Quilt Block Diary of Cheryl Arkison in Egypt and Turkey

It would be a cliche to say ‘there are no words’ to describe our epic trip to Egypt and Turkey this summer. But this is a blog and that makes no sense. I could also say something about a’ picture says a thousand words’ but again, you probably want more info than that.

My daughter, long time readers will know her as The Evil Genius, qualified for world championships at both the U17 and U19 level in her chosen sport: modern pentathlon. This is a five sport event that includes fencing, swimming, obstacle course, shooting, and running. Not wanting her to have all the fun, and because we were nervous about sending our 15yo halfway around the world alone, we planned to go with her and make it a big family affair. Egypt has long been a bucket list trip for me, so I was extra excited.

It was a packed month between the competitions and exploring. We started at the first event in Alexandria. Staying in an apartment and not the venue with the rest of the teams was certainly an experience! We were not in an area with any other Western tourists. A little bit exciting in the Ubers each day. But we were comfortable and felt safe, even if the city is very loud, active, and dirty. The competition went better than expected, especially considering she fell on the first day of training there and badly sprained her ankle. We gave her the choice of competing or not and she decided to persevere. As a mother I was both proud and horrified. Mostly proud.

After Alexandria and a few days in Cairo to recoup, train, and slightly be touristy we met up with the rest of the family in Turkey. I had travelled with my daughter to Alex, the rest of the family was at a wedding. There we road tripped through the beautiful countryside to the Aegean Coast. We swam in turquoise waters, ate all the food, visited mind boggling ruins, and laughed our butts off. We had an extra kid (one of the other athletes) and my MIL. And yes, we all got along.

The next competition was in Istanbul. My daughter stayed with the rest of the team there and we had fun exploring this massive and cool city when not watching the Canadian athletes. We were there a week and I feel like we barely scratched the surface of what there is to experience.

When the competitions were over and the rest of the team went home or on to other events our family travelled back to Egypt. This was our time to see all of the ancient sites. We got to go IN some pyramids, felt humbled by the craftsmanship, engineering, and detail of the ancient Egyptians, and then finished our trip on a houseboat on the Nile. Not a cruise, but a houseboat moored in Luxor where we even got to swim in the famous river (don’t worry, there are no crocodiles since they build the Aswan Dam).

Prior to leaving I decided to bring along a stack of fabric squares. My plan was for a block a day. I wasn’t entirely sure how this would play out, but I wanted to try. Surprisingly, I was very motivated and did indeed make a block for every day. I even finished the last one as we were boarding the flight home. The blocks serve as a bit of a trip diary. They are all appliqued in one way or another with freehand cut shapes. Oh, except one, you’ll be able to figure that out. Each block is inspired by our experiences, our sites, or events of the day. Most interpretations are abstract, some a bit more literal. The gallery above shares the block and just one inspiration photo.

Day 1 - Arrive in Alexandria via Cairo.

Day 2 - Training Day in Alexandria, where we discover the importance of shade and KT Tape.

Day 3 - First day of competition and opening ceremonies.

Day 4 - Competition for my girl and her sprained ankle.

Day 5 - Canada is killing it on the obstacle course!

Day 6 - Less events today so we explored Alexandria a bit into the evening.

Day 7 - Finals competition. All three Canadian athletes made finals.

Day 8 - Mixed relay and one last ride in an Uber in Alexandria’s crazy, potholed and crowded streets.

Day 9 - A bit touristy in Alex, the famous Library and the Kim el Shoqafa Catacombs

Day 10 - The new Grand Egyptian Museum is a cool building, but not really open yet.

Day 11 - Stressful travel day that ended with a gorgeous drive through Turkey and an amazing meal, plus all the family is back together!

Day 12 - Sidetrack to see the ruins at Troy.

Day 13 - Road tripping to Fethiye through mountains of olive groves.

Day 14 - Ah, that Turquoise Coast.

Day 15 - Pammukale, swimming in Cleopatra’s temple and the most beautiful coliseum.

