The Splendid Sampler - First 10 Blocks

In all honesty, I am shocked that I am here. Ten blocks into a 100 block sampler and I'm actually on track and still making blocks. This is made all the more shocking by three things:

• Embroidery
• Small, precise piecing
• Block styles that are so not my norm

That's the exciting part though. It may be work and a challenge for me, but that is exactly why I am doing it. We all need a push out of the comfort zone sometimes. And there is no improv in this sampler, as far as I can tell, until my block. (And that is only a tiny amount as it is.)

I nearly gave up. If it wasn't the 1'' squares it was the embroidery. So not my world. And I have a lot to learn about both of these skills. Then there is probably someone else in the group incredibly comfortable with these and freaking out over applique or getting precise points. I forged through and so can you.

At the beginning of The Splendid Sampler I know there was a lot of stress about fabrics. I ended up raiding my scraps bins. You need little pieces of everything so it is perfect for scraps. Now that I am this far in I think I will end up in stash for the black and whites. I also think I am going to change colours now. Maybe make a change every 10 blocks. That should help keep my interest up and perhaps make a tiny dent in the scrap bin. Besides, I've never really made a rainbow quilt.

Even 10 blocks in I see so much potential in the designs. So many of these blocks could be made many times over for really interesting quilts. The patterns are worth it for that inspiration alone! If you are following along on Facebook or Instagram it is incredible to see the difference fabric makes in the blocks. Some people are getting a bit creative with their interpretations, but I really like the blocks that allow some personality to seep in while still respecting the original design. 

If you aren't up to speed on The Splendid Sampler, make sure to check out the website. 100 free block patterns over the course of a year! Eventually, the blocks will be put into a book format by our fearless leaders Pat Sloan and Jane Davidson. If I continue to keep up my blocks will eventually make it into a quilt.

A Year of Garment Sewing - 13 Things I've Learned.

This represents a year of garment sewing. (Minus one sweatshirt and two skirts hanging in other people's closets.) I am suitably impressed with myself.

A year ago I tried making a Linden sweatshirt, then another, and another. I made one more a few months ago. Two years ago I still would have said that I will never sew clothes. Now I have a collection of patterns in the To Make pile and I stash garment fabric. I hardly know myself!

Yet, I am so drawn to garment sewing. I know why, too. This has become my hobby. In order to avoid complete burnout with quilting being my career I needed another outlet. I'm not so keen on other crafts with a small house and limited time. Plus, I really, really like my sewing room. Sure, I could, and do, read in there. But sewing is what I really want to do. If quilting is just too much that day I pull out my tracing paper and already prewashed garment fabric. They are relatively quick finishes compared to quilts, another bonus. Finally, making a garment is a palette cleanser for me. A reward when I finish a quilt, a quick project between big quilts, something to take advantage of a clean cutting table before I mess it up again.

In this past year I've learned a few things about garment sewing.

• When you are told to use a rayon or poly thread, use it. I had the quilting mindset and was all cotton all the way. But cotton thread has little give and ripped seams in my knits are the results. I've remade one sweatshirt and rehemmed a few others.
• Make a muslin or test piece. It helps with fit and to work out any confusion that might come with construction. I've been making mine out of solid cottons when the pattern calls for a woven - they are generally cheaper and I can resuse them back for quilt scraps. I make wearables with the knits, knowing I can donate it if it doesn't work out for me.
• Yet, there are times when you make something and it looks great, but it just isn't you. 
• Adjusting a pattern isn't that big of a deal.
• Spend the money on tracing paper. I always trace my patterns instead of cutting the original. It is easier to make changes and then make multiple sizes, if necessary. Like if your best friend asks really nicely for a sweatshirt.
• Storing the patterns after tracing is a pain. So too when you print a PDF pattern. I've taken to saving paper towel and gift wrap tubes and storing patterns in those.
• A serger would make my life so much easier, but I really don't know where I would put it. I might have to figure out that detail though.
• Just because the pattern is popular doesn't mean it will be right for you, for your body. And that's totally okay. If you aren't sure, hit the mall and try on something in a similar style. Then determine if the style works and/or if you could adjust the pattern for yourself.
• Voile, once washed and sewn in a garment does not drape as I expected.
• It will almost always take longer than you thought it would.
• Unless you have the most basic of sewing machines, there are a lot of stitches on your machine that are your friend. Discovering the blind hem stitch and how to use it was a game changer for me, for example.
• Nearly every independent pattern I've used has extensive resources online. Maybe not from the designer themselves, but a google search will pull up blogs, reviews, and tutorials that can help you with your sewing.
• Garment sewing is not nearly as scary as I remembered from my Home Ec days.

Here is what I have made this past year. When I hung them all together like this I was shocked. I didn't realize I had made this much!

• Five Grainline Studios Linden Sweatshirts, one in double gauze and one where I played with the sleeves.
• One Liesl and Co. Everyday Skirt in Cotton and Steel rayon challis.
• Two t-shirts that I copied from an old favourite.
• Two April Rhodes Staple dresses, one cut to a tunic length (but they definitely need belts when I wear them).
• One True Bias Sutton Blouse. A great pattern, but I'm not sure the voile I chose was the right material, or maybe it is the cut on me?
• One Sew House Seven Bridgetown Backless. I love this, but from the front I look like a linebacker. Again, voile might not have been the right material choice.
• Two skirts from Modern Style for Girls by Mary Abreau that my daughters love to twirl about in. 

