Brave New Quilts (Weekend Reads)

Brave New Quilts is the latest and last book by Kathreen Ricketson. Inspired by Twentieth Century Art movements it speaks to inspiration and translating that inspiration to a quilt.

Kathreen died earlier this year. I woke up to the news one morning during Quilt Market. I'd woken early to actually answer some emails for her, only to get the news. Many others had the same story. And we all walked around in shock. And we were just fellow quilters and writers, colleagues and friends from online, not her family reeling from the tragedy.

Now, her book is out and travelling the world without her. A final legacy to her work.

Kathreen and I were working on our books at the same time, clearly with very similar deadlines. We would exchange tweets and emails about our status on the work. We knew what the other was going through. So, even though our books are quite different from a content perspective, they parallel each other in the timeline of my mind. That leads me to what I want to talk about today on this last stop on her Legacy Tour.

For all the book reviews, Amazon reviews, and social media comments it is important to remember two things. One, there are people behind these books. And two, these books are a creative enterprise as much as a quilt is, they are a work of art too.

The author of any book pretty much gets all the credit, or critique. But they are team efforts (unless self published). But for any and all credit and critiques you have to remember that these are real people. They have feelings, thick or thin skin, and real emotions. It seems easy to think of the book as an independent entity, free from its creator. That makes it easier to dismiss or criticize. I get that, it is a part of human nature to complain. But it is important to remember that these books do not exist without the people behind it.

That leads me to the second point: these books are a creative expression of the author and designers. When someone is writing a book they aren't just thinking, "Hey, I'm going to make a bunch of quilts and someone else will take pictures and we'll put them all together in a book and then people will read it." No, we think about themes, and details like illustration style, layout, styling of each quilt photo. We agonize over fabric selection more than you ever have, we tinker and run out of ink on red pens, we obsess over a block that won't lay flat. For the authors and designers, the quilts and their patterns are only just a part of the book, not the be all and end all.

Every author has a different reason for writing a book. Some want to translate their teaching to the written page, some want to share inspiration, some are looking to collate patterns, some love to write. All of them are coming to the book as a form of creative expression. Writing the book is as much that as designing and making a quilt.

Now I'm not saying that we authors are immune to critique and I, personally, welcome comments and constructive criticism. But when you make any comments on a book - good or bad - remember that there are people behind it and we put a lot of personality and creativity into that book. (Keep all this in mind as well if you are contemplating writing a book.)

That's why, when I read Brave New Quilts, I think of Kathreen. I think of her frantically sewing to make deadlines, photo shoot styling flying through her head as the stitches go in. I think of her cleaning and organizing just so for the shot to be exactly as she wants. I think of her spending an hour on a single paragraph to make sure her intentions and directions are as clear as they can be. I think of her anxiously anticipating the Pages for review to see how the designer put together everything.

Perhaps I am projecting my own experience onto Kathreen's, I will admit that. But we did speak of the process together. And now that I see her book I have a bigger picture of her own process. More importantly, I have a picture of Kathreen, a glimpse of her inspiration and translation, and of her creativity that goes beyond 12 quilts and beyond the emails and tweets we shared. I'm glad to have this bit of her in the world. A legacy to her creativity indeed.

To read more about the book and other takes on it, make sure you visit the other stops on the Legacy Tour for Brave New Quilts.

Stash Books
Heather Jones
Kristin Link
Maya Donenfeld
Alexandra Smith
Sonya Philip
Ellen Luckett Baker
Andrea Jenkins
Shannon Cook
Mimi Kirchner

Shucked (Weekend Reads)

Have I ever told you that my five year old - The Evil Genius/Death Wish - has a thing for oysters? Raw oysters. And preferably the East Coast varieties.

She tried them once when we were out for brunch. Hubby and I were sharing a dozen so we doled a bite out to the girls. The One Bite rule, right? They were both rather meh about them so we didn't think anything of it. Another trip to the same brunch spot a month or so later and she asked for one more. We're generous folks and don't mind sharing, especially with the kids, but before I had a chance to have my second oyster she'd had 6!

From there she went straight to eating dozens, literally, at a time. Taking her out for dinner or brunch is getting expensive!

