July Morning Make 2021 (Meet Dot)

Remind me never to hand quilt in the summer again.

Not sure what possessed me to think it was a good idea for July Morning Make, other than a desire for the act. We started the month with record heat so it wasn’t my smartest move. But when it comes to the quilt, it was brilliant!

When you only commit to a little each day hand quilting is far from overwhelming. Hand quilting an entire quilt, no matter the size, is definitely a big deal. Just thinking about it gave me the sweats (or is that the menopause transition?). Quilting a little each day, however seemed manageable. One stitch at a time. In the end, I finished this in the middle of the month! Every step is a step in the right direction.

On this particular quilt the stitching followed one single line. Each day I started where I left off so that now that it is done, it is a trail across the quilt. Twisting and turning here and there. Sometimes following the appliqué, most of the time ignoring it. Just taking whatever path felt right at the time.

The quilt top was another Morning Make adventure from last year. One appliqué shape stitched down per day. No preplanning, just improvising the composition and shapes as I went. Great fun!

Dot

49” x 54”

Meet Dot. Dorothy, if you must, but she prefers Dot. Just like she prefers her coffee with a wee bit of whiskey in it, her steak pretty rare, and her men on the younger side. She might look like your Gran, but do mistake Dot for her. Her heart aches for the baby girl who left this Earth when only a toddler. For years she barely moved, barely breathed. Life wasn't worth it until she found a way to find her spot in the world. A spot that can only be occupied by her alone. Dot moves with double the energy of most, playing with expectations and attitudes. You won't find her marching on a path, rather, she finds a winding road and moves where her whims desire. No worries, she'll get where she needs to in the end, but she has to do it her way.

Not being your typical gal, Dot was finished with a lovely contrasting binding. Unexpected but perfect. Her backside is a woven from Anna Maria Horner’s Luminous collection, with a scrap of yellow because sometimes you make mistakes when doing math.

We should all be like Dot a little more - take a few unpredictable paths and see what happens. Whether it is with your quilt making or in life.

Eurora Quilt Update March 2021

The Euroa quilt 3/5 of the way done. Phew!

It’s taken me over 3 years to get to this point. Until Covid I was averaging a column a year. For how often I work on this, that seemed decent to me. Sewing in snippets of time on the pool deck, outside of fencing practice, beside the dance studio, and sometimes while watching F1. A few times in the car or a mountain cabin too.

I actually had all the blocks for the third column done last year, but lost motivation for any kind of hand stitching as Covid and winter wore on. But that finishing kick I’ve been on hand me hand stitching binding and that sparked the joy again. A few weeks ago I pulled these out and got the last column sewn together and then all the columns joined. With the kids back in school and activities now it is a good way to force me to slow down a little, again. Stitching happens in the car or at home now since we aren’t allowed in any of their spaces, but it still works.

My goal is to make 2 more columns. That will make the quilt 80” x 80”. There are 400 individual blocks. I assemble them block by block, then make a 4 patch, then a 4 patch of those. I haven’t actually timed myself for making them, I’d rather not know. Nope, just enjoying the process, one stitch at a time.

There have been quite a few requests for this template/pattern lately. While I am not selling it anymore I am working on an alternative. Make sure you are signed up for my newsletter to be among the first to know when it happens!

Morning Make December 2020

December saw a decided slow down, a necessary slow down. I was in the mood for hand stitching plus I wanted something that would carry me through the quiet holiday at home. Having done embroidery in February and already working on English Paper Piecing I decided to try something entirely new to me.

Pojagi is a Korean art form of patchwork. It can be done by machine, but I chose to go the original route of hand stitching. The end result is a finished seam from both sides. This means any Pojagi piece is entirely reversible.

It was never a one piece of fabric to represent one day in the month kind of project. Some days I did a single short seam, some days I did five. I will say that, initially, I thought I would make it into a curtain or shade for one of my sewing room windows. The low winter sun and Zoom events mean I have to diffuse the light coming in the room for part of the day. This would have been a very traditional use for the Pojagi. But it’s a big window! So partway through the month I switched plans and made it longer rather that wider, sealing its fate as a table runner (if I finished it.)

The first exposure I had to Pojagi was years ago from Victoria Gertenbach. Despite the time passing, it has always stuck in my head. She did machine work, but it was the history and the effect that stayed with me. For a hand stitched technique I used this tutorial. I won’t lie, I had to look at the tutorial each day for a week while I worked on it to have it make sense.

For materials and colour I stayed close to home. Many examples of Korean work will use different materials from silks to polyesters. I stuck with quilting cottons and linens, a mixture pulled from my stash. Included in this was a sparkly linen left behind when a friend from Australia visited, leftover blues from Shiver, and a scrap of fabric used to sop up dye when we tie dyed sheets with the kids last summer. My fabric pull was, in the end, an homage to a winter sunrise here.

I did actually finish this piece. It felt silly to leave it behind to be both forgotten and potentially wrecked. During downtime and while supervising virtual school this week I hemmed the edges. The tree is still up, candles light our evenings, and a lovely reminder to slow down graces the table.

As for Morning Make I am going to continue on the monthly change for 2021. I really liked the strong focus for a relatively short period of time. It is fostering play and exploration but still allows me to dig in to something new a little.

Names for Snow

Names For Snow

47” x 58”

Okay, so I finished this quilt more than a year ago. Then it was on display and stayed living for a friend for a year. He was paranoid about it getting wrecked and so gave it back. I’ve just been waiting for a proper snowfall to get a picture of it.

Of course, I forgot that proper snowfalls actually make it difficult to take quilt pictures. There is the feets of snow, for one. And two, despite all that white, it is quite difficult to get accurate colour representation in snow. Good thing this quilt is inspired by snow! In a strange twist in quilt photography, shooting this quilt in the sun was the way to do it. Got my tween and her best friend to help out as I forced them away from the snow fort they are building.

The entire quilt started as a love letter to my favourite scissors. Kevin from Knife Wear goes on buying trips to Japan. I made a comment about scissors offhand and he came up with some pairs to try. Yes, I know we quilters are spoiled with a lot of scissor options. These ones are, by far, my favourite. So I set out to freehand cut half square triangles and sew them together. Everything was cut by hand - the initial squares, trimming, and squaring up. The only time I brought out a rotary cutter and ruler was to square up the finished quilt. What a liberating way to work!

Note to self: do this again.

Playing with all these neutrals resulted in another love letter through this quilt. To my favourite season: winter! It isn’t often that I have the name of a quilt early in the making but this one was set pretty quickly. Whites, creams, beiges, more whites, a little blue. No yellow.

I spent way too much time obsessing over the quilting. I was researching different languages and their names for snow, I was trying to figure out how to stitch in Inuktitut. I brainstorming loads of options. In the end, however, a deadline and my desire to never mark quilts won. I went with dense, wavy lines (snowdrift) with little asterisk/sparkles here and there. Texture, more than anything.

The white binding seemed like a no brainer.

When making improv quilts, whether free hand cut like this or now, one key thing to remember is that perfection does not live here. Points will be trimmed off, lines might be a bit wonky, you might cut more than expected to make things fit, and almost nothing lines up. This is precisely why I like this. It looks and feels handmade. I see my own movements in every line of stitching, every shape. It can be a hard switch from the pursuit of perfection in quilt making but it is a liberating switch for many.

Now that we are settled in for a Christmas at home I am glad for another quilt on the sofa to celebrate my truly favourite season. Winter is indeed for snow forts and skiing (hopefully) and skating. Winter is for curling up with quilts and cookies at the bookends of those activities.

Here’s to the season!

This is the third in my landscape series. See Mountain Meadows and Ripples.