Mary - Uncovering an Old Block Design for a New Baby

Mary

48” x 48”

The matriarch of a close but spread out family. Cousins looking out for each other, uncles closer to brothers, babies of all ages. She did not live to see it all, but she knew what she set in motion. She created a life, a space, a family, that welcomed everyone. Her small frame held a big heart.

On of my husband’s cousins had her third baby last summer. I knew I would be gifting a quilt so was exploring my options of already made or at least pieced projects in the stash. But when the little guy arrived none of them felt quite right. With his name starting with the letter T, I decided to lean in to that and pulled a quilt block and book from the archives.

Back when Modern Quilting became something we capitalized, I contributed to a book called Modern Blocks: 99 Quilt Blocks from Your Favourite Designers. The block was called To a T, because it was essentially a giant capital T. But put together gave you some cool secondary designs. I made up a big quilt, that, after some snuggles at home, sent it off to a kid’s cancer camp. It was a lot of fun to play with it again.

I dug into my fabric - both scraps and stash - to make an eclectic but soft version of it. I’ve got some fabrics in there that must be at least 15 years old, and some much more recent. I love mixing it up and pairing things in unexpected ways. Like classic large florals with modern geometrics. Keeps it interesting and not flat.

I dug into my fabric - both scraps and stash - to make an eclectic but soft version of it. I’ve got some fabrics in there that must be at least 15 years old, and some much more recent. I love mixing it up and pairing things in unexpected ways. Like classic large florals with modern geometrics. Keeps it interesting and not flat. I finished it with a simple loopy quilting in cream. Nothing fancy, but enough to give it great texture for snuggling.

The binding? Well, she’s a bit extra. Mary did love some statement jewelry at times. Instead of just simple big stitch finishing I opted for Xs, but alternated colours. It’s a lot easier to do than you might think and really doesn’t take much longer than normal hand finishing. I used Valdani 8W for the stitching. The solid fabric for the binding it out of my norm, but it was what I had in the stash that worked well.

The baby in question - Taz - was born in July and it wasn’t until winter started that I got myself organized to make the quilt. Then I moved pretty quickly to finish it. After that I procrastinated for months on sending it to them. I just really hate going to the post office. These pictures were taken in January! Finally, Taz’s Mama sent me a kind text asking if I would make a quilt for Taz, as I had for their other two. Wasn’t she in luck? I washed the quilt, wrapped it safely, and sent it out a few days later. Who am I to turn down a sweet request for something I had already done?!?!

Oh, and the namesake for the quilt? Baby Taz’s great grandmother, Mary Ross.

Fall Frost Obsession

About this time last year I saw a block pop up on Instagram. It was part of a sew along and I was immediately transfixed. Did I want to participate in the sew along? Sorry, no, not for me. But I could not get the block out of my mind. Luckily, the pattern for each block in the sew along was for sale individually.

This is the Fall Frost block designed by Heck Yes Sew.

I made one block - it took me hours - and set it aside, thinking I’d satisfied my craving. But it lurked in the corner of my creativity for months, haunting me. I had enough of the fabric I first used for background to make another block, so I did.

Then I realized that I wanted to make a whole quilt. That began a search for more of the background fabric. Alas, I wasn’t able to find much of it, but I did find similar colours. Being an improv quilter, however, meant that it was easy enough to come up with a new plan. Improv is, after all, about starting without knowing where you are going to end up. So I channelled my inner Tim Gunn to “make it work”. I’m still a bit short of one of the colours, now that I’ve gotten this far, but it is getting sorted.

This whole thing is out of my norm, my comfort zone. All that precision piecing, such a dark background, big expanses of a single colour. Frankly, it’s rather perfect for me right now so I couldn’t be happier.

It is the peak of fall colours here right now, and the weather is making a swift change this week. I don’t know when we’ll see snow, but it would be great to get this done in time to enjoy in the upcoming season.

Calla - Another Version of the Lilla Quilt

Calla

81” x 81”

Calla is Lilla’s younger sister. Not quite so driven as the first born, but way more fun. She is the free spirited second child, moving to her own rhythm and enjoying life as it comes. She dreams of sandy beaches, big parties, and a good glass of wine. Not content to stay home or stay quiet, Calla loves to live and lives to love.

