Process on the Quilts in A Month of Sundays

It's another snowy morning. That means it is perfect to talk about quilts. Today to celebrate A Month of Sundays I want to share a bit about some of the quilts with you. As a blogger it is so hard not to share my work in progress when making the quilts for the book. So hard. I'm used to sharing everything from the initial inspiration to the fabric pull to the frustrations to the finished top to the end. Sharing that is part of my blogging style and I believe in the honesty of that. I did take photos along the way while making book quilts, so at least I can do it after the fact.

When I'm making quilts for publication my process is actually a bit different. If I were to go my normal way of sewing - starting without a definite plan, adapting and making changes along the way, and ending with something for the sake of it - I would have a lot of work to do reverse engineering to write a pattern. That is a recipe for disaster - for me and someone trying to make the quilt from that pattern.

Oh boy, was finding text prints at the time of doing this tough! 

Thankful for some screen prints dug up on Etsy.

Quilts destined for publication always start, for me, with the pattern. Not just a sketch, but the actual pattern. I like to draft the whole thing first. This lets me think about the best way to divvy up fabric requirements and calculate yardage as well the most efficient way to make the quilt. I consider myself the first pattern tester. As I work there is always going to be a sketchbook filled with numbers or a pad of graph paper next to me. That allows me to write down any notes or corrections as I go. A half an inch makes a difference.

From first fabric pull to second, after patter drafting, things changed a bit.

A good friend gave me advice when I was starting on the journey of this book. She told me to send out the quilts to be long armed. I'll admit, this was hard for me, but it was the best thing I could do. I was having another baby, after all. The deadlines may push forward because of the need to get the quilts to long armers, but the time saved for me was valuable. It meant a lot less stress and a lot more time with my family during the work. Not to mention the savings on my already taxed joints. So, thank-you to Angela Walters and Janet Madyski for getting me through the work.

I use a lot of binding tape in the book.

Coordinating my snacks and my quilts.

When I was looking through my photo library to pull these images I was struck by just how much the making of these quilts, these books, is intertwined in my life. On the same day I was cutting fabric there was a crew framing in the basement and I had a book launch for Sunday Morning Quilts! Same day. Other days will be pictures of my babies doing their thing - like finishing preschool - while I finish a quilt. And all while I had a newborn. So the quilts, and the book, are a true reflection of our life at a moment of time. And more than once I had to take my own advice that I was writing to slow down and sew, not just get caught up in the frenzy of making.

It is always a huge rush to get the quilts made, though. You think you have all this time but you end up doing everything at the end. Your fingers are sore from binding, your shoulders hurt, everyone in the house is cranky at the fabric everywhere... Then you send the quilts away and don't see them for months, or even a year! It kind of feels anticlimactic. Such an energy high from the moment of first sketches to the last stitch and you don't get a chance to even snuggle with the quilt. But now the quilts are home, living in rotation. Reminding me of the time spent in creation, the moments that happened then, and the concept to just chill out.

Not helping me when I needed to quilt.

So, on this Sunday filled with sunshine and a blanket of fresh snow I will do just that. Right after a birthday party and coffee date with my Hubby. But then, then I can pour some tea, wrap myself in a quilt, and attend to an afternoon of puzzles and paper crafts with my girls.

Remember, there will be giveaways at the end of this celebration. One comment on each post in the month enters you for the prizes.

Tell me, coffee or tea, or hot chocolate with marshmallows?

Ideas

She kept coming by the dining room table to finger the project. She would pick it up, feel the laminated fabric, flip it over, and then look at me.

"Seriously, who gave you this idea?"

Thanks for the vote of confidence, Mom.

My Mom is awesome. She is always happy to come and help us when I am overwhelmed with too much stuff (she is an expert purger), when I travel to teach she arrives here to watch the kids and clean my fridge, and when producing A Month of Sundays she came and kept us together during the photoshoot. She cleaned my house and watched the kids and fed us in the most Mommiest of ways, as Kate described it.

My Mom, however, has not had the chance to live a creative life. She delivers babies and helps new moms. She is the woman who taught me to sew and I do vividly remember her sewing us clothes and herself a gorgeous winter coat. There may have also been some macrame lessons in there. But that was all a long time ago. So when she looked at this particular project she couldn't imagine how I could have imagined it.