So when I saw this book on the shelf at Anthropologie, of all places, I had to grab it. Purely for parental research, you know? Shucked: Life on a New England Oyster Farm is the personal story of a food and lifestyle writer in Boston. Erin Byers Murray is feeling jaded and bored and without too much thought decides to take a year off and work on an oyster farm. She describes her brutal, cold first days  - cleaning and culling just harvested oysters on the frozen Duxbury Bay, Massachusetts. Then summer comes and the work is backbreaking but thrilling. There are the challenges to her marriage with her now an oyster farmer at the mercy of the tides and her husband the bartender. There are also the highs of food festivals and post work beers and new relationships. Behind all that is the story of an oyster from seed to table. Not to mention all the farmers who make it happen.

My five year old is too young to read this book just yet, but I'll be keeping it on the shelf for her. And I predict she'll read it round about the time she starts paying for her own oysters.

In My Hands, And Yours - A Month of Sundays

In the midst of vacation and gathering quilts and blocks for Just One Slab my next baby came out! A Month of Sundays is now available in stores! (And on-line.)

A Month of Sundays is about everything we do on the weekend - Eat, Explore, Relax, and Shop. The quilts, sewing projects, and essays are all inspired by these four themes. And each theme includes a number of prompts and tips for embracing the lazy Sunday afternoon.

There is so much to say about this book, about the book writing process, about the photography, the photographer, and oh, the quilts! Then there are the essays, recipes, and 8 other sewing projects. This book is so intensely personal and I want to tell you everything about it. But I don't want to bore you with the details (and I want you to buy the book to see for yourself).

There are two quilts and two sewing projects per theme, that means 16 projects in total. All of them are designed with ease of use and creation in mind. They aren't necessarily meant to be finished in a single Sunday afternoon, but they can easily be picked at like a bowl of cherries - devoured at once, red fingertips to show for it, or nibbled each time you walk through the room.

Oh, and did you know ALL the projects feature low-volume fabrics? Indeed, my own fascination with low-volume fabrics fueled the book. You could easily turn up the volume and embrace all your modern brights with each project too.

I do hope you all love it. I'm looking forward to sharing more with you in the coming months, in addition to hearing from you. If you have any questions about the project comment here and I will try to  add those my discussions, over a loverly cup of tea.

The Importance of Storytelling (Weekend Reads)

It's been slow on the reading front the last few months, for two reasons. One, I've been moving full speed ahead and barely have the energy to fall into bed for a few hours of sleep each night, let alone read. And two, the last two books I picked were a little heady. It made reading them a bit of a challenge.

Both books were quite good, but slogs to get through at times.

Fall on Your Knees by Ann-Marie MacDonald was actually painful to read at times. Incredibly well written, wry, and full of great storytelling, it was also full of not a single likeable character. I spent the first half of the book alternating between cringing and wanting to reach into the pages to slap someone. But the details, the rich descriptions, and the subtle but incredible turns in the writing kept me going. Bad writing and mediocre storytelling would have had me toss the book early on, simply because of the characters.

It's a story that follows a family through their rural Cape Breton Island life, with a stint in New York City, that captures young love, abuse, racism, ugly marriages, music, evil, obsession, strength, and light. Not a single character is flawless and it isn't until the end that sympathy actually grows. And that's my experience. I wonder if a reader with a different perspective of many of these issues feels the sympathy differently? As the story unfolds and history is clarified your heart takes leaps and plunges. Without good story telling this is just a book about an family's ugly history.

As I've grown older I've realized that good storytelling is what appeals to me more than anything in a novel. So many novels are character driven. And that's fine, but the storytelling has to be there too. If not, I'm happy to put the book aside and move on to something else more interesting.

I nearly did that with The Elegance of the Hedgehog by Muriel Barbery. Very much character driven and rather pretentious through the first half of the book, I came very close to moving on. But I'd been warned that this might be my response. So I forged ahead, helped by the short chapters. A few pages a night and progression through the book was what I needed before bed, that's all. Then I came to this passage:

"Personally I think that grammar is a way to attain beauty. When you speak, or read, or write, you can tell if you've said or read or written a fine sentence. You can recognize a well-turned phrase or an elegant style. But when you are applying the rules of grammar skillfully, you ascend to another level of the beauty of language... I get completely carried away just knowing there are words of all different natures, and that you have to know them in order to be able to infer their potential usage and compatibility."

And it goes on. I literally sat up in bed and read this passage over and over again. It explained so much for me as a reader and a writer. And it made me pay more attention to rest of the book, caught up in the stories of the characters now.

Words make stories, but in the hand of a good writer - someone who can ascend through language - they make beauty, even when the stories are ugly. That's what good storytelling is and I will always pursue that.