New Obsession with Tiny Piecing

I'm a fan of a big quilt. Always in favour of sewing more to make it bigger I have a hard time making something smaller than 84'' square these days. I have to push myself to go smaller. None of that, however, applies to piecing. The day may have now come where I have to push myself to go larger in piecing, at least for now.

While at QuiltCon East in Savannah last month I had the great joy of taking a tiny piecing class with Chawne Kimber. Mostly, I just wanted to hang out with Chawne for a day. She rocked my world in so many ways!

After a demo and short talk about the mechanics of tiny piecing she let us loose. Not one to follow the crowd, I decided I would try my favourite improv curves scaled down. Way down. I started with squares cut anywhere from 1 1/2'' to 2'' big. With scissors I cut a curve and started sewing. 

Oy.

Not easy, especially on the classroom machines. But also not too difficult. And once I got home and could use my own machine with a smaller foot it got much easier. So much so that I am totally addicted. I can't stop cutting fabric and sewing blocks!

To keep from going totally insane and to make a finished pieced more interesting I change up the size of the starting squares. So far, the largest ones cut are in the 3'' range. They seem enormous in comparison. I square up according to what it can be, but the smallest ones are about 1 1/4'' wide. Even though Chawne taught us how to make log cabins and pineapple blocks with 1/8'' finished pieces, I think that is about as small as I can go and still be able to sew them in the first place. 

It takes a lot of work to get to any size when working this small. I break it up to keep from total insanity (although, I may already be there). One day I might cut and sew a bunch of the curves. After the kids go to bed I might press the handfuls of little blocks. With some good music I tackle the tedious job of squaring up, sorting the blocks into piles of different sizes. This, by far, is the part that makes me doubt myself the most. Then it is play time. I took about 4 hours to get this piece together, from ready blocks. It measures about 9'' by 28'' at the moment. 

Another student in the class - a woman who has actually taken an Improv Curves workshop with me - teased me for being so on brand with this. After a good laugh I conceded that she was right. I just like what I like!

Because it is me, I have zero intention of stopping at a wall hanging or even a baby quilt size. Must go larger! For now, I will play with this until I don't want to play anymore. Seeing as this seems to be pulling me out of a funk I don't anticipate boredom anytime soon. 

Amazing what some experimentation and a lot of play can do for the soul.

Kawasaki's Theorem Quilt with Maze and Vale

Kawasaki's Theorem 1

28'' x 28''

It's a bold and cocky move to name anything Number 1. It completely implies a series. That's a lot of pressure to put on yourself... if you care that much.

I met never get to Kawasaki's Theorem #2. That's okay. In my head this was just the first round of play though. So maybe, just maybe, there will be more.

This particular quilt started before there was fabric. It was an image in Uppercase Magazine, an issue on paper. The image is actually about a paper folding and angles. There is a formula and everything. It was the image that illustrates the theorem that got me though. It immediately screamed quilt block. I sketched up some repeats for fun, then dated and parked the idea.

When in Australia I had the great chance to take a private silk screening class with Leslie from Maze and Vale. Rather than use her screens she encouraged us to create our own stencil. I pulled out my ever present sketchbook to see if anything struck me as a possibility. My Kawasaki's Theorem sketches were there and my brain was broken for any other ideas so I went with it.  We printed fabric and went on our merry way. 

Then I had the idea to go very meta with my fabric. Sometimes I can be rather cheesy. I designed a block based on the theorem and used the fabric in the block. Then I made a few more. And then, as I contemplated my quilting plan, I extended the design there and quilted it to reflect the theorem as well. I am a total nerd.

Who knows if Number 2 and 3 in the series will ever get made, but there are sketches. If not, the play is still totally worth it. It is in the play that new ideas grow, techniques get better, and the joy is found.

Lilla Pattern Launch

Lilla

90'' x 90''

Lilla is a collaboration between myself and Lotta Jansdotter. It is also a pattern available from C&T, launched this week.

Last year C&T approached me with the idea of working with Lotta on a pattern. I hesitated for a split second then agreed. Hesitated only because of timing, but I didn't want to turn down the opportunity to work with an artist and person I truly admire. So Lotta and I started emailing.