True confession, I finished this quilt at some point last fall, maybe even in the summer. That was after the top sat for a few years. She is another version of the Lilla quilt pattern, designed in collaboration with Lotta Jansdotter. This version was actually made as part of a blog hop for Scott Hansen’s Tie One On Fabric, in 2018. That’s just how quiltmaking goes for me and I will not apologize for it.

I will, however, apologize for the massive delay in getting this quilt to its recipients. I just gifted this as a long overdue wedding present to some extended family. They had a Covid wedding that we watched on Zoom. Does that mean they should wait 4 years for a wedding present? Of course not. But they have it now, that’s what counts!

I quilted her on a rented longarm with a unique all over design. Mostly, just me doodling. Much like the quilt itself, it is a mish mash of shapes. In all honesty, I wasn’t too fussed about it. One, this is a functional quilt, not a show quilt. That means the quilting is there to hold the quilt together and give it texture. And two, with the 100% cotton batting I use, the crinkle factor kind of negates most detail in a quilting pattern. Best to enjoy the quilting process and do it well, rather than stress about the quilting design itself.

To bind her I used an orange Grunge fabric. It was a great frame for the quilt, with so much warmth in her colours. The original inspiration of the fabrics and my background selections was Sedona, Arizona and this Grunge was a pretty close approximation of the rocks in the dessert.

She sat then, for months and months as I waited to finish a few other quilts. Actually, just one. Her recipients now have two kiddos. The first babe got his quilt before he was even born! The second, well, hers was just finished. Then it took me another month or so to get labels on everything. And we won’t even talk about my inability to get to the post office to mail everything! Then we got a text this week that the family would be in town. I almost went to the post office on Monday and they came on Tuesday.

Needless to say, the quilt is finally delivered!

Xenia - A Maple Leaf Quilt for a New Friend

Xenia

72” x 48”

For 3 weeks we had a German, teenage athlete staying with us. She originally contacted my daughter last winter, she was working to fulfill one of her dreams to come to Canada. In October she made the dream come true. Such a bright, committed, and curious girl. We loved having her with us. It was fun to show her some of our favourite things (but not many because these athletes have so much training!) And through her we learned about Germany, pumpernickel bread, and life in a village with no restaurants.

Each day she would come with my son and I to the new studio. The kids would do their school work while I plugged away on projects and accounting stuff. On breaks we would chat and play with the dog. While her and I would have many deep conversations over the weeks she was with us (more than my own teens are willing to have with me) she, sadly, showed no interest in quilting.

That didn’t stop me from wanting to gift her, and her parents who joined her in Canada after 3 weeks, a quilt to take home with them. I mean, of course I would give them a quilt! And once I decided that, it was clear which one I would give them.

Conveniently, I had the quilt top already made. It was a second version of the Maple Leaf quilt - a pattern I used sell, and then teach. I no longer do either with this pattern as I have complicated feelings about our national flag now. It seemed perfect to finish the quilt and give it to our new German friends though. A great momento of an epic trip for them.

The quilt top, itself, differs from the original pattern in that each block is made with a single red fabric. This is in contrast to the original made with scraps sewn into slabs to make the side blocks and leaves. It’s an excellent way to play with value and contrast via visual texture.

So, I whipped up a quilt back with what I had on hand - a great Aneela Hoey print from many, many moons ago and some other treats in the stash. Then I snagged a long arm appointment at my local shop. Phew. That left me two days to bind, label, and wash the quilt before they departed our snowy wonderland for home. It was a fast process, but worth it. And totally possible when you have a deep stash and can make time.

I totally forgot to take a picture of it, but I also signed the back, off label. Our German athlete attends a boarding school. I worry that someone might try to take her quilt. They would take off the label and argue that there was no way to prove the quilt was hers! I’ve heard stories of these happening in nursing homes and I don’t want it to happen to her. When I gift a quilt that may live in a public place I always sign the quilt itself, somewhere not so obvious, so it can always be proven if the worst happens.

The quilt, and our new German friends, are back home now. We will miss them.