Day 16 - From the coast up the mountains and arriving in Istanbul on the great Turkish highways.

Day 17 - Up the Galata Tower and exploring the streets of Istanbul.

Day 18 - The Blue Mosque and Hagia Sophia plus Sultanahmet Square and more delicious food.

Day 19 - Cheering on our girl at her second competition!

Day 20 - Wandering the Grand Bazaar and it’s surrounding streets.

Day 21 - Food tour of Istanbul means more delicious food. Oh, these little cups of tea.

Day 22 - Another competition day, with a side trip to explore a bit more of Istanbul in-between events.

Day 23 - Relaxing on the marble of a Turkish Hammer is glorious.

Day 24 - In Cairo again, exploring the old museum and the city

Day 25 - The pyramids!!!!!

Day 26 - Exploring the Black Desert, the White Desert, the Baharyia Oasis and camping under the stars.

Day 27 - Sunrise in the White Desert then a travel day to Luxor

Day 28 - So many tombs in the Valley of the Kings, and the Queens, but I was really there for the Temple of Queen Hatshepsut

Day 29 - The temples at Karnak and Luxor exceeded my imagination, the Mummification Museum? Not so much.

Day 30 - Saw the sunrise hot air balloons then swam in the Nile and began the long journey home.

As I worked through the jet lag on our return home I pieced the quilt top together. Stay tuned for that. If you want more details and photos you can always check out my daily posts on Instagram.

Polly - Quilters' Playcation Adventure Sewalong 2022 in Prints

Polly

78” x 89”

Polly lived most of her life following the rules. Getting married when she was supposed to. Having kids when she was supposed to. Baking all the things, keeping a clean house, volunteering at church. Her life was as it should be. It was also painfully boring and Polly had no idea who SHE was in the midst of everyone else’s expectations. Finally, with the kids gone and her husband on the golf course Polly had a chance to explore herself. That meant figuring out what she actually liked in bed to what food she wanted to eat for herself. She took herself out almost daily and explored the world around her one little trip at a time. It’s not that she hated her life, but she didn’t know if she actually liked it. Little by little she explored, experimented, and learned to enjoy what she, herself, could give and get out of the world. She finally knew who she was, who she wants to be.

This quilt is a culmination of the Quilters’ Playcation Adventure Sewalong 2022. Each week for the year I shared how to make a unique improv quilt block. One version shared was a three colour solid and this version was love affair with prints. When I started the year and I stressed leaving open the finished block size so layout possibilities were endless. By the end of the year I knew this version would have blocks all the same size. After measuring my blocks I picked a 10.5” square as my default size and got down to the business of cleaning everything up. 52 blocks, however, does not make for even sides on a quilt, so I used scraps to make a handful more blocks to get to 56 blocks. This gave me a 7 x 8 block layout. Sashing in this collection of red-orange prints framed out each block. I’m not generally a sashing girl, but I think it absolutely works here!

She’s a big quilt so I knew that quilting her would not be easy. I had a friend baste her on the long-arm to save me some time. Turns out that this layout and the use of sashing actually simplified the quilting a lot. I used the curvy stitch that comes on the Bernini in the sashing. That was easy. Then I just quilted each block on its own. Free motion quilting is very manageable when you only work one block at a time. Each block got quilted uniquely. Sometimes it was an all over design, sometimes that outlined or directly highlighted the piecing. The decision was most dictated by my mood when I got to that block. I switched out threads between peach, pale grey, light blue, and an olive green. I filled a bobbin and when that or the spool ran out I switched to another colour. All the threads blended very well on the wide back Kaffe Fassett I used on the back.

The original plan was for a dark binding, with a bit of green piping. I did not have in my stash nor could I find anything in the store that was a good blue that worked for this. Grey washed things out too much. Also, I had deadlines for a local show. So I used more of one of the sashing prints and extended that orange line. The green did make an appearance in my stitching though. I chose to use a Perle thread (from Valdani) to stitch down the binding in a visible manner. I love this way of finishing a quilt. It’s fast and has a great effect.