She's not alone. I get that question quite frequently. Just where do you get your ideas?

There is no easy answer, no one spot to look when I need a project. It just isn't that simple.

The project my mom was talking about was the Floral Wrap from A Month of Sundays. Made from laminated cotton (or oilcloth, if you prefer) it is for all your floral needs when out shopping. The idea for it came to me as I loaded groceries one day. There I had all my reusable shopping bags filled with Market goods. Then I placed my paper and plastic wrapped flowers on top. One of these things is not like the other...

I immediately went home, sketched a bit, then drafted a pattern.

There in lies the first spot I get my ideas: NEED.

Identifying a need or a gap in the creative register is sometimes the spark. When looking for an answer to a frustration or struggle the solution may be found in your sewing room instead of a product that may or may not exist.

On the day of the photoshoot for the Floral Wrap I took my wrap into the florist and picked out the flowers. When I handed the Floral Wrap the florist she had the same reaction as my Mom. This may be my one moment of genius in life, I better run with it!

Other moments of inspiration come from shop windows, like the colours in Hugs and Kisses or the design of Sherbet. Sometimes it is from a need to just take something traditional and do something different, like in Pinwheel. It isn't always a visual that inspires either. I've been inspired by words, stories, or even concepts.

You won't always know the moment the idea hits. But if you leave yourself open to it and have a means to capture it - with a sketchbook, a camera, a scrap of paper, a cell phone - then you can hold on to it. In fact, there is even a section of A Month of Sundays that talks about capturing your inspiration.

So when it comes to getting ideas, I think the best advice I've got, and my answer when people ask me just where I got that idea, is that I was simply open to the inspiration. And you do this by embracing creativity and opportunity. It is so easy to get caught up in the minutia of daily life, of motherhood, and even of quilting. Take the time to play, to try something new, to slow down, and the ideas will flow.

What will you do today to open up for inspiration?

One Day - A Quilt

One Day

40'' x 50''

Made for Hubby's best friend's new baby boy. As soon as they announced they were expecting my Hubby informed - not asked - me that I would be making a quilt. Rather than take offence I gave myself a pat on the back that he appreciates this gift as much as a recipient. And this little quilt is now in the baby boy's hands.

The whole quilt came together quite fortuitously. I used the map fabric I had left from this quilt. The couple who are parents of this baby boy are world travellers. In my imagination I live vicariously through the adventures they've had. Hubby actually picked that fabric when I decided I would use this block as the basis of the quilt. In addition to the map fabric I used a variety of low volume prints in blue, green, yellow, gray, and orange. Some of the prints were even from the couple's wedding quilt!

The map fabric is a little odd as it isn't exactly geographically correct. This is not what Canada and the US look like! But the outside borders are there. If I cared to research things in the history books I'm sure I could find a year to associate with this geography. For now, we all get the idea.

The quilting is done with Aurifil 50W in white, as was the piecing. It is a combination of grid work and dot to dot curves around the map sections of each block. Together, it creates a wonderful texture.

This is Hubby's other contribution to the quilt. He insisted that one block with Australia be placed upside down. Sure, whatever.

Finally, when it came to selecting backing fabric Hubby stepped in. He and his best friend have always bonded over cars. And indeed, this guy works at a car dealership now. So the car print was the only choice! I guess it really is a travel themed kind of quilt.

One day the world will be his to explore.

Plus, a Quilt Top

Back when I was in Nova Scotia (oh, how it feels like it was last year, not last month) I managed to get a bit of sewing in for myself. I had such eager students that were going back to sew late into the night, after dinner. One night I decided to join them. I made great progress on these blocks while chatting about klutziness, motherhood, real estate, and more. I came home with just some final seams to sew.

I took a break from binding Just One Slab quilts and finishing a baby quilt to get this top together. And now I want to throw everything aside to finish it!

I debated a number of ideas for layout. Contemplated more blocks. Thought it should be bigger. In the end, the idea of quadrants won out. I liked the echo of the quadrants in the blocks into the quilt top as a whole. And I wanted the plus signs to really float on that pieced, scrappy background.

So much fun. All improv fun. And all that grey, such lovely grey. Mostly made from scraps. Just wait for the texture from quilting.