Morning Make - February 2020

As the granddaughter of the quintessential Ukrainian Baba it might have been inevitable that I would embroider something at some point. I won’t lie, I’ve avoided, even resisted, embroidery over the years. That was Baba’s thing, not mine. When the girls played around with it I could support them, but stayed out of the way. Mostly, it just never appealed to me.

For February I decided to face it. A new stitch or motif every day for all 29 days. No commitment to finish a designed piece or fill a space. Just pure experimentation and play.

I did not account for really enjoying this.

To start, I fused a stabilizer (some random one in my drawer) to a piece of linen. I dug out my Baba’s stash of embroidery floss, colour sorted thanks to one of my daughters plus my stash of Valdani threads. I found a few videos on You Tube and a couple of books on my shelf to begin. Using basic stitches like back stitch, stem stitch, lazy daisy, and a running stitch I got the first few days in. Then I looked for more things to do. The more I looked, the more I wanted to try! There are a heck of a lot of embroidery stitches out there!!!

My one stipulation was that I only use one thread per day. A couple of times it was a variegated thread so it looks like more than that though. This limitation kept me from making intricate designs, both a good and a bad thing. Good because this was about learning stitches and experimenting. Also good because I only had my 20-30 minutes in the morning and more detailed work takes time. Bad because I would get really excited and start thinking about things I could do with the stitch and patterning if I could just add another colour or alternate stitches.

This is ultimately the point of these Morning Make exercises - to see what you can do with your limitations and open up your mind to creative possibilities!

I will confess, that part of the reason I wanted to do this was to see if I could find some potential quilting stitches. You see a lot more hand work beyond the perfect quilting stitches and cliche big stitch out there. Those are great, but could I do more than plus signs/Xs? Here is the back of the piece - what do you think?

Here are some of my favourite resources for technique or inspiration:

S is for Stitch by Kristyne Czepuryk
Handiworks You Tube Channel

@kim_broidery on Instagram

Now on to March! I’ve started the month with the flu so have chosen some relaxing Colour Meditations by Lisa Solomon via CreativeBug. They’ve been a lot of fun to share with my son, who is also sick.

Quilt Bravely - Say Hello to Prints as Background

This is the second in a series of posts encouraging you to be different, quilt different, quilt bravely. To bend or even break some rules while pumping up your creative voice. You have the creative confidence, I’m just here to remind you of it.

Most of the first few quilts I ever made - some 2 decades ago - were pretty colours with a white background. For those first few years I couldn’t imagine how I would make a quilt any other way because it just looked so perfect to me. Well, I’m not sure what changed, but it’s been at least a decade since I made a quilt with a plain white background!

To be clear, I was almost never using plain white, a solid. No, I was using that lovely stuff called White on White, or what we used to refer to as WOW prints. A pretty shiny white ink on white fabric. Now, of course, the whites were never all the same and this row of fabrics in any quilt store will read from bright white to eggshell to cream.

Side note: if you ever find that white ink to be too bright, use the wrong side of the fabric. You get the idea of the print without the glaring brightness of the ink.

Then I discovered low volume prints. There weren’t as many then as there are now, but they definitely existed. More often than not that can still be located in the black and white section of the fabric store. Only now you can get a lot more choices of coloured ink.

I do find that people are afraid to use prints in a background, worried that they will overwhelm the design. Or, they are used and the design disappears. Here are two fundamental lessons to making sure neither thing happen.

Antonio’s Quilt

Mod Tree Quilt, pattern in Modern Patchwork

Value Matters

Value is the relative light and dark of a fabric. The key word being relative. It is about what the fabrics look like next to each other. If you want your design to stand out, then you need good contrast between the main design components and the background. This matters especially so when all the fabrics are prints. It isn’t enough to just have colour contrast, or maybe you want a monochromatic look. Either way, making sure the value of the background prints contrast with the design elements is important.

You also want to make sure that your background prints are all of similar values. They don’t have to be match match perfect, but aim for similar. This leads to the next key lesson.

Sewing Machine Quilt, check out Pattern Drop

There is Peace in Pattern

Texture Matters

Texture is the look or density of the print. Is it a sparse, large scale print with negative space between design elements? Is is a dense text print with little space. Side by side, the dense print will look darker.

It isn’t that you have to pick prints where they are all the same density, but knowing that some will pop while others will recede allows you to balance their use across a quilt. And if you have one print that really seems to be taking over the background you can do two things: remove it, or add more similar prints, so nothing stands out on its own.

Compose Yourself from The Essential Guide to Modern Quiltmaking

Smooch

Colour can make a difference in backgrounds. Be willing to experiment with pale colours instead of white. Pick multi coloured low-volume prints instead of black and white. Mix grey with black and white. Or heck, make your main design elements a light colour and your background a delicious, dark print.

Have fun playing with prints. They are a pure delight. And we have such amazing fabric designers in the world providing us with endless inspiration.

Check out the first in the Quilt Bravely Series: Creatively Contrasting Binding.

For more details on using low volume prints as background make sure to check out my book, A Month of Sundays. It gives you all the lessons!

Contentment versus Happiness in Life and Quiltmaking

Where do you find happiness in your quilting? Is it is the process or a specific part of the process? Or is it in the finished quilt?

I’ve been thinking a lot lately about the difference between contentment and happiness. Here is what I shared with my newsletter readers last week:

So many of us are always on the look out for happy. We think happiness is the ultimate goal. We are wrong, I see now. Contentment is what we should seek. 

