Market and More

Quilt Market is this week. The big industry trade show where everyone sells their stuff - pattern companies, fabric designers, sewing machine folks, notion inventors, and authors like me. It is an intense few days filled with a lot of shuffling and hustling. There might be some beer and laughs in there too.

I'll be there promoting A Month of Sundays specifically. And myself, generally. You never know where a conversation might lead... If you are going to be there, this is where I'll be in official events, come find me.

A Month of Sundays Schoolhouse
Friday October 25
3:05 pm
Room #362D

Book signing!
Saturday October 26
4:00 pm
C&T Publishing booth

And then there are the parties. Yes, this is the part that those not going to Market get really jealous of. I get that. Fabric 2.0, the Modern Quilt Guild meet-up, and more (which I'll be missing because I'll be home already). But if you didn't see me on the show floor or at Schoolhouse, feel free to grab me at these events.

Don't fret if you aren't going to Quilt Market. It's about time that I celebrated A Month of Sundays. Come November I've got some things planned in this space. More stories, more photos, and even a giveaway or two. I want to share more about the book, the process (you know me!), and celebrate with you.

Plus, a Quilt Top

Back when I was in Nova Scotia (oh, how it feels like it was last year, not last month) I managed to get a bit of sewing in for myself. I had such eager students that were going back to sew late into the night, after dinner. One night I decided to join them. I made great progress on these blocks while chatting about klutziness, motherhood, real estate, and more. I came home with just some final seams to sew.

I took a break from binding Just One Slab quilts and finishing a baby quilt to get this top together. And now I want to throw everything aside to finish it!

I debated a number of ideas for layout. Contemplated more blocks. Thought it should be bigger. In the end, the idea of quadrants won out. I liked the echo of the quadrants in the blocks into the quilt top as a whole. And I wanted the plus signs to really float on that pieced, scrappy background.

So much fun. All improv fun. And all that grey, such lovely grey. Mostly made from scraps. Just wait for the texture from quilting.

Brave New Quilts (Weekend Reads)

Brave New Quilts is the latest and last book by Kathreen Ricketson. Inspired by Twentieth Century Art movements it speaks to inspiration and translating that inspiration to a quilt.

Kathreen died earlier this year. I woke up to the news one morning during Quilt Market. I'd woken early to actually answer some emails for her, only to get the news. Many others had the same story. And we all walked around in shock. And we were just fellow quilters and writers, colleagues and friends from online, not her family reeling from the tragedy.

Now, her book is out and travelling the world without her. A final legacy to her work.

Kathreen and I were working on our books at the same time, clearly with very similar deadlines. We would exchange tweets and emails about our status on the work. We knew what the other was going through. So, even though our books are quite different from a content perspective, they parallel each other in the timeline of my mind. That leads me to what I want to talk about today on this last stop on her Legacy Tour.

For all the book reviews, Amazon reviews, and social media comments it is important to remember two things. One, there are people behind these books. And two, these books are a creative enterprise as much as a quilt is, they are a work of art too.

The author of any book pretty much gets all the credit, or critique. But they are team efforts (unless self published). But for any and all credit and critiques you have to remember that these are real people. They have feelings, thick or thin skin, and real emotions. It seems easy to think of the book as an independent entity, free from its creator. That makes it easier to dismiss or criticize. I get that, it is a part of human nature to complain. But it is important to remember that these books do not exist without the people behind it.

That leads me to the second point: these books are a creative expression of the author and designers. When someone is writing a book they aren't just thinking, "Hey, I'm going to make a bunch of quilts and someone else will take pictures and we'll put them all together in a book and then people will read it." No, we think about themes, and details like illustration style, layout, styling of each quilt photo. We agonize over fabric selection more than you ever have, we tinker and run out of ink on red pens, we obsess over a block that won't lay flat. For the authors and designers, the quilts and their patterns are only just a part of the book, not the be all and end all.

Every author has a different reason for writing a book. Some want to translate their teaching to the written page, some want to share inspiration, some are looking to collate patterns, some love to write. All of them are coming to the book as a form of creative expression. Writing the book is as much that as designing and making a quilt.

Now I'm not saying that we authors are immune to critique and I, personally, welcome comments and constructive criticism. But when you make any comments on a book - good or bad - remember that there are people behind it and we put a lot of personality and creativity into that book. (Keep all this in mind as well if you are contemplating writing a book.)

That's why, when I read Brave New Quilts, I think of Kathreen. I think of her frantically sewing to make deadlines, photo shoot styling flying through her head as the stitches go in. I think of her cleaning and organizing just so for the shot to be exactly as she wants. I think of her spending an hour on a single paragraph to make sure her intentions and directions are as clear as they can be. I think of her anxiously anticipating the Pages for review to see how the designer put together everything.

Perhaps I am projecting my own experience onto Kathreen's, I will admit that. But we did speak of the process together. And now that I see her book I have a bigger picture of her own process. More importantly, I have a picture of Kathreen, a glimpse of her inspiration and translation, and of her creativity that goes beyond 12 quilts and beyond the emails and tweets we shared. I'm glad to have this bit of her in the world. A legacy to her creativity indeed.

To read more about the book and other takes on it, make sure you visit the other stops on the Legacy Tour for Brave New Quilts.

Stash Books
Heather Jones
Kristin Link
Maya Donenfeld
Alexandra Smith
Sonya Philip
Ellen Luckett Baker
Andrea Jenkins
Shannon Cook
Mimi Kirchner

Friday Favourite - Molasses Butter

There are a ridiculous number of happy moments and miniature squeals of glee in my head on repeat since my latest trip to Nova Scotia. They keep me happy. One moment, one memory that I've acted on nearly daily since then is the molasses butter.

Never heard of it? Neither had I. Pictou Lodge served up little bowls of molasses butter with their biscuits instead of your average, boring bread basket. And it was awesome.

So awesome that I accosted the Chef Thomas one morning on his way into work and begged for some at my breakfast in an hour and he kindly obliged me. So awesome that I've made it three times in the 10 days I've been home. So awesome that it takes all your power to not eat it straight from the bowl with a shiny spoon.

I have no idea how they made it, but here is what I've been doing.

Molasses Butter

1/2 cup salted butter (unsalted if you prefer, but I like it better with salted)
1-2 TBSP Blackstrap molasses (use fancy if that is what you have, but you will probably want more molasses then)

Whip the butter. Add the molasses. Whip until evenly incorporated.

So far our favourite way is indeed on biscuits. But I can tell you that it tastes just fine on a muffin or some fresh bread. And, in case you were wondering, it makes a wicked grilled cheese sandwich. Substitute for regular butter on the outside of your sandwich. The edges caramelize and the molasses bring a depth of unreal flavour to the table.