty Block. And her art quilts, which involve painting and stitching are at a level that is both beautiful and well-recognized. Oh, and she is ridiculously nice, genuine, and funny.

Ana's style is so far removed from mine. That alone would discourage many quilters, particularly those of us who identify as young and modern, from taking a class with her. It shouldn't, though. It should inspire us to try something new and push our boundaries.

When you take a class from someone whose work is different than yours the best thing to do is immerse yourself, learn something, then figure out how to apply those lessons to your own work. Do not let style, age, or perception keep you from a new challenge or experience.

I am so glad I took this workshop. Sure, I love dense quilting, but maybe not as dense as Ana was teaching. I still doubt I'll try silk or rayon thread, but she had great tips regarding thread, period. I have more intent in my stitching, some new patterns to try and new inspiration for my own, and I'm heading into the next round of quilts with a boost of confidence in my free motion skills. And next month she's teaching feathers!