Think of it this way. When you have a baby the exhaustion level, physically and mentally, is high. So is the amount of stuff and drudgery in your day. But then the day comes that they genuinely see you for the first time, the day they roll over, the first night they sleep for 6 hours straight, pulling themselves up at the coffee table, crawling, walking, the first word. These milestones are all the happy we desire. They are excitement and pure joy. But they aren't really enough to get us through the day to day, the repetitiveness, the mess of parenting a baby. Unless, of course, we can embrace the naps on our chest again, cleaning the favourite toy of spit up again, the screeching, and even the diapers. Contentment is when we can look at all of that and still smile.

Happy is an exclamation point. Contentment is a smile. 

If our lives are filled with nothing but exclamation points it will be fun, sure, but also exhausting. Here's another way to think of it. Imagine your last good vacation, if you can. Was it all adventures - zip lining, horseback riding, spicy cooking classes, the tallest building in the city, surfing lessons? Probably not. But maybe you did one or two really exciting things and then otherwise enjoyed strolling the beach or city streets, reading a book, a delicious bakery where you lingered. If it was all the adventures - the exclamation points - it would be a lot of fun, maybe a bit stressful, and very, very tiring at the end of the day. But those quieter moments, the ones that make you smile and sigh are delightful.

Regular life needs to be a combo of both. However, instead of seeking happiness, we should be looking for what makes us content. More importantly, we should be looking around us and realizing that what we have is good and brings us contentment. You might be surprised at what you see.

Then I was speaking with a lovely lady in my neighbourhood this week, also a quilter. She spoke about how she will look at a finished quilt and wonder just how she got there. Like suddenly it is finished and the making of it has slipped away. Yet the making of it is where her peace is.

Contentment = enjoying the quilt making process.

Happiness = the finished quilt.

So I suppose that now that I’ve thought of it this way, I see my love for the process in an even better light. And it explains my defence of unfinished quilts. I would much rather have contentment, a smile, in my life on a daily basis than the energy of an exclamation point. Don’t get me wrong, happiness is awesome, finished quilts are awesome, but finished quilts only come around a few times a year. Why hang all my joy on sometimes success when I can have peace everyday in the making?

To that end. I did finish a few quilts recently so I was happy to pull out an old, favourite project. I’m jazzed for it and sneak in to the sewing room in spare moments to put together just one more string of Itty Bitty curves. The piecing makes me feel joyful, the work growing gives me all the smiles, and the daily making is 100% about contentment.

Quilt Bravely - Creatively Contrasting Binding

This is the first is a series of posts encouraging you to be different, quilt different, quilt bravely. To bend or even break some rules while pumping up your creative voice. You have the creative confidence, I’m just here to remind you of it.

So you need to bind a quilt? You might be one of those quilters who not only selected their binding fabric with the rest of the fabrics but also made your binding before needing it. That would be awesome! This post is for those of us looking to jazz up our quilts with binding, not just treating it as an afterthought.

Binding selection generally comes as the quilting winds down. Maybe even as the quilted quilt sits and marinates or you muster the energy to do it at all. You might have a default binding - black and white stripes, anyone? You might search for just the right shade of blue that coordinates with everything in the quilt and the quilt back. You might pick the stripe from the fabric collection that the quilt top is made from.

My challenge to you is to embrace a contrasting binding. Whether in colour, style, value, or design a contrasting binding might be exactly what your quilt needs for a stellar finish. If not contrasting, think creatively about what choice you can make. The unexpected one is often the exact right one. Here are some great ways to play with your binding selections.

High Contrast

Use the colour wheel or simple preference as your guide. Pick a colour not even in the quilt top but that coordinates nicely. Using the colour on the opposite side of the colour wheel is an excellent way to do this. For example, orange and blue.

Shiver

Stripes

(yet to be shared)

Highlight a Little Used Colour/Fabric

If you have just a little bit of a colour in the quilt top use the same colour binding fabric to wrap it all together. The examples above show me pulling out the green in the background print, even though there is no other green in the quilt top and using the same coral fabric that is only used sparingly in a quilt with 100 blocks.

Smooch

Lilla

Look to the Back

You may have picked a fabric that coordinates with the front but doesn’t necessarily use all the colours of the quilt top, go ahead and pick your binding from that fabric.

Lilla

Compose Yourself

Think White or Pale

Most of us shy away from a white binding, fearing a show of dirt. Let me tell you, that isn’t a fear worth having. It looks absolutely amazing on a quilt. Whether a print or a solid a light binding is an exciting frame to your work.

Morning Make I

Crossword

Insert Highlights in Bindings

Add a pop of a different colour randomly or make intentional inserts to extend the design of your quilt top. This is the moment to really think of your binding as part of the quilt and not necessarily just the frame.

Plus Size

Pieced Bindings

Okay, so all bindings on a not-mini quilt are technically pieced. Use different fabrics to accentuate the design of your quilt top. For example, I made a rainbow of binding to wrap around my Pride quilt. I’ve used leftover strips to create a scrappy binding. Play with it.

Pride Quilt

Scrap Quilts Call for Anything and Everything

Probably the most commonly used binding for a scrap quilt is some form of black and white stripe. It’s nearly a cliche. Sure, it looks good, but think outside the box. Grey is a good option. As is using the scraps of binding you have stashed all pieced together. Multicolour prints also look great. Or pick one colour you feel is underrepresented in your quilt top and use that.

Values Plus

Wine Gums

Forgiveness

Embrace the Uneveness

One of the reasons people love a stripe on the bias is that there is no concern about it looking ‘off’. And when was the last time you used a plaid or check on a binding? Just run with it and let your eye move around and even be fooled. It’s quite a fun effect actually. Essentially, you are ignoring the pattern to embrace what the fabric can do on the small scale of a binding.

Sewing Machine Quilt

Pocket Squares