Arkison in Australia

So, I went to Australia for 2 weeks. It was rather incredible. My first, but hopefully not my last time! Enjoy a quick slide show of my trip. I was there to teach at a couple of amazing events organized by The Creative Retreat. Jules did everything to create a space for action, imagination, creativity, and laughter. More on the creativity in another post.  A few highlights:

... I had no idea how fitting it was that one of the first images I would see would be a sheep photoshoot in front of the iconic Sydney Opera House. You cannot even imagine the number of sheep in Australia.

... After a morning in Sydney and sleeping off my jet lag in Canberra we went on the road to our first retreat location: Kangaroo Valley. A glorious spot among farms, Fitzroy Falls, and creating by the fireplace. 

... The birds! I never thought of myself as a birdwatcher, but now I am totally obsessed. To see a million different kinds of parrots, rosellas, cockatoos, plus kookaburras was phenomenal. Then to spot and hear the unique Lyre bird was mind blowing. I am totally obsessed with birds now.

... After Kangaroo Valley we made our way towards Melbourne, stopping in country towns where I was introduced to the pie shops, RSLs, old buildings, and what counts as mountains in Australia. Road tripping is awesome, my favourite.

... 48 hours in Melbourne! A city I really would like to explore more. They care about architecture and public art in a way I've never seen before. We ate well, we played with Leslie at Maze and Vale (that's a whole other post), and visited Jen Kingwell at Amitie Textiles.

... The second retreat was in Point Lonsdale. The ocean!!! Long time readers know how I love the ocean, no matter which ocean or where. There I was taking my morning walks along the Pacific, but seeing the sun rise over it instead of set. Mind blowing. And, of course, I went for a swim! How could I not? Such a lovely location and another group of hysterical and creative women.

... More roadtripping and then the long flight home. (Right after that last photo Nicole Kidman walked by.)

Such a amazing experience and I am forever grateful to this job. These sorts of trips are so appreciated and I get as much out of them as my students. Their work, commitment, and creativity is inspiring. Thanks Jules, for making this all happen!

Samsquanch - A Bigfoot Quilt

Samsquanch

90'' x 90''

Take one Legendary pattern, multiply it by five, add in a family of five sewing, and you get one crazy quilt.

Our family winter project is finally finished. We took a jaunt to the mountains yesterday to capture the quilt in the wild, in some truly squatchy country. It's already made a debut at a local quilt show and is in good use on the odd chilly night in the basement. 

I quilted it with a combination of thread and techniques. The white background is done with a walking foot and using a white Aurifil 50wt. The trees are straight line with the magical olive green from Aurifil. The Bigfoot herself (we decided she was female while making her) is done with a brown variagated in 40wt from Signature. She needed fur and a face so my free motion skills got a lot of practice - once my BSR was replaced!

To make the face my husband and I spent far too much time researching Bigfoot art and representations. Then we compared them to primates and sketched and resized. Total nerds. I gave myself a chalk outline and went at it contour drawing style. Thank you Melissa Averinos for teaching me that!

The backing is a mishmash of greens and leftover browns from my stash. The only fabric we bought for this quilt was the binding. I simply had nothing at home that worked so the girls picked this ombre and it's perfect. 

It really was an incredible project to work on together. From picking fabric to sewing together I had fun. It's easy to get annoyed or stressed when the kids are sewing, but we learned to go with the flow - and their enthusiasm. I gave in to all the requests when my little guy wanted to help, including having him on my lap while doing some FMQ! We had fun stomping through the trees for photos, complete with photo bombs and blurry pictures from laughing. 

It's summer now so there isn't much couch snuggling going on. And Hubby rightly pointed out that the white background is more wintery. I had hoped to shoot this in the snow, hence that white background. But believers know, Sasquatch is always out there...

And one word on the name. My husband is a wildly sarcastic man with a unique sense of humour. He likes to make up words and stories to mess with people, the kids especially. So in our house it isn't Sasquatch or Bigfoot, it is Samsquanch. 

Rainbow Blocks for Pride, for Orlando

Because I am a quilter, because I think in fabric, because I didn't know what to say. Frankly, because I still don't know what to say.

