Opal - More Adventures with Improv Applique

Opal

43” x 38”

A sweet soul, always there for others, full of love. Opal is a kind women, volunteering for her church, providing extra bandaids for the neighbourhood kids as they ride their bikes by her house, and always with a batch of cookie dough in her fridge. She loves a good cup of coffee and isn’t opposed to a little gossip on the side. Nothing mean hearted though! And you can always count on her for potato salad at the picnic.

A year ago I was teaching Improv Applique at the Edmonton District Quilt Show. I made up a new sample for the show - piecing a background of low volume scraps. With the guidance of the participants I cut this bowl shape to demo the techniques I teach. It was a fun shape and the impact was strong. Come fall, I would add another bowl, as I called them, here and there. During the depths of winter I finished the top and it sat patiently, waiting its turn for quilting. It’s me, so it could be waiting a long time for that!

But then I realized I did make a baby quilt for a recent addition to the extended family. Like, I totally forgot. As I consulted my Quilts Under Construction list looking for something appropriate, this applique treasure came up. It’s absolutely perfect for the recipients! Maybe it was meant to be?

I quickly made a backing. Birds and more birds! I know that the baby’s Mamas love to watch the birds in their yard, so it was perfect. And I think I used the Charley Harper fabric on the back of a doll quilt I made for their first kiddo. With some simple straight line quilting it was a quick finish - once I decided to do it!

To bind the quilt I raided my green stash. I’ve used green in their wedding quilt, the first baby’s quilt, and a doll quilt. Plus, the dark green went well with the one darker purple bowl.

Ready for all the baby snuggles. Well, once summer is over! Unless I make a quilt out of a mosquito net or rubber boat, I doubt it’s getting used this summer.

A Notan Inspired Quilt Top

Have you heard of Notan? I know it as a Japanese paper cutting art form where the positive and negative space, or the light and dark aspects mirror each other. There are more in depth or different interpretations but they all come down to the interplay between the light and dark. I love it all.

In the early spring I’d finished two scrap quilts full of riotous colour. I decided I NEEDED to try out an idea that popped in my head. Just a couple of blocks, no expectations. Some hand applique, creative cutting, and only black and white fabric. I was thinking about Notan and how the concepts could be applied to fabric. So I grabbed two rectangles of fabric, one black and one white, and I cut them. And immediately I knew my idea did not work. At least not without some additional layers for success.

In the Notan of my inspiration you take one piece of paper, the black, let’s say. And you cut it. You then get the design of the black ON the white, with the white showcasing the design. On one side it will look like a white design with a black background and the other side will look like a black design on a white background, but the designs are the same/mirrored. And you only cut one of the papers, the light or the dark. This concept is absolutely doable in fabric too - with one cut only - provided you either have raw edges or do not factor in seam allowances.

In my interpretation I cut through the black and white fabrics at the same time. This is because if I only did one cut and then tried to mirror the pieces with applique the seam allowances would change things enough that it wouldn’t look like a mirror. In more detail, let’s say I cut a triangle from a rectangle of black. I appliqué the triangle itself on another white rectangle. The triangle gets smaller because I’ve turned under the edges for the needle turn applique. But I want a mirror piece so I then take the remaining square of black that has the triangle cut out of it and applique it on another square of white (one with the same outside dimensions as the square of black). Now the opening of the cut triangle becomes bigger because, again, seam allowances. So the two white triangles do not end up the same size. In the end, then, I would cut through a black and white fabric at the same time, plus cut additional background fabrics (two white and two black) so that I ended up with four blocks, or two mirrored sets. The way that I solved the problem of the different seam allowances was that I mirrored the blocks that had the center portions of the cut blocks in one set and mirrored the background appliqués in the other set.

This is the background cut piece (the white) appliquéd on to a piece of black. Think of it like reverse applique.

This is the coordinating cut center from the above white appliquéd on to a piece of black.

So these two blocks would NOT be paired together because the seam allowances would distort the Notan effect. I paired them with their coordinating cut with the black appliqués.

Clear as mud?

After I made my realizations and made the first sets of blocks it was clear that I wanted to make more. And more. It took a little planning to make the sizes work because I had cut my first blocks in a rather random and odd size (12.5” x 20.5”). To be honest, it took a lot more planning than I am used to! In the end, however, it came together with just the right amount of fabric before I ran out.

It is not a representation of the art of Notan, but I think the inspiration definitely shows. Now to figure out how I want to quilt it.

Flora - A Baby Doll quilt from Park blocks

Flora

36” x 36”

She’s a sweetheart. Flora loves all things nature, especially plants and birds. But she will also stop to rescue a bug. Even the caterpillars because, while kind of gross, she knows they will turn into something beautiful. So drink the nectar, watch the sunlight move through the trees, and count birds eating mountain ash berries outside your window, Flora will be right there along with you.

Earlier this year I finally gifted an overdue wedding present to my husband’s cousin and her wife. Around the same time their son was enjoying the new baby doll that Santa brought him. Knowing I hd a few extra blocks around, I turned them into a coordinating quilt. Now he can snuggle with his baby just like his Mamas snuggle with him.

There were already 3 blocks started (and none finished). They combined my old Tag Fabric and some prints from Heather Givans’ Succulents collection. Went into the vaults for these! I made the last block with another of Heather’s prints and something else I found in my stash. It was kind of neat to have a theme to the fabrics - all plants. The Park pattern by Carolyn Friedlander is a good opportunity to show off fabrics. On the back I used a Charlie Harper print with birds on it that I know the Mamas would appreciate.

On the original quilt I also quilted a grid. That one was a vertical/horizontal. On this one I went for diagonal. In both cases it should be sturdy enough with the hand applique. Both quilts are going to get some good snuggles.

To finish the quilt I had just enough of the green fabric from the original quilt to also bind this one. It’s another way to tie the two of them together.

Flora is already in her new home, already in use with that loved baby doll. She’s big enough for snuggling under right now. At one point in life I made a few dozen doll quilts and there were tiny. Just big enough to cover a doll or stuffie. While they are loved and used this way, I like the idea of making them a bit bigger so kiddo and doll can be snuggled together. It works while the kiddo is little, at least.