Antonio's Quilt

Antonio's Quilt

56'' by 56''

A few years back a friend of mine in the Calgary Modern Quilt Guild, Katrina Hertzer, posted a picture on Instagram of her son painting. Aside from the fact that her son is adorable I was completely smitten with his painting. So smitten that I went to the sewing room that afternoon and made a block inspired by his in progress painting.  Then I decided it needed friends. And a lot of improv pieced background.

This is a great example of Improv With Intent. I had a shape I wanted to recreate but I wanted the movement and hand like the original inspiration. It had to be improvised. I sketched out how the block might be constructed in terms of process and just went for it. Lucky for me it worked on the first one.

I had no clue what this would be - or even if it would be anything - when I started. I just wanted to play with the shapes and colours. As I went along I explored different ideas, some layout options, and sizing. That is the heart of improv - starting without knowing where you will end. Not to mention embracing the process as much, if not more, than the product.

It's just bonus when it turns into an awesome product.

One of my favourite things is the mix of gray and cream in the background. It isn't expected, people usually go with one or the other. Doing so also meant that I could use that floral scrap there - it is from my first ever quilt!

The quilting is simple. Using my walking foot I made wavy lines across the quilt. My aim was to mimic the lines a paintbrush gives. I did make my life a bit more challenging by not quilting over the red lines on the front. So there was a lot of stopping and starting and burying of threads. A lot. It was totally worth it. I also changed thread colour every 5-7 lines, between a light beige Aurifil and the ultimate dove gray Auriful 2600.

I started the quilt in May 2013, the top was finished in October of that year, and it sat partially quilted for about a year, or more. I'm not quite sure why I just never finished the quilting, but that's what happened. Then, a few weeks ago, I needed to take photographs of a quilt being blocked for an article. I put the call out and had some quilts volunteered, then realized that with just a few hours of work I would have this one ready. I buckled down and just did it. .

Also, three cheers for another awesome back alley trailer for photo ops.

Orange is for Nerds

ORANGE IS FOR NERDS

84'' BY 84''

As my son's 4th birthday approached in March I frantically tried to get his special orange quilt done in time to celebrate. For one, he'd been asking for it and was being remarkably patient for a maniac his age. Two, I really wanted to surprise him with this gift, especially because I hadn't made him his own quilt yet. Finally, a quilt is a not a toy to add to the clutter in the house.

Unfortunately, I never got it finished in time for his birthday. However, by not trying to keep it a secret I could pull it out when he was awake and actually get it done. Bonus, he helped me attach the binding to the quilt. Memories built right in.

The quilt started as samples for a Scrapper's Delight class. That is a pattern from Sunday Morning Quilts and was written by Amanda Jean. The same fabric then became a variety of log cabins and was used for more samples for my Improv Log Cabin class. I still have all the other samples, but stuck with the quarter log cabins in this quilt. 

To make this many blocks I cut up a whole bunch of strips in oranges, greens, yellows, and low volume prints with those colours plus blue and black. It was a bit of a hot mess on the days I sewed, with strips and trimmings flying everywhere. I would chain piece, often 7 blocks at a time. It took me 3-4 hours to get all seven blocks done - there is a lot of piecing in there. Each block was squared up at 12.5'' by 12.5''. There are 49 of them in the quilt. If there was a bit at least 1'' wide after squaring up I used those as a strip in another block. It provides great dimension and movement in an already busy quilt.

It's a bit large for my boy's double bed, but that just means there is plenty of overhang and snuggling room. And something tells me that there will come a time in his life where this quilt seems small.

I waited until Carkai from Carolyn Friedlander was released because I wanted the Bones print in this blue for the backing. Nothing else would do. The whole thing is simply quilted with an improvised grid (meaning: I didn't mark) in Aurifil 2235 - pretty much an impossibly perfect orange. The grid was easy with my walking foot. With such a scrappy design there was no point in doing detailed quilting that would only get lost in the fabrics. 

Orange is my son's favourite colour. We think we know why too. My husband has a great orange jacket (so does my daughter, actually). The first couple of times the kids commented on his jacket he always responded with, "Orange is for nerds!". Now it is a family joke. This all started as my boy was learning to speak so he got in on it from the get go. So now it is his favourite colour and the quilt has its name.

Not sure how often he'll be pulling his quilt off the bed for slides at the park, but it sure was fun to do this with a friend for a photo! As soon as we came home he had me spread it out on his bed, ready for nap time.

Self Portrait - Making Faces With Melissa Averinos

Using air quotes in print infuriates me. (So does asterisks around an action to indicate action, but that is another story.) That being said, I almost put them around the words Self Portrait in the title. My eyes aren't really that colour nor are they that pretty. The fabric selection implies I wear eyeliner or mascara and I rarely wear either. My eyebrows are not grey. I do have pretty lips though.

Being real isn't the point here. It looks like a pretty good face, doesn't it?

I made this face in class with Melissa Averinos at QuiltCon in February. Having been totally taken with her face quilt at last year's QuiltCon this class was my top choice when registration opened. I was not disappointed.

Melissa spent a lot of time in the class teaching us the structure of the face. She started with having us draw a face, then breaking down components and proportion. Totally eye opening! I've never had any drawing training like this. It meant that even if we got figurative with features, it would still be very recognizable as a face. Now, I want to make all the faces!

It isn't for me to share Melissa's exact technique - she does teach this class for a living - but I can say that it was incredible easy to execute. Not to mention, fun!

So far I've only done the quilting on this - simple matchstick quilting. I'm not sure if I will bind it the traditional way or get creative with framing. Time will tell. 

My kids say that this mini quilt is creepy. I'll take that as a compliment, a testament to the skills Melissa taught me about making eyes. And they need to get over that because I think it would be fantastic to do portraits of the whole family. 

The Splendid Sampler - First 10 Blocks

In all honesty, I am shocked that I am here. Ten blocks into a 100 block sampler and I'm actually on track and still making blocks. This is made all the more shocking by three things:

• Embroidery
• Small, precise piecing
• Block styles that are so not my norm

That's the exciting part though. It may be work and a challenge for me, but that is exactly why I am doing it. We all need a push out of the comfort zone sometimes. And there is no improv in this sampler, as far as I can tell, until my block. (And that is only a tiny amount as it is.)

I nearly gave up. If it wasn't the 1'' squares it was the embroidery. So not my world. And I have a lot to learn about both of these skills. Then there is probably someone else in the group incredibly comfortable with these and freaking out over applique or getting precise points. I forged through and so can you.

At the beginning of The Splendid Sampler I know there was a lot of stress about fabrics. I ended up raiding my scraps bins. You need little pieces of everything so it is perfect for scraps. Now that I am this far in I think I will end up in stash for the black and whites. I also think I am going to change colours now. Maybe make a change every 10 blocks. That should help keep my interest up and perhaps make a tiny dent in the scrap bin. Besides, I've never really made a rainbow quilt.

Even 10 blocks in I see so much potential in the designs. So many of these blocks could be made many times over for really interesting quilts. The patterns are worth it for that inspiration alone! If you are following along on Facebook or Instagram it is incredible to see the difference fabric makes in the blocks. Some people are getting a bit creative with their interpretations, but I really like the blocks that allow some personality to seep in while still respecting the original design. 

If you aren't up to speed on The Splendid Sampler, make sure to check out the website. 100 free block patterns over the course of a year! Eventually, the blocks will be put into a book format by our fearless leaders Pat Sloan and Jane Davidson. If I continue to keep up my blocks will eventually make it into a quilt.