In the wake of the mass shooting in Orlando this week I felt compelled to sew in that most symbolic of ways. The rainbow flag has been a part of my life for over twenty years, when I learned of it's history and became part of the LBGT community in university. I learned far more than my suburban upbringing showed me. I felt love and developed friendships with some amazing people from all walks of life. Whereas I'm not sure I'd heard the word gay before other than as a thing you called someone you didn't like, I learned that love is love is love.

So, on Sunday, I sewed. I hugged my kids and did some yardwork. I sewed. I talked to my husband. We reminisced about gay bars we'd been to together and separately. We spoke of friends, of family, who could have easily been at Pulse that night. I sewed. I sewed rainbows. I want to keep sewing rainbows. 

See, as a quilter, one of the ways we share love is through quilts. (I'm also Ukrainian and so I show it through food, but that's another story.) I'm putting all the extra love into these blocks. I have a plan for them. Then my daughter gave me a really good idea after I explained the symbolism of the rainbow. Either way, this quilt is going to have so much love.

You too can sew these rainbow blocks. They are very easy and I did all the math (it was so hard) for you.

You will need:

• 6 fabrics: red, orange, yellow, green, blue, and purple.
• Neutral thread
• Rotary cutter, ruler, and mat
• Sewing Machine and Iron

For a 6 1/2'' x 6 1/2'' block:

• Cut a 1 1/2'' x 6 1/2'' strip of each colour.
• Sew together and press.

For a 12 1/2'' x 12 1/2'' block:

• Cut a 2 1/2'' x 12 1/2'' strip of each colour.
• Sew together and press.

For a 18 1/2'' x 18/12'' block:

• Cut a 3 1/2'' x 18 1/2'' strip of each colour.
• Sew together and press.

For my blocks I am playing around with colour and value. I dug into the scrap bins and the stash. I'm trying not to repeat a fabric. Because no two rainbows, like snowflakes, are alike.

If the rainbow blocks aren't up your alley or you want to do something directly for Orlando, check out the actions of the Orlando Modern Quilt Guild. They are collecting blocks and completed rainbow quilts to distribute to families and survivors of the Pulse shooting. They ask contributors to use this tutorial from Cluck Cluck Sew to make heart blocks in all the colours. Keep posted on their blog or social media for donation details. 

Maybe making rainbow blocks isn't your thing. Just remember that love is love is love. And frankly, I believe the best way to counter any hate, any fear, is to spread love. So if you are a quilter or a maker or a creator, spread the love the way you know best. 

Prairie Winter Study - With Thanks to Gwen Marston

Longtime readers of this blog will know that I've had a goal for a few years to make the next in my Alberta Landscape series. It's been percolating so long I think the water is tepid now. Then something happened at QuiltCon.

I signed up for Gwen Marston's class. She is a personal hero of mine and it was Liberated Quiltmaking, the book, that set me on a creative path I am loathe to ever stray from. So while yes, I am totally comfortable with Improv and I am not a fan of small quilts, I signed up for her class on small studies. Best idea I've had in a very long time!

First off, it was good to find out that I share many similar philosophies with Gwen when it comes to making good Improv/Liberated quilts. Or perhaps I am more influenced by her than I give credit?

Second, she is a damn funny lady!

Third, the idea of a study for a larger work - while not new to me - was absolutely brilliant in this case. I wasn't interested in replicating Gwen's techniques or creating a stand alone Improv Mini Quilt. But when she talked about using a small piece as a study for something larger the landscape idea immediately popped into my head. More specifically, the Prairie winter landscape idea.

From the giant bag of scraps I'd brought to play with I pulled my golds and whites. That's it. I was picturing the cut stalks of straw, the golden stalks left in the field instead of being tilled under. They stand in undulating rows in the winter snow, gold on white. For the rest of the day I played, experimented with how I might sew these rows together. I thought I was working on a small scale but quickly realized this would be the exact height and width of my rows in a larger quilt (which means a lot of sewing when it comes to that one). But by fiddling on this piece I now know that. 

To be honest, I thought I would make the little top and it would sit there as reference. But after a month of so hanging out in the corner of my design wall I decided to finish it. Some wavy line quilting that took about 30 minutes. Then bias binding scraps left over from a project in A Month of Sundays. So easy I don't know why I even debated finishing it.

A few more deadlines to make on some work projects and the big quilt just might get started. Well, maybe by winter.