Polly is ready to explore the world now.

View all the free tutorials here.

Check out the layout discussion for all the quilt blocks.

Sew along with the 2023 Quilters’ Playcation Adventure Sewalong.

Morning Make 2023 - Stitched Mosaic Portrait

For the third quilt portrait I turned to Timna Tarr. I first encountered Timna’s map quilts back when I judged QuiltCon. Her work is creative and unique. When she starting making her mosaic quilts I, along with many others, was transfixed. She started with barnyard animals but has progressed to some very unique portraits. Without a doubt, I had to try this technique in my year of portraits.

There is a book out, Stitched Photo Mosaic Quilting. I signed up for her on demand class via Creative Spark instead. The class was great. Timna broke down the technique into simple steps with clear instructions. It was easy to watch it once then head straight to the fabric.

Once you’ve picked your starting image you go right ahead and draw a grid over it. The diagonal grid is a suggestions of Timna’s technique, but not a requirement. Each square of the grid is one 2.5” block. Some will only be one fabric, others are made up of sometimes five! I don’t want to teach the technique myself that Timna gets paid to do, but she breaks it down into a layered machine appliqué to construct each block. I will admit, this was new to me, as was using invisible thread to sew.

I can’t lie it really was not a technique I enjoyed. Sure, I love the end results and overall look, but I didn’t really enjoy making it. So, so fiddly on some of those pieces! And I can honestly say I do not like the look of invisible thread. Yes, it is not that invisible. Partway through the project I kept thinking how much more I would enjoy this if I took the grid effect and then improvised instead. Stay tuned…

The picture I used was from a ski trip this past winter. We were skiing in clouds that day and everything was covered in a layer of frost, including me. It is such a happy memory and translating it into a quilt is a great way to capture it.

Morning Make 2023 - Collage Portraits

Up first in my portrait making, aside from learning how to draw, was something I was just a bit familiar with. Back in 2017 I took a class with Melissa Averinos on making faces in fabric. I made one face, loved the process, developed some grand ideas, then promptly did nothing about them. Needless to say, that’s why I chose to start with this technique. Also, I was using her book to learn the drawing basics so it was a natural extension.

In the book Melissa walks us through the basics of anatomy and shape. She outlines many ways your can interpret this with fabric, then encourages you to go for it. It’s all so very approachable. She also has tonnes of examples. You can see the myriad ways people, her students, took to the portraits. You also get to see a big selection of her own work. It is all inspiring.

The first photo I took to interpret in fabric was my headshot, the main photo on the homepage here. I found it an interesting challenge because it is hard for me to convey depth in the collage. It’s obvious in the photo but in the collage the shoulders look a little off. But can we take a moment to celebrate my hair?! She is quilted with a million thread colours and stops and starts, providing texture and depth.

The second collage portrait I did was in black and white. I took a colour photo from when I was visiting Lucy Maud Montgomery’s house in PEI. I was just to happy on that entire trip and it shows in the original photo. I think the collage does not quite show that. In fact, it feels a bit skeletal to me. That being said, I still really like it. I played with being a bit more abstract in shapes and with value. To soften the whole thing I used a pale pink thread for quilting.

To finish both quilts I did give them a quick soak and blocked them. They are small (less that 20” on any side) but had got a bit misshapen in handling. This roughed up the fabric and I discovered places I hadn’t quilted as well. A few repairs with both glue and the sewing machine were needed. Then the mini quilts are bound with a single fold binding in a black on black print. I decided to be consistent among all my self portraits with binding and treated it like a picture frame.

These quilts were an excellent first start to this Morning Make adventure. Fundamentally, I am a quilter so fabric portraits are the way to go for me. Will I make more fabric collages? I’m not sure. the technique is freeing and effective, yes, but I don’t love the roughness of the raw edges. You do get ultimate freedom in cutting your collage though. I think this is a great technique for play and it may instead stay in the repertoire for that reason, even if I don’t make another full portrait quilt with it.