While it would have been fantastic to visit her in her Brooklyn studio or have her come out for some Prairie and Mountain air, we had to settle for the back and forth of online collaboration. She chose the fabrics we would work with - a selection from her soon to arrive collection, Lilla. We discussed style of quilt - medallion versus block based, improv versus precision, pieced versus applique, scale of piecing, and so much more. Lotta sent me some inspiration images, I made sketches. My job was ultimately to translate her ideas into workable quilt patterns. It was up to me to interpret her inspiration for the home quilter.

One of my favourite moments was when I opened up my email with this image in it. Lotta made some paper cut shapes. Up until this point we'd been going back and forth with little progress on something feasible for a quilt or a quilt that she liked. But these images! I went straight to my sewing machine to play, instead of sketching. Soon after we had a workable design. 

I really tried to take the organic nature of Lotta's work and translate it to the need for blocks to lay flat. Her shapes lent themselves well to some basic improv techniques, thankfully. Combining those with some precision piecing creates a challenging and graphic quilt.

The pattern itself lays out the techniques as a whole and then instructions for 25 different blocks. Yes, 25 blocks. As presented the quilt is queen size, but the pattern includes a baby size option. Make 1 of the blocks many times over or make all 25 four times over or make each one only once. It's entirely up to you, but the pattern includes it all. It also includes specific fabric notes to make it with Lotta's Lilla fabric as we designed it, but feel free to go on your own.  

I've made another version of the quilt, with totally different fabrics. It changes it up! Watch for that soon. 

In the end I am so glad I didn't let the time factor get in the way of this great experience. Sure, it was a rush as I frantically finished just before I had to leave to Australia. Thank you to Bernadette at Wonderfil for guiding me through the quilting. The experience of collaboration was worth it. It presents a creative challenge, for sure, but that's a good thing. It gets me outside of myself and the insular world of my own creations. On to the next one!

Pattern now available from C&T, or ask for it at you local quilt shop. 

The Splendid Sampler - In The Sunshine

In The Sunshine

18.5'' x 18.5

My 15th wedding anniversary is coming up in a couple of months. One of the more entertaining moments of our wedding day (aside from the baby nearly born there) occurred as we walked down the aisle after the ceremony. After almost 6 years of dating it seems our wedding was a much anticipated affair. So our friends standing up there with us shouted out a coordinated, "Finally!!' 

After nearly a year of The Splendid Sampler I kind of feeling shouting Finally!! myself as my block debuts.

In the Sunshine was envisaged to celebrate my love of applique, a desire to not have really tiny pieces on this small block, and just a little bit of my true love, improv. And really, who doesn't love a flag waving in the sunshine?

Get the pattern here. Finally!

It was fun to play with my own fabric in this mini quilt. My first line, Tag, recently came out with Connecting Threads. I've made a handful of quilts already with just my fabrics, but the true measure of a fabric is how well it plays with others. So the background squares include my fabric plus a mix of stashed black and white prints. Then I dug into the scrap bin for the solid fabrics on the flags.

Now making a mini is hard for me. I get why people love them - boy is it fast from start to finish - but I prefer to Go King or Go Home! And when I am sewing for myself I default to improv piecing: curves, letters, slabs, and everything else.  That being said,  I really enjoy the switch up to designing patterns. It gets my brain working in a different way plus seeing the different results from other quilters is pretty thrilling! That's why I am so excited to see what each of you do with the block. This was a quick one to make, even with the needle turn applique. Get the pattern here. 

For those of you new here let me tell you a bit about myself. I live on intersection of the Rocky Mountains and the Prairies, in Calgary, Alberta. A pretty dreamy location. We get a proper winter - which I love - and it gets just hot enough in the summer. I'm such a Canadian! We have 3 nearly feral, outgoing, and active kids. My girls have followed me to the pool. In my youth I was a competitive swimmer then rower. After a decade working on environmental policy and sustainability issues I switched gears to staying with my kids and to become a professional quilter, writer, and a teacher. With three published books, online classes, national and international travel to teach on top of our busy lives I could say it is a fine balance, but it is more like a rocky seesaw that just can't quite make it even. But hey, I chose it and I'm making it work!

So take a few moments to hang out here. Check out my quilt gallery for inspiration, read through the blog for a glimpse into my compulsion to create, and feel free to sign up for my biweekly newsletter. My mission here and in everything quilting is to inspire creative action in everyone, for everyone. I am what you see - bold, blunt, kind, generous, open, and a little bit weird.

PS If the curves make you nervous, check out my episode of The Quilt Show, where I break it down.