There is a stack of fabric and patterns waiting for more of my time. I wish I could tackle the pants I want to make for the kids, the linen pants for me, a skirt out of Liberty, find the right pattern for the silk/cotton I recently picked up... The list goes on. And I'm pretty excited about that.

Arm Knitting Trial - A Pouf!

Back in January I found myself in Denver (more on that later). While there I got to finally meet Anne Weil from Flax and Twine.  We connected on-line years ago and have that sort of internet friendship that can do no wrong. So to meet and hug in person was such a delight. My last day in Denver Anne happened to be teaching an arm knitting class at Fancy Tiger. How could I resist?!

Arm knitting was surprisingly fun and easy. And this is coming from a non knitter. Anne explained everything so well, demonstrating the technique herself - have you ever tried to teach a class with your arms literally tied up? In the class we covered the basic technique, yarns to use, and knit up the foundation for a pouf. 

What's a pouf? Well, in my house it's become a footrest, a book rest, a toy, a dog hair catcher, a perch for small children, and a back roller. It's whatever you want it to be. Plus, it looks cool.

The most awesome thing about arm knitting is that the yarn is the only supply you need. Barring amputation you have everything else you need.

I made mine out of an orange Wool and the Gang wool. You use 4 skeins of the thick stuff, officially referred to as super bulky (200-250g). Orange, because well, orange! We cast on, made a gauge swatch, then frogged our swatch and started at the project. For a pouf you essentially make a blanket then cinch the ends through the casting on and off stitches. (are there more correct terms for that?) By the end of the class I had my blanket part down and went to the airport armed (ha!) with the instructions to finish the pouf. I hugged Anne goodbye and got out of Denver on Superbowl Sunday.

At home I filled an orange pillowcase with buckwheat hulls, sewed it shut, then cinched my pouf around it, tying it closed. Anne suggested using an old duvet or comforter, even something you find at the thrift store. I wanted something more substantial so it could be a footstool or perch for the kids, hence the strange purchase of 35 pounds of buckwheat hulls (for multiple projects).

Anne literally wrote the book on arm knitting. Knitting Without Needles is a beautiful and fascinating book. It covers both finger and arm knitting - only used your fingers, hands, and arms. And it is so much more than scarves! Despite the freakish amount of quilts in this house and a treasured crochet blanket from a friend I think I want to try my hand at a cozy blanket next, but the pillows and the tote... The book, and Anne, are gorgeous and inspirational.

Denver was a lucky trip. On my way home from QuiltCon judging I fit in an Instructors' Summit with Craftsy. (Anne is also a Craftsy Instructor so that's how we were able to meet.) It was great to get back to Craftsy to connect with staff there and other instructors. Filming my class and ongoing participation with students has been a tremendous experience. 

Now would be a good time to tell you about a promotion Craftsy has going on (seriously, like attending the Summit, this post is only about lucky timing.) For every class you sign up for until March 13 you are entered into a draw to win $1000 for your favourite craft based charity! If you've never signed up for a Craftsy class now is definitely a good time to do it. There are so many interesting and informative classes on Craftsy. Did you know they even have gardening classes? I just discovered that myself. I'm a huge fan of the cooking classes too and am learning photography skills. 

Full disclosure: there is a small incentive for instructors here. For every five NEW buyers I get $100 (That is people who've never purchased a Craftsy class before). That's not my concern though. What I do love is that if 50% of instructors drive at least 1 new buyer they will double the charitable donation.

To be entered in the draw for the donation you have to purchase classes through this link. Feel free to share.

Now, back to regularly scheduled crosswords with my feet up on my pouf.

Quiet Rainbow - A Low Volume and Colourful Quilt

Quiet Rainbow

34'' x 34''

To be honest, I've never made a rainbow quilt before. I know! (Rebecca Bryan would probably understand, probably.). To be really honest, I started this quilt 4 years ago. All of you can probably understand that. 

The top was made when A Month of Sundays was released. I used it as a promo piece and sample on using colour and low volume fabrics - it isn't just for backgrounds. It came around with me to events and classes. I'd planned on finishing it then, but new fabrics! New quilts! Summer!

Low volume is so much more than soft prints, black and whites in the background, and totally scrappy. You can have colour work, order, and control when using them as well. Just as you would for a deeply saturated rainbow of fabrics, you can with low volume. All of these fabrics have white backgrounds and a full range of colours. Let me tell you this, if you think it is hard to find good purples in general, try finding low volume purples that aren't just lilac.

Strips sewn together, sliced in half, flipped around, and back together again. Then the two shades of grey to show what can happen when you change the bordering colours. Super simple. Totally striking. 

In January I booked a few hours on the long arm to get some quilts closer to finishing. I had one to get done for sure but an additional hour of time meant I could put a little one on the frame too. This was the little one. I just went with the turquoise Wonderfil Konfetti 50w that was already in the machine with a wavy sort of stipple. Quick and easy and adds great texture. 

There is a little bit of sadness with this finish, however. I recently learned that A Month of Sundays will be discontinued. Simply put, that means it isn't selling well. I won't lie, that stings. This book, I am so intensely proud of it. It really is the resource on using low volume fabrics effectively, but I don't think people really got that the info was there. Not only that, it is really personal - with my family and friends modelling for me and all my writing. I'm sure that personal touch is what made it unattractive to some, but I stand by everything in this book. From the words to the projects to the lessons to the photography by my friend Kate Inglis. I am still thrilled that Stash Books, my publisher, took a chance on this format.

So this means that if you haven't got a copy of this book yet now is the time to get it! Now, before it is gone forever and you can only find it at the guild sale when someone else is cleaning out their library.