Quilted Baba Update

Confession: I had a hard time working on this project over the last year. The reasons are many and varied.

First, moving to the studio a year ago meant my Morning Make routine was upended. I only do handwork or writing at home now, for Morning Make. Then, when I arrive at the studio things aren’t always so smooth. At the beginning, my son was coming with me so he could do school online. I didn’t feel comfortable having the machine going while he was doing school so he had a fighting chance at concentration. Then, because the studio is attached to our company offices, I was often pulled into work work stuff. In the end, I struggled to find the dedicated time to work on these blocks.

Second, this is boring and repetitive sewing. Tiny Xs, squared up to 1.5” x 1.5”. There are 100 in each block and the whole quilt requires 81 blocks. A girl can only do so much before it drives her to madness. And, let’s be honest, it’s a short drive these days as I struggle through perimenopause.

All that being said, I have no doubt that I will finish the quilt. It's too important to me not to.

In the last month I’ve pulled it back out. My son is finally back in school full time, so that barrier is removed. I also have my own means of transportation again, which means my mornings are no longer heavily influenced by my husband’s schedule. So I can come in when I want and sew before anyone knows I am here, minimizing the company interruptions in the morning. It’s not perfect, but I am getting more consistency.

One stitch at a time, one stitch at a time.

I usually make 10-20 little squares each day. Then it takes a few hours to put an entire block together, mostly because of all the pressing! One day, when I know I have the time, I will try to make a block from start to finish and time myself. If only to satisfy my curiosity.

The truth is, there is no need to put pressure on myself. This was never going to be a fast project, there is way too much piecing for that to happen! This is about persistence, not patience.

Irie - Experiment to Quilt to Gifted Hug

Irie

51” x 68”

She likes to break the rules, go her own way. One day you see her a certain way, the next you can barely recognize her. It isn’t that she wants to keep you guessing. Rather, she just goes with how she is feeling, how she wants to express herself that day. What you think about it doesn’t matter, how she feels does.

What started as a sample block for an Instagram tutorial now lives in the home of a lovely individual who loves birds, keeps the sage, and shows incredible kindness to strangers. How do you get from one to the next?

I really just cut some fabric to talk about trimming and squaring up blocks when you are doing improv sewing. The block was sewn, the reel posted, and then everything was set aside for the rest of life to live. Shortly thereafter the donation opportunity came up. The block was still out, being bold, and I thought it was a perfect jumping off point for a full quilt. So I raided my solids, picked up a couple more fat quarters to round out the contrast, and made a full quilt. Simple, yet bold.

The bird fabric was an absolutely perfect contrast to the front. It was sweet and pretty and full of details. In the end, the quilt was gifted to an individual who absolutely loves birds. Did we know that when handing out the quilts? Nope. It was like it was meant to be!

Quilted on a rented long arm with a simple back and forth pattern, but done on the diagonal. Bound with one of my favourite solids, this bright coral. It is a great frame to finish off a beauty.

Gaia - Slabs from Scraps for Donation

Gaia

60” x 72”

She lives up to her namesake. Forever picking up bits of things - pretty stones, a fallen leaf, even the trash. Forever finding beauty in all of it.

In need of a new finish in a short timeline, I turned to some class samples. You see, I always have my class samples ready to go. In this case, the samples were piling up. In each Scraptastic class or each Slabs only class I make a slab. It’s a great introduction in to organizing your scraps, then seeing both colour and value as you go to use them with some improvisational piecing. I usually make my class samples so that they can eventually be put into a quilt, should I so desire. Well, I desired.

Combined with a simple white on white print sitting in the stash I took the slabs from 14 separate classes (with a few still left for teaching) and put them together in a generously sized lap quilt. She is destined for a specific donation opportunity so I needed to make her big enough for adult snuggles.

Quilting was pretty straightforward. A simple loopy free motion pattern on the rented long arm. I chose a turquoise thread because it looked good with the backing fabrics. With white and all the colours on the front I could have picked anything.

I have meters and meters of this black and white stripe in my stash because, well, it’s a rather perfect binding. You can’t go wrong with it when you have a multi-coloured quilt. My machine binding skills are finally in a place where I am happy with them (after many, many, many mediocre efforts over the years - you get better each time) so it was nice to finish this off quickly this way. I used a turquoise thread in my machine again to stitch the binding down, this tying it all together.

She was ready for a special giveaway. More to come on that soon…

Book Cover Quilts

Join me for this crazy little exploration in quilt blocks.

For each book I read in 2025 I am making a quilt block inspired by the cover. Not necessarily by the book or the story itself, but by the cover. So it is really a block inspired by the book designer’s work. And they would have been guided by the contents of the book. Sometimes the covers use original artwork, created just for this purpose, sometimes they pull from existing artwork.

Credit where credit is due - for both the book designers themselves and the woman who gave me the idea for this project. Margaret Fleisher did a similar thing for a 100 day project a few years ago. She is a great improv quilter! I was enamoured with her idea then and am doing my own version now.

I’m not here trying to make a literal interpretation of the book cover. Knowing that I am playing improvisationally I just try to capture the feel of the cover. Not every detail is included, and rarely is the text even referenced.

For example, for The Heaven and Earth Grocery Store above (amazing book by James McBride!) I used the illustration made by the designer Lauren Peters-Collaer as my started point. I picked fabrics from the scrap bin that were similar. To be honest, I debated going a bit more abstract as the human figure can be tough to translate, depending on the posture, and this posture is not an easy one. I am so glad I pursued the play! Of course, it is not exact, but it does have a clear relationship.

Don’t tell the others, but it is my favourite of the blocks so far! Probably also my favourite book of the year.

Someone on Instagram asked me if I was choosing books based on the covers. Nope! I read all sorts of books and choose them based on my mood more than anything. If you look at the books I’ve read this year I have memoir, literary fiction, historical fiction, cozy mystery, cozy Japanese, history, and more. I do consider audio books reading, so they might make the list too. Here are the books so far in 2025:

• Moon Road by Sarah Leipciger, cover art by Grant Haffner

• The Best Kind of People by Zoe Whittle, cover design by Alysia Shewchuk, image by Xavier Noel

• Sunshine Sketches of a Little Town by Stephen Leacock, cover illustration by Alessandro Valdrighi

• This is the Story of a Happy Marriage by Ann Patchett, cover design by Robin Bilardello

• The Wager by David Grann, narrated by Dion Graham (this one is absolutely worth the audio book version)

• The Maid by Nita Prose, cover by Elena Giavaldi

• What’s Mine and Yours by Naima Coster, cover by Sara Wood

• The Sleeping Car Porter by Suzette Mayr, cover by Ingrid Paulson from art by Janet Hill

• Crook Manifesto by Colton Whitehead, cover by Oliver Munday

• The Comfort of Crows by Margaret Renkl, cover design by Charlotte Struck, with art by Billy Renkl

• The Heaven and Earth Grocery Store by James McBride, cover by Lauren Peters-Collaer

• The Blanket Cats by Kiyoshi Shigematsu, translated by Jesse Kirkwood, cover by Vi-An Nguyen

I’m not the kind of person who sets reading goals. As long as I read every day - even if only for a few minutes before bed - I am content. I usually keep a list of books read for the year and I finish about 20-30. So I am looking at the this list and kind of surprised I am already through a dozen!

For the blocks, I wait until I’ve finished 3 books, then I make the 3 blocks. It becomes a little afternoon of playtime and remembering the books. If you want to follow along a little more ‘live’ then make sure to check out Instagram. As for what I will do with the blocks? That remains to be determined.