Travelling Quilts 2, Latest Round


Despite all my deadlines and personal goals sometimes I feel the need to join a group and play. Of course, I always do it with the caveat that it is pretty much a guarantee I will be late in meeting any deadlines. It is the same with any bee, round robin, or group project. That's why I usually volunteer to be the assembler at the end. Plus, that is one of my favourite parts.

All that being said, I do enjoy the creative process and challenge of working with other people's work. Sometimes it feels like drawing bodies on heads, sometimes it is tremendously difficult. It is a push to add without detracting, to make use of seemingly disparate things. I may not be able to meet group deadlines very well, but I think I can meet this kind of challenge.

I am part of a group, modelled on the Travelling Quilts that you've likely seen out there. Some of us Canadians brought in a few American friends and we're playing. Here are a few of the quilts.


This one started with Jenn, of Pinkbrain Quilts. She made the paper pieced non-star block in the centre. Then Julie added some stellar embroidery, including the pink brain! Then off to Jacqueline. She made up a bunch of linear blocks, but didn't join them to the original.

My initial thought was more circles - shocker. Then I decided to bring in the linear aspect of Jacqueline's blocks. But those angle from the original are so intriguing. So I extended angles and joined them with the fabric and linear aspects of the additional blocks. Not an easy addition, but so much fun and I love the results. I can't wait to see what happens next! Off to Anna and Robyn next.


It's hard to figure out where to go when you start with colour blocked cathedral windows. For me, the temptation was strong to just make more and more. Can you imagine a quilt just like that? These were the beginning of Julie's quilt. Jacqueline made a whole schwack of blocks, many on the large scale like these ones. I took the combination of text inspiration and the cathedral windows and combined them for my blocks.

I used colours already in the blocks as background. The petals are simply appliquéd on. I resisted the temptation to join them into a strip because that would have finished at 72''. That's a big quilt to commit to for the folks coming next. But it would look really nice that way. Hint, hint...


Process on the Quilts in A Month of Sundays


It's another snowy morning. That means it is perfect to talk about quilts. Today to celebrate A Month of Sundays I want to share a bit about some of the quilts with you. As a blogger it is so hard not to share my work in progress when making the quilts for the book. So hard. I'm used to sharing everything from the initial inspiration to the fabric pull to the frustrations to the finished top to the end. Sharing that is part of my blogging style and I believe in the honesty of that. I did take photos along the way while making book quilts, so at least I can do it after the fact.




When I'm making quilts for publication my process is actually a bit different. If I were to go my normal way of sewing - starting without a definite plan, adapting and making changes along the way, and ending with something for the sake of it - I would have a lot of work to do reverse engineering to write a pattern. That is a recipe for disaster - for me and someone trying to make the quilt from that pattern.


Oh boy, was finding text prints at the time of doing this tough! 
Thankful for some screen prints dug up on Etsy.



Quilts destined for publication always start, for me, with the pattern. Not just a sketch, but the actual pattern. I like to draft the whole thing first. This lets me think about the best way to divvy up fabric requirements and calculate yardage as well the most efficient way to make the quilt. I consider myself the first pattern tester. As I work there is always going to be a sketchbook filled with numbers or a pad of graph paper next to me. That allows me to write down any notes or corrections as I go. A half an inch makes a difference.





From first fabric pull to second, after patter drafting, things changed a bit.







A good friend gave me advice when I was starting on the journey of this book. She told me to send out the quilts to be long armed. I'll admit, this was hard for me, but it was the best thing I could do. I was having another baby, after all. The deadlines may push forward because of the need to get the quilts to long armers, but the time saved for me was valuable. It meant a lot less stress and a lot more time with my family during the work. Not to mention the savings on my already taxed joints. So, thank-you to Angela Walters and Janet Madyski for getting me through the work.


I use a lot of binding tape in the book.


Coordinating my snacks and my quilts.




When I was looking through my photo library to pull these images I was struck by just how much the making of these quilts, these books, is intertwined in my life. On the same day I was cutting fabric there was a crew framing in the basement and I had a book launch for Sunday Morning Quilts! Same day. Other days will be pictures of my babies doing their thing - like finishing preschool - while I finish a quilt. And all while I had a newborn. So the quilts, and the book, are a true reflection of our life at a moment of time. And more than once I had to take my own advice that I was writing to slow down and sew, not just get caught up in the frenzy of making.





It is always a huge rush to get the quilts made, though. You think you have all this time but you end up doing everything at the end. Your fingers are sore from binding, your shoulders hurt, everyone in the house is cranky at the fabric everywhere... Then you send the quilts away and don't see them for months, or even a year! It kind of feels anticlimactic. Such an energy high from the moment of first sketches to the last stitch and you don't get a chance to even snuggle with the quilt. But now the quilts are home, living in rotation. Reminding me of the time spent in creation, the moments that happened then, and the concept to just chill out.


Not helping me when I needed to quilt.






So, on this Sunday filled with sunshine and a blanket of fresh snow I will do just that. Right after a birthday party and coffee date with my Hubby. But then, then I can pour some tea, wrap myself in a quilt, and attend to an afternoon of puzzles and paper crafts with my girls.

Remember, there will be giveaways at the end of this celebration. One comment on each post in the month enters you for the prizes.

Tell me, coffee or tea, or hot chocolate with marshmallows?

Vanity Fair from Dear Stella


One of the perks of my job is people sending me fabric to play with. It all seems well and good and lovely (and it is) but if I don't play with it in a timely manner I feel guilty and awful. The whole point to sending the fabric is to promote it. And, I must confess, there are times that the fabric sits in my stash, untouched, for a very long time. I never even photograph it. And that means I've wasted the designer's time and money to send me the fabric. This makes me a tool.

As a result, I've become very honest and selective when contacted about fabric. I know how I like to quilt and create. Single line quilts just aren't my thing generally. And being able to stop everything I'm doing and play with a specific fabric is a near impossibility. So, yes, I will happily take any fabric you want to send my way, but if you expect me to create with it right away it might be best to find another designer or blogger.

Sometimes they are still willing to send you the fabric. And when you get it the bundle is so lovely and inspiring that you do start creating right away. Well, within a month of receiving the fabric at least. For me, that is right away.

The bundle up there arrived on my doorstep from Dear Stella just before Quilt Market. They contacted me and asked if I would like to play with one of their upcoming lines. You know me, I had to pick the one that whispered. (This, despite the fact they made two awesome quilts from Sunday Morning Quilts with Mini Confetti Dots and Zig Zags.) Very soft, very pretty, this Vanity Fair line.

In all honesty, the bundle was set to linger on the shelf, then likely broken apart as inspiration hit. Then I remembered a magazine contribution coming up, rescued an orphan block of something I was testing for my Craftsy class, and found the Vanity Fair some friends in my stash. Commence play.

Quilts of Valour Donation

Yesterday was Remembrance Day here in Canada and a few other countries, Veteran's Day in the US. As in every other year we hear stories of veterans and the sacrifices made. For so long the stories were consumed with the vets of the World Wars. Here is Canada you would here more about the Korean War as well. Now, however, there is so much said about Afghanistan and more recent peacekeeping missions. Being a soldier did not end in the 50s. And every year we are reminded that being a soldier does not end when your tour of duty ends.

Quilts of Valour provides quilts to service personnel dealing with injuries - those we see and those we don't, like post traumatic stress disorder. We all know that a quilt is such a comfort and a real hug when we need it most. It isn't about warmth, it is the spreading of love.



$1 from the sale of each of my Oh Canada! patterns is being donated to Quilts of Valour. This is from all sales - wholesale, printed, and downloaded. If you haven't purchased the pattern yet, this is the perfect reason to do so.

I'm also proud to know that many people have purchased the pattern to make quilts of Quilts of Valour recipients. To be honest, I never thought of that when making the quilt in the first place or in producing the pattern, but it makes me quite proud to know that this is part of its life.

Buy Oh